ADRIENNE TONER A Novel

BY ANNE DOUGLAS SEDGWICK (Mrs. Basil de Sélincourt) AUTHOR OF “CHRISTMAS ROSES, AND OTHER STORIES,” “TANTE” “FRANKLIN KANE,” “THE ENCOUNTER,” ETC.

BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge

COPYRIGHT, 1922, BY ANNE DOUGLAS DE SÉLINCOURT ALL RIGHTS RESERVED THIRD IMPRESSION, MAY, 1922 The Riverside Press CAMBRIDGE . MASSACHUSETTS PRINTED IN THE U . S . A.

PART I CHAPTER: I, II, III, IV, V, VI, VII, VIII, IX, X, XI, XII, XIII, XIV, XV, XVI, XVII, XVIII, XIX, XX, XXI, XXII, XXIII, XXIV, PART II CHAPTER: I, II, III, IV, V, VI, VII, VIII, IX

CHAPTER I

“COME down to Coldbrooks next week-end, will you, Roger?” said Barney Chadwick. He had been wandering around the room, pausing once to glance at the César Franck on the piano and once at the window to look down at the Thames, and his voice now, though desultory in intention, betrayed to his friend preoccupation and even anxiety. “There is going to be an interesting girl with us: American; very original and charming.”

Roger Oldmeadow sat at his writing-bureau in the window, and his high dark head was silhouetted against the sky. It had power and even beauty, with moments of brooding melancholy; but the type to which it most conformed was that of the clever, cantankerous London bachelor; and if he sometimes looked what he was, the scholar who had taken a double first at Balliol and gave brain and sinew to an eminent review, he looked more often what he was not, a caustic, cautious solicitor, clean-shaved and meticulously neat, with the crisp bow at his collar, single eyeglass, and thin, wry smile.

There was a cogitative kindness in his eyes and a latent irony on his lips as he now scrutinized Barney Chadwick, who had come finally to lean against the mantelpiece, and it was difficult before Roger Oldmeadow’s gaze at such moments not to feel that you were giving yourself away. This was evidently what Barney was trying not to feel, or, at all events, not to show. He tapped his cigarette-end, fixing his eyes upon it and frowning a little. He had ruffled his brown hair with the nervous hand passed through it during his ramble, but ruffled or sleek Barney could never look anything but perfection, just as, whether he smiled or frowned, he could never look anything but charming. In his spring-tide grey, with a streak of white inside his waistcoat and a tie of petunia silk that matched his socks, he was a pleasant figure of fashion; and he was more than that; more than the mere London youth of 1913, who danced the tango and cultivated Post-Impressionism and the Russian ballet. He was perhaps not much more; but his difference, if slight, made him

noticeable. It came back, no doubt, to the fact of charm. He was radiant yet reserved; confident yet shy. He had a slight stammer, and his smile seemed to ask you to help him out. His boyhood, at twenty-nine, still survived in his narrow face, clumsy in feature and delicate in contour, with long jaw, high temples and brown eyes, half sweet, half sleepy. The red came easily to his brown cheek, and he had the sensitive, stubborn lips of the little boy at the preparatory school whom Oldmeadow had met and befriended now many years ago.

In Oldmeadow’s eyes he had always remained the “little Barney” he had then christened him—even Barney’s mother had almost forgotten that his real name was Eustace—and he could not but know that Barney depended upon him more than upon anyone in the world. To Barney his negations were more potent than other people’s affirmations, and though he had sometimes said indignantly, “You leave one nothing to agree about, Roger, except Plato and Church-music,” he was never really happy or secure in his rebellions from what he felt or suspected to be Oldmeadow’s tastes and judgments. Oldmeadow had seen him through many admirations, not only for books and pictures, but for original girls. Barney thought that he liked the unusual. He was a devotee of the ballet, and had in his rooms cushions and curtains from the Omega shop and a drawing by Wyndham Lewis. But Oldmeadow knew that he really preferred the photograph of a Burne-Jones, a survival from Oxford days, that still bravely, and irrelevantly, hung opposite it, and he waited to

see the Wyndham Lewis replaced by a later portent. Barney could remain stubbornly faithful to old devotions, but he was easily drawn into new orbits; and it was a new star, evidently, that he had come to describe and justify.

