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Chapter I

COLETTE WILLY

TRANSLATED BY MAIRE KELLY

PREFACE

Madame:

There are moments when one seems to come to life. One looks about and distinguishes a creature whose foot-print closely resembles the ace of spades. The thing says: bow-wow. It is a dog. One looks again. The ace of spades is now an ace of clubs. The thing says: pffffffff—and it is a cat.

This is the history of the visible world and in particular, that of my god-children, Toby-Dog and Kiki-the-Demure. They are so natural—I use the word in the sense in which it is applicable to the savages of Oceania—that all their acts conspire to make of life, a very simple proposition. These are animals in the fullest sense of the word—animos—if I may employ the original orthography, capable of exclaiming with those of Faust:

"The fool knows it not! He knows not the pot, He knows not the kettle."

And as such, Madame, you have placed them exactly where they should be: their earthly Paradise is the apartment of Monsieur Willy. In your salon, the probable palm and rubber-plant give the impression of luxuriant Edenic flora, relatively speaking, and illustrate the transmogrification which is to allow M. Gaston Deschamps—critic of a "Temps" plus-que-passé—to announce to the wilderness (where he speaks familiarly of Chateaubriand), and to the Collège de France, how well he can admire and understand a true poet.

For you are a true poet and I will declare it freely, not concerning myself more with the legends Parisians have the habit of weaving about every celebrity. They admire Gauguin and Verlaine, not so much for their originality, as for their eccentricities. And so it happens that certain persons, unacquainted with the nameless sentiment, the order and purity, the thousand interior virtues which guide you, persist in saying that you wear your hair short and that Willy is bald.

Must I then—living at Orthez—tell Tout-Paris who you are, present you to all who know you—I who have never seen you?

I will say then, that Madame Colette Willy never had short hair, that she does not wear masculine attire; that her cat does not accompany her when she goes to a concert, that her friend's dog does not drink from a tumbler. It is inexact to say that Mme. Colette Willy works in a squirrel's cage, or performs upon trapeze and flying rings, and can reach with her toe the nape of her neck. Madame Colette Willy has never ceased to be the plain woman par excellence, who rises at dawn to give oats to the horse, maize to the chickens, cabbage to the rabbits, groundsel to the canaries, snails to the ducks and bran-water to the pigs. At eight o'clock, summer and winter, she prepares the café au lait for her maid—and herself. Scarcely a day passes that she does not meditate upon this admirable book:

A LADY'S COUNTRY-HOUSE

BY

MME. MILLET ROBINET.

Orchard, kitchen-garden, stable, poultry-yard, bee-hive and hot-house, have no further mysteries for Madame Colette Willy. They say, she refused to divulge her secret for the destruction of mole-crickets to "a great statesman, who prayed her on his knees."

Madame Colette Willy is in no way different from the description I have just given of her. I am aware that certain folk, having met her in society, insist upon making her very complex. A little more, and they would have ascribed to her the tastes of the mustiest symbolists—and one knows how far from pleasing are those Muses' robes, how odious the yellow bandeaux above faces expressionless as eggs. Robes and bandeaux are to-day relegated to drawers in the Capitol at Toulouse, from which they will never be taken more, except when occasion calls for the howling of official alexandrines in honor of M. Gaston Deschamps, Jaurès, or Vercingétorix.

Madame Colette Willy rises to-day on the world of Letters as the poetess—at last!—who, with the tip of her slipper sends all the painted, laureled, cothurnèd, lyre-carrying Muses—that, from Monselet to Renan, have roused the aspirations of classes in Rhetoric—rolling, from the top to the bottom of Parnassus.

How charming she is thus—presenting her bull-dog and her cat with as much assurance as Diana would her hound, or a Bacchante her tiger.

See her apple-cheeks, her eyes like blue myosotis, her lips—poppy-petals, and her ivy-like grace! Tell me if this way of leaning against the green barrier of her garden-close, or of lying under the murmurous arbor of mid-Summer, is not worth the starched manner, that old magistrate de Vigny—with his neckcloth wound three times around, and rigid in his trousers' straps—imposed upon his goddesses? Madame Colette Willy is a live woman, a real woman, who has dared to be natural and who resembles a little village bride far more than a perverse woman of letters.

Read her book and you shall see how accurate are my assertions. It has pleased Madame Colette Willy to embody in a couple of delightful animals, the aroma of gardens, the freshness of the field, the heat of state-roads,—the passions of men.... For through this girlish laughter ringing in the forest, I tell you, I hear the sobbing of a well-spring. One does not stoop to a poodle or tom-cat, without feeling the heart wrung with dumb anguish. One is sensible, in comparing ourselves to them, of all that separates and of all that unites us.