“What have I to do with charming American girls?” Oldmeadow inquired, turning his eyes on the blurred prospect of factory-chimneys and warehouses that the farther waterside of Chelsea affords. One had to go to the window and look out to see the grey and silver river flowing, in the placidity that revealed so little power. Oldmeadow lived in a flat on the Embankment; but he was not an admirer of Chelsea, just as he was not an admirer of Whistler nor—and Barney had always suspected it—of Burne-Jones. His flat gave him, at a reasonable cost, fresh air, boiling-hot water and a walk in Battersea Park; these, with his piano, were his fundamental needs; though he owned, for the mean little stream it was, that the Thames could look pretty enough by morning sunlight and—like any river—magical under stars. After Plato and Bach, Oldmeadow’s passions were the rivers of France.

“She’ll have something to do with you,” said Barney, and he seemed pleased with the retort. “I met her at the Lumleys. They think her the marvel of the age.”

“Well, that doesn’t endear her to me,” said Oldmeadow. “And I don’t like Americans.”

“Come, you’re not quite so hide-bound as all that,” said Barney, vexed. “What about Mrs. Aldesey? I’ve heard you say she’s the most charming woman you know.”

“Except Nancy,” Oldmeadow amended.

“No one could call Nancy a charming woman,” said Barney, looking a little more vexed. “She’s a dear, of course; but she’s a mere girl. What do you know about Americans, anyway—except Mrs. Aldesey?”

“What she tells me about them—the ones she doesn’t know,” said Oldmeadow, leaning back in his chair with a laugh. “But I own that I’m merely prejudiced. Tell me about your young lady, and why you want her to have something to do with me. Is she a reformer of some sort?”

“She’s a wonderful person, really,” said Barney, availing himself with eagerness of his opportunity. “Not a reformer. Only a sort of mixture of saint and fairy-princess. She cured Charlie Lumley of insomnia, three years ago, at Saint Moritz. Nothing psychic or theatrical, you know. Just sat by him and smiled—she’s a most extraordinary smile—and laid her hand on his head. He’d not slept for nights and went off like a lamb. Lady Lumley almost cries when she tells about it. They thought Charlie might lose his mind if he went on not sleeping.”

“My word! She’s a Christian Science lady? A medium? What?”

“Call her what you like. You’ll see. She does believe in spiritual forces. It’s not only that. She’s quite lovely. In every way. Nancy and Meg will worship her. The Lumley girls do.”

Oldmeadow’s thoughts were already dwelling in rueful surmise on Nancy. He had always thought her the nicest young creature he had ever known, nicer even than Barney; and he had always wanted them to marry. She was Barney’s second cousin, and she and her mother lived near the Chadwicks in Gloucestershire.

“Oh, Nancy will worship her, will she? She must be all right, then. What’s her name?” he asked.

Barney had given up trying to be desultory, and his conscious firmness was now not lost upon his friend as he answered, stammering a little, “Adrienne. Adrienne Toner.”

“Why Adrienne?” Oldmeadow mildly inquired. “Has she French blood?”

“Not that I know of. It’s a pretty name, I think, Adrienne. One hears more inane names given to girls every day. Her mother loved France—just as you do, Roger. Adrienne was born in Paris, I think.”

“Oh, a very pretty name,” said Oldmeadow, noting Barney’s already familiar use of it. “Though it sounds more like an actress’s than a saint’s.”

“There was something dramatic about the mother, I fancy,” said Barney, sustained, evidently, by his own detachment. “A romantic, rather absurd, but very loveable person. Adrienne worshipped her and, naturally, can’t see the absurdity. She died out in California. On a boat,” said Barney stammering again, over the b.

“On a boat?”

“Yes. Awfully funny. But touching, too. That’s what she wanted, when she died: the sea and sky about her. They carried her on her yacht—doctors, nurses, all the retinue—and sailed far out from shore. It’s beautiful, too, in a way you know, to be able to do that sort of thing quite simply and unself-consciously. Adrienne sat beside her, and they smiled at each other and held hands until the end.”

Oldmeadow played with his penholder. He was disconcerted; and most of all by the derivative emotion in Barney’s voice. They had gone far, then, already, the young people. Nancy could have not the ghost of a chance. And the nature of what touched Barney left him singularly dry. He was unable to credit so much simplicity or unself-consciousness. He coughed shortly, and after a decently respectful interval inquired: “Is Miss Toner very wealthy?”