A dog's eyes hold the sorrow of having, since the earliest days of creation, licked the whip of his incorrigible persecutor in vain. For nothing has mollified man—not the prey brought him by a famishing spaniel, nor the humble guilelessness of the shepherd-dog, guarding the peace of the shadowy flocks under the stars.

A tragic fear shines in the cat's eyes. "What are you going to do to me now?" it seems to ask, lying on a rubbish-heap, a prey to mange and hunger—and feverishly it waits the new torture that will shatter its nervous system.

But have no fear... Madame Colette Willy is very kind. She quickly dispels the hereditary dread of Toby-Dog and Kiki-the-Demure. She meliorates the race, so that dogs and cats will learn in the end that it is less dull to frequent a poet than an unhappy Collège de France candidate—had this candidate proven more copiously still, that the author of "Mémoires d'Outre-Tombe" had topsyturvily described the jawbone of the Crocodile.

Toby-Dog and Kiki-the-Demure well know that their mistress is a lady who would do no harm—neither to a piece of sugar nor to a mouse; a lady who, for our delight, jumps a rope she has woven of flower-words which she never bruises, and with which she perfumes us; a lady who sings, with the voice of a clear French rivulet, that wistful tenderness which makes the hearts of animals beat so fast.

FRANCIS JAMMES.

DRAMATIS PERSONAE

KIKI-THE-DEMURE, A Maltese cat. TOBY-DOG, A French bull-dog. HE, } SHE,} Master and Mistress (of minor importance).

SENTIMENTALITIES

The sunny porch. TOBY-DOG and KIKI-THE-DEMURE sprawl on the hot stone-flags, taking their after luncheon nap. The silence of Sunday prevails, yet TOBY-DOG is not asleep: the flies and a heavy luncheon torment him. Hind-quarters flattened out frog-fashion, he drags himself on his belly up to KIKI-THE-DEMURE whose striped body is perfectly quiet.

TOBY-DOG

Are you asleep?

KIKI-THE-DEMURE, (purrs feebly)

TOBY-DOG

Are you even alive? You're so flat! You look like the empty skin of a cat.

KIKI-THE-DEMURE, (in faltering tones)

L-e-t—m-e—a-l-o-n-e....

TOBY-DOG

Not sick, are you?

KIKI-THE-DEMURE

No.... Let me alone. I'm asleep. I'm not even conscious of my body. What torment to live with you! I've eaten, it's two o'clock, let's sleep.

TOBY-DOG

I can't. Something's made a ball in my stomach. It means to go down I guess, but very slowly. And then,—these flies, these flies! The eyes start out of my head at the sight of one of them. I'm all jaws, bristling with terrible teeth (just hear them snap), yet the infernal things escape me. Oh! my ears! Oh! my poor, sensitive, brown belly! My feverish nose! There! ... you see? ... right on my nose! What shall I do? I squint all I can ... two of them now? ... No ... only one ... no, two! ... I toss them up like bits of sugar and it's the empty air I snap.... I'm worn out. I detest the sun, and the flies, and everything! ...

(He wails.)

KIKI-THE-DEMURE, (sitting up, his eyes pale from the light and sleepiness)

Well, you've succeeded in waking me. That's all you wanted, isn't it? My dreams are gone! These flies that you're pursuing —I hardly felt their little teasing feet through my thick fur. The merest touch, like a caress, now and then thrilled along the silky sloping hairs which clothe me.... But then you never act with any discretion. Your vulgar gayety is a nuisance, and when sad you howl like a low comedian.

TOBY-DOG (bitterly)

If you woke up just to tell me that—

KIKI-THE-DEMURE, (correcting)

Of course you'll remember 'twas you woke me.

TOBY-DOG

I was so uncomfortable, I wanted someone to help me, to give me a word of encouragement....

KIKI-THE-DEMURE

I don't know any digestive words.

(Pause.)

Fancy their giving me a bad character when ... Just examine your conscience a bit and compare us. Hunger and heat wear you out and drive you mad; cold makes your blood curdle....

TOBY-DOG (vexed)

Mine is a sensitive nature.

KIKI-THE-DEMURE

A demoniacal nature, you mean!

TOBY-DOG

No, I don't mean that. You—you're a monstrous egoist.

KIKI-THE-DEMURE

Perhaps.... You and the Two-Paws don't understand what you're pleased to call a cat's egoism.... Our instinct of self-preservation, our dignity, our modest reserve, our attitude of weary renunciation (which comes of the hopelessness of ever being understood by them), they dub, in haphazard fashion, egoism. You're not a very discriminating dog, but at least you're free from prejudice. Will you understand me better? A cat is a guest in the house, not a plaything. Truly these are strange times we're living in! The Two-Paws, He and She, have they alone the right to be sad or joyful, to lick plates, to scold, or to go about the house indulging their capricious humors? I too have my whims, my sorrows, my irregular appetite, my hours of reverie when I wish to be alone....

TOBY-DOG (attentive and conscientious)

I'm listening, but I can hardly follow what you say. It's so complicated—a bit over my head, you know. But you astonish me! Are they in the habit of hindering you in your changeful moods? You mew, and they open the door. You lie on the paper—the sacred paper He's scratching on—He moves away, marvelous condescension!—and leaves you his soiled page. You meander up and down his scratching table, obviously in quest of mischief, your nose wrinkled up, your tail giving quick little jerks back and forth like a pendulum. She watches you laughing, while He announces "the promenade of devastation." How then, can you accuse Them—

KIKI-THE-DEMURE, (insincere)

I don't accuse Them. After all, psychological subtleties are not in your line.

TOBY-DOG

Don't speak so fast. I need time to understand. It seems to me—

KIKI-THE-DEMURE, (slyly)

Pray, don't hurry! Your digestion might suffer in consequence.

TOBY-DOG (unconscious of the irony)

You're right! I've some trouble in expressing myself to-day.—Well, here goes: it seems to me that of the two of us it's you they make the most of, and yet you do all the grumbling.

KIKI-THE-DEMURE

A dog's logic, that! The more one gives the more I demand.

TOBY-DOG

That's wrong. It's indiscreet.

KIKI-THE-DEMURE

Not at all. I have a right to everything.

TOBY-DOG

To everything? And I?

KIKI-THE-DEMURE

I don't imagine you lack anything, do you?

TOBY-DOG

Ah, I don't know. Sometimes in my very happiest moments, I feel like crying. My eyes grow dim, my heart seems to choke me. I would like to be sure, in such times of anguish, that everybody loves me; that there is nowhere in the world a sad dog behind a closed door, that no evil will ever come....

KIKI-THE-DEMURE, (jeering)

And then what dreadful thing happens?

TOBY-DOG

You know very well! Inevitably, at that moment She appears, carrying a bottle with horrible yellow stuff floating in it—Castor Oil! Wilful and unfeeling, she holds me between her strong knees, opens my jaws—

KIKI-THE-DEMURE

Close them tighter!

TOBY-DOG

But I'm afraid of hurting her—and my tongue, horrified, tastes the slimy mawkish stuff. I choke and spit, my poor face is convulsed and the end of this torture is long in coming.... You've seen me afterwards dragging myself around, melancholy, my head hanging, listening to the unwholesome glouglou the oil makes in my stomach. ...

KIKI-THE-DEMURE

Once when I was little She tried to give me castor oil. I scratched and bit her so, she never tried again. Ha! She must have thought she held the devil between her knees. I squirmed, blew fire through my nostrils, multiplied my twenty claws by a hundred, my teeth by one thousand, and finally—disappeared as if by magic.

TOBY-DOG

I wouldn't dare do that. You see, I love her. I love her enough to forgive her even the torture of the bath.

KIKI-THE-DEMURE, (interested)

You do? Tell me how it feels. It makes me shiver all over, just to see her putting you in the water.

TOBY-DOG

Alas.... Listen then, and pity me. Sometimes, when She's come out of her tub with nothing on her but her skin, her soft hairless skin that I lick respectfully,—She spills out more warm water, throws in a brown brick which smells of tar, and calls, "Toby!" That's enough! The soul quits my body; my legs shake under me. Something shines on the water—the picture of a window all twisted out of shape—it dances about and blinds me. She seizes me, poor swooning thing that I am, and plunges me in.... Ye Gods! From that time on I'm lost.... My one hope is in her. My eyes fasten themselves on hers, while a close warmth sticks to me like another skin on top of mine.... The brick's all foamy now ... I smell tar ... my eyes and nostrils smart ... there are storms in my ears. She grows excited, breathes loud and fast, laughs, and scrubs me light-heartedly. At last She rescues me, fishing me out by the nape of my neck, I paw the air, begging for life; then comes the rough towel and the warm coverlet where, exhausted, I relish my convalescence....

KIKI-THE-DEMURE, (deeply impressed)

Calm yourself.

TOBY-DOG

Jove! The telling it alone! ... But—you old sly-boots—didn't I see her one day armed with a sponge standing over you, holding you down on the toilet table?

KIKI-THE-DEMURE, (quite embarrassed, lashing his tail)

An old story! The long, fluffy hairs on my legs (which give them the outline of a Zouave's) had somehow gotten dirty. She insisted upon washing me. I persuaded her that I suffered atrociously under the sponge....