“Yes, very,” said Barney, relapsing now into a slight sulkiness. “At least, perhaps not very, as rich Americans go. She gave away a lot of her fortune, I know, when her mother died. She founded a place for children—a convalescent home, or crèche—out in California. And she did something in Chicago, too.”

And Miss Toner had evidently done something in London at the Lumleys’. It couldn’t be helped about Nancy, and if the American girl was pretty and, for all her nonsense, well-bred, it might not be a bad thing, since there was so much money. The Chadwicks were not at all well off, and Coldbrooks was only kept going by Mrs. Chadwick’s economies and Barney’s labours at his uncle’s stock-broking firm in the city. Oldmeadow could see Eleanor Chadwick’s so ingenuous yet so practical eye fixed on Miss Toner’s gold, and he, too, could fix his. Miss Toner sounded benevolent, and it was probable that her presence as mistress of Coldbrooks would be of benefit to all Barney’s relatives. All the same, she sounded as irrelevant in his life as the Wyndham Lewis.

“Adrienne Toner,” he heard himself repeating aloud, for he had a trick, caught, no doubt, from his long loneliness, of relapsing into absent-minded and audible meditations. The cadence of it worried him. It was an absurd name. “You know each other pretty well already, it seems,” he said.

“Yes; it’s extraordinary how one seems to know her. One doesn’t have any formalities to get through with her, as it were,” said Barney. “Either you are there, or you are not there.”

“Either on the yacht, or not on the yacht, eh?” Oldmeadow reached out for his pipe.

“Put it like that if you choose. It’s awfully jolly to be on the yacht, I can tell you. It is like a voyage, a great adventure, to know her.”

“And what’s it like to be off the yacht? Suppose I’m not there? Suppose she doesn’t like me?” Oldmeadow suggested. “What am I to talk to her about—of course I’ll come, if you really want me. But she frightens me a little, I confess. I’m not an adventurous person.”

“But neither am I, you know!” Barney exclaimed, “and that’s just what she does to you: makes you adventurous. She’ll be immensely interested in you, of course. You can talk to her about anything. It was down at a week-end at the Lumleys’ I first met her, and there were some tremendous big-wigs there, political, you know, and literary, and all that sort of thing; and she had them all around her. She’d have frightened me, too, if I hadn’t seen at once that she took to me and wouldn’t mind my being just ordinary. She likes everybody; that’s just it. She takes to everybody, big and little. She’s just like sunshine,” Barney stammered a little over his s’s. “That’s what she makes one think of straight off; shining on everything.”

“On the clean and the unclean. I see,” said Oldmeadow. “I feel it in my bones that I shall come into the unclean category with her. But it’ll do me the more good to have her shine on me.”

CHAPTER II

ROGER OLDMEADOW went to have tea with Mrs. Aldesey next afternoon. She was, after the Chadwicks, his nearest friend, and his relation to the Chadwicks was one of affection rather than affinity. They had been extraordinarily kind to him since the time that he had befriended Barney at the preparatory school, hiding, under his grim jocularities, the bewilderment of a boy’s first great bereavement. His love for his mother had been an idolatry, and his childhood had been haunted by her ill-health. She died when he was thirteen, and in some ways he knew that, even now, he had never got over it. His unfortunate and frustrated love-affair in early manhood had been, when all was said and done, a trivial grief compared to it. Coldbrooks had become, after that, his only home, for he had lost his father as a very little boy, and the whole family had left the country parsonage and been thrown on the mercies of an uncle and aunt who lived in a grim provincial town. Oldmeadow’s most vivid impression of home was the high back bedroom

where the worn carpet was cold to the feet and the fire a sulky spot of red, and the windows looked out over smoky chimney-pots. Here his stricken mother lay in bed with her cherished cat beside her and read aloud to him. There was always a difficulty about feeding poor Effie, Aunt Aggie declaring that cats should live below stairs and on mice; and Roger, at midday dinner, became adroit at slipping bits of meat from his plate into a paper held in his lap and carried triumphantly to his mother’s room afterwards. “Oh, darling, you oughtn’t to,” she would say with her loving, girlish smile, and he would reply, “But I went without, Mummy; so it’s quite all right.” His two little sisters were kept in the nursery, as they were noisy, high-spirited children, and tired their mother too much. Roger was her companion, her comrade; her only comrade in the world, really, beside Effie. It had been Mrs. Chadwick who had saved Effie from the lethal chamber after her mistress’s death. Roger never spoke about his mother, but he did speak