TOBY-DOG

What a fibber you are! Did She believe you?

KIKI-THE-DEMURE

'Um ... at first. It was my own fault tho' when She didn't. Turned over on my back, I proffered the candid belly, the terrified and forgiving eyes of a lamb about to be sacrificed. I felt a slight coolness, nothing more. A fear that my sensibilities might be destroyed, took possession of me. My rhythmical wailings increased, then subsided, then went up again like the noise of the sea (you know the strength of my voice). I imitated the calf, the whipped child, the cat in the night, the wind under the door. Little by little I grew enraptured with my own song, so that long after She had finished soiling me with cold water I continued wailing, my eyes fixed on the ceiling. Then She laughed tactlessly and cried out, "You're as untruthful as a woman!"

TOBY-DOG (with conviction)

That was annoying.

KIKI-THE-DEMURE

I was angry with her the entire afternoon.

TOBY-DOG

Oh, as to sulking, you do your share! I never can. I forget injuries.

KIKI-THE-DEMURE, (dryly)

You lick the hand that chastens you. Oh it's well known!

TOBY-DOG (gullible)

I lick the hand that—yes, that's it exactly.—An awfully pretty expression.

KIKI-THE-DEMURE

Not mine.... Dignity doesn't trouble you any! My word! I'm often ashamed for you. You love everybody. You take all sorts of rebuffs without even raising your back. You're as pleasant and as banal as a public garden.

TOBY-DOG

Don't you believe it, you ill-bred cat! You think you know everything and you don't understand simple politeness. Frankly now, would you have me snarl at His or Her friends' heels,—well-dressed people who know my name (lots of people I don't know know my name) and good-naturedly pull my ears?

KIKI-THE-DEMURE

I hate new faces.

TOBY-DOG

I don't love them either—whatever you say. I love—Her and Him.

KIKI-THE-DEMURE

And I, Him—and Her.

TOBY-DOG

Oh, I guessed your preference long ago. There's a sort of secret understanding between you two—

KIKI-THE-DEMURE, (smiling mysteriously and abandoning himself to his reverie)

An understanding, yes—secret and profound. He rarely speaks but makes a noise like a mouse, scratching his paper. It's for Him I've treasured up my little heart, my precious cat's heart, and He, without words, has given me his. This exchange makes me happy and reserved. Now and then with that pretty, wayward, ruling instinct which makes us cats rivals of women, I try my power over him. When we are alone, I point my ears forward devilishly as a sign that I'm about to spring upon his scratching paper. The tap, tap, tap of my paws straight through pens and letters and everything scattered about, is addressed to him as well as the insistent miauling when I beg for liberty. "Hymn to the Door-Knob," He laughingly calls it, or "The Plaint of the Sequestered Cat." The tender contemplation of my inspiring eyes is for him alone; they weigh on his bent head, until the look I'm calling searches and meets mine in a shock of souls, so foreseen and so sweet, that I must needs close my lids to hide the exquisite shyness I feel.

As for Her, she flutters about too much, often jostles me, holds my paws together and rocks me in the air, pets me in excited fashion, laughs aloud at me, imitates my voice too well—

TOBY-DOG (moved with indignation)

You're very hard to please! I certainly love Him; he's good and pretends not to see my faults, so that he won't have to scold, but She's the most beautiful thing in the world to me, the dearest and—the most difficult to understand. The sound of her step enchants me, her changeful eyes dispense happiness—and trouble. She's like Destiny itself, she never hesitates. Even torture from her hands—you know how She teases me?

KIKI-THE-DEMURE

Cruelly.

TOBY-DOG

No, not cruelly, but artfully. I never can tell what's coming next. This morning She bent down as if to speak to me, lifted one of my "tiny elephant's ears," as She calls them, and sent a sharp cry into it, which went to the very back of my brain.

KIKI-THE-DEMURE

Horrors!

TOBY-DOG

Was it right or wrong? I can't decide even now. It started waves of nervousness running madly through me. Then, She has a fancy for making me do tricks. Almost every day I must—"Do the Fish, Toby dear." She lifts me in her arms and squeezes me until I gasp. My poor dumb mouth opens as a carp's does when they're drowning it in air....

KIKI-THE-DEMURE

That's just like Her!

TOBY-DOG

Suddenly I find myself free—and still alive, miraculously saved by the power of her will. How beautiful life seems to me then! How fondly I lick the hand hanging at her side, the hem of her dress!

KIKI-THE-DEMURE, (contemptuously)

A pretty thing to do!

TOBY-DOG

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