about Effie when she was thus threatened, and he had never forgotten, never, never, Mrs. Chadwick’s eager cry of, “But bring her here, my dear Roger. I like idle cats! Bring her here, and I promise you that we’ll make her happy. Animals are so happy at Coldbrooks.” To see Effie cherished, petted, occupying the best chairs during all the years that followed, had been to see his mother, in this flickering little ghost, remembered in the only way he could have borne to see her explicitly remembered, and it was because of Effie that he had most deeply loved Coldbrooks. It remained always his refuge during a cheerless and harassed youth, when, with his two forceful, black-browed sisters to settle in life, he had felt himself pant and strain under the harness. He was fonder of them than they of him, for they were hard, cheerful young women, inheriting harshness of feature and manner from their father, with their father’s black eyes. It was from his mother that Oldmeadow had his melancholy blue ones, and he had never again met his mother’s tenderness.

Both sisters were now settled, one in India and one, very prosperously, in London; but he seldom turned for tea into Cadogan Gardens and Trixie’s brisk Chippendale drawing-room; though Cadogan Gardens was obviously more convenient than Somer’s Place, where, on the other side of the park, Mrs. Aldesey lived. He had whims, and did not know whether it was because he more disliked her husband or her butler that he went so seldom to see Trixie. Her husband was jovial and familiar, and the butler had a face like a rancid ham and a surreptitious manner. One had always to be encountered at the door, and the other was too often in the drawing-room, and Trixie was vexatiously satisfied with both; Trixie also had four turbulent, intelligent children, in whom complacent parental theories of uncontrol manifested themselves unpleasantly, and altogether she was too much hedged in by obstacles to be tempting; even had she been tempting in herself. Intercourse with Trixie, when it did take place, consisted usually of hard-hearted banter. She bantered him a

great deal about Mrs. Aldesey, who, she averred, snubbed her. Not that Trixie minded being snubbed by anybody.

It was a pleasant walk across the park on this spring day when the crocuses were fully out in the grass, white, purple and gold, and the trees just scantly stitched with green, and, as always, it was with a slight elation that he approached his friend. However dull or jaded oneself or the day, the thought of her cheered one as did the thought of tea. She made him think of her own China tea. She suggested delicate ceremoniousness. Though familiar, there was always an aroma of unexpectedness about her; a slight, sweet shock of oddity and surprise.

Mrs. Aldesey was unlike the traditional London American. She was neither rich nor beautiful nor noticeably well-dressed. One became gradually aware, after some time spent in her company, that her clothes, soft-tinted and silken, were pleasing, as were her other appurtenances; the narrow front of her little house, painted freshly in white and green and barred by boxes of yellow wallflower; the serenely unfashionable water-colours of Italy, painted by her mother, on the staircase; and her drawing-room, grey-green and primrose-yellow, with eighteenth-century fans, of which she had a collection, displayed in cabinets, and good old glass.

Mrs. Aldesey herself, behind her tea-table, very faded, very thin, with what the French term a souffreteux little face—an air of just not having taken drugs to make her sleep, but of having certainly taken tabloids to make her digest—seemed already to belong to a passing order of things; an order still sustained, if lightly, by stays, and keeping a prayer-book as punctually in use as a card-case.

Oldmeadow owed her, if indirectly, to the Chadwicks, as he owed so much, even if it was entirely on his own merits that he had won her regard. They had met, years ago, in France; an entirely chance encounter, and probably a futureless one, had it not been for the presence in the hotel at Amboise of the Lumleys. They both slightly knew the Lumleys, and the Lumleys and the Chadwicks were old friends. So it had come about; and if he associated Mrs. Aldesey with tea, he associated her also with perfect omelettes and the Loire. He had liked her at once so much, that, had it not been for an always unseen yet never-repudiated husband in New York, he would certainly, at the beginning, have fallen in love with her. But the unrepudiated husband made as much a part of Mrs. Aldesey’s environment as her stays and her prayer-book. The barrier was so evident that one did not even reflect on what one might have done had it not been there; and indeed, Mrs. Aldesey, he now seemed, after many pleasant years of friendship, to recognize, for all the sense of sweetness and

exhilaration she gave him, had not enough substance to rouse or sustain his heart. She was, like the tea again, all savour.