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Chapter I

BERLIN AND SANS-SOUCI

OR,

FREDERICK THE GREAT AND HIS FRIENDS

An Historical Romance

BY

L. MUHLBACH

AUTHOR OF JOSEPH II. AND HIS COURT, FREDERICK THE GREAT AND HIS COURT, MERCHANT OF BERLIN, ETC.

TRANSLATED FROM THE GERMAN BY MRS. CHAPMAN COLEMAN AND HER DAUGHTERS

BOOK II.

I. The Two Sisters II. The Tempter III. The Wedding-Festival of the Princess Ulrica IV. Behind the Curtain V. A Shame-faced King VI. The First Rendezvous VII. On The Balcony VIII. The First Cloud IX. The Council of War X. The Cloister of Camens XI. The King and the Abbot XII. The Unknown Abbot XIII. The Levee of a Dancer XIV. The Studio XV. The Confession XVI. The Traitor XVII. The Silver-Ware XVIII. The First Flash of Lightning

BOOK III.

I. The Actors in Halle II. The Student Lupinus III. The Disturbance in the Theatre IV. The Friends V. The Order of the King VI. The Battle of Sohr VII. After the Battle VIII. A Letter Pregnant with Fate IX. The Return to Berlin X. Job's Post XI. The Undeceived XII. Trenck's First Flight XIII. The Flight XIV. "I will" XV. The Last Struggle for Power XVI. The Disturbance in the Theatre XVII. Sans-Souci

BOOK IV.

I. The Promise II. Voltaire and his Royal Friend III. The Confidence-Table IV. The Confidential Dinner V. Rome Sauvee VI. A Woman's Heart VII. Madame von Cocceji VIII. Voltaire IX. A Day in the Life of Voltaire X. The Lovers XI. Barbarina XII. Intrigues XIII. The Last Struggle

BERLIN AND SANS-SOUCI

OR,

FREDERICK THE GREAT AND HIS FRIENDS.

CHAPTER I.

THE ALCHEMIST'S INCANTATION.

It was a lovely May morning! The early rays of the sun had not withered the blossoms, or paled the fresh green of the garden of Charlottenburg, but quickened them into new life and beauty. The birds sang merrily in the groves. The wind, with light whispers, swept through the long avenues of laurel and orange trees, which surrounded the superb greenhouses and conservatories, and scattered far and wide throughout the garden clouds of intoxicating perfume.

The garden was quiet and solitary, and the closed shutters of the castle proved that not only the king, but the entire household, from the dignified and important chamberlain to the frisky garden-boy, still slept. Suddenly the silence was broken by the sound of hasty steps. A young man, in simple citizen costume, ran up the great avenue which led from the garden gate to the conservatory; then cautiously looking about him, he drew near to a window of the lower story in a wing of the castle. The window was closed and secured with inside shutters; a small piece of white paper was seen between the glass and the shutter. A passer-by might have supposed this was accidental, but the young burgher knew that this little piece of paper was a signal. His light stroke upon the window disturbed for a moment the deathlike silence around, but produced no other effect; he struck again, more loudly, and listened breathlessly. The shutters were slowly and cautiously opened from within, and behind the glass was seen the wan, sick face of Fredersdorf, the private

secretary and favorite of the king. When he saw the young man, his features assumed a more animated expression, and a hopeful smile played upon his lip; hastily opening the window, he gave the youth his hand. "Good-morning, Joseph," said he; "I have not slept during the whole night, I was so impatient to receive news from you. Has he shown himself?"

Joseph bowed his head sadly. "He has not yet shown himself," he replied in a hollow voice; "all our efforts have been in vain; we have again sacrificed time, money, and strength. He has not yet appeared."

"Alas!" cried Fredersdorf, "who could believe it so difficult to move the devil to appear in person, when he makes his presence known daily and hourly through the deeds of men? I must and will see him! He MUST and SHALL make known this mystery. He shall teach me HOW and of WHAT to make gold."

"He will yield at last!" cried Joseph, solemnly.

"What do you say? Will we succeed? Is not all hope lost?"

"All is not lost: the astrologer heard this night, during his incantations, the voice of the devil, and saw for one moment the glare of his eye, though he could not see his person."

"He saw the glare of his eye!" repeated Fredersdorf joyfully. "Oh, we will yet compel him to show himself wholly. He must teach us to make gold. And what said the voice of the devil to our astrologer?"

"He said these words: 'Would you see my face and hear words of golden wisdom from my lips? so offer me, when next the moon is full and shimmers like liquid gold in the heavens, a black ram; and if you shed his blood for me, and if not one white hair can be discovered upon him, I will appear and be subject to you.'"

"Another month of waiting, of patience, and of torture," murmured Fredersdorf. "Four weeks to search for this black ram without a single white hair; it will be difficult to find!"

"Oh, the world is large; we will send our messengers in every quarter; we will find it. Those who truly seek, find at last what they covet. But we will require much gold, and we are suffering now, unhappily, for the want of it."

"We? whom do you mean by we?" asked Fredersdorf, with a contemptuous shrug of the shoulders.

"I, in my own person, above all others, need gold. You can well understand, my brother, that a student as I am has no superfluous gold, even to pay his tailor's bills, much less to buy black rams. Captain Kleist, in whose house the assembly meets to-night, has already offered up far more valuable things than a score of black rams; he has sacrificed his health, his rest, and his domestic peace. His beautiful wife finds it strange, indeed, that he should seek the devil every night everywhere else than in her lovely presence."

"Yes, I understand that! The bewitching Madame Kleist must ever remain the vain-glorious and coquettish Louise von Schwerin; marriage has infused no water in her veins."

"No! but it has poured a river of wine in the blood of her husband, and in this turbid stream their love and happiness is drowned. Kleist is but a corpse, whom we must soon bury from our sight. The king has made separation and divorce easy; yes, easier than marriage. Is it not so, my brother? Ah, you blush; you find that your light-hearted brother has more observant eyes than you thought, and sees that which you intended to conceal. Yes, yes! I have indeed seen that you have been wounded by Cupid's arrow, and that your heart bleeds while our noble king refuses his consent to your marriage."

"Ah, let me once discover this holy mystery—once learn how to make gold, and I will have no favor to ask of any earthly monarch; I shall acknowledge no other sovereign than my own will."

"And to become the possessor of this secret, and your own master, you require nothing but a black ram. Create for us, then, my powerful and wealthy brother, a black ram, and the work is done!"

"Alas! to think," cried Fredersdorf, "that I cannot absent myself; that I must fold my hands and wait silently and quietly! What slavery is this! but you, you are not in bondage as I am. The whole world is before you; you can seek throughout the universe for this blood-offering demanded by the devil."

"Give us gold, brother, and we will seek; without gold, no black ram; without the black ram, no devil!"

Fredersdorf disappeared a moment and returned with a well-filled purse, which he handed to his brother. "There, take the gold; send your messengers in every quarter; go yourself and search. You must either find or create him. I swear to you, if you do not succeed, I will withdraw my protection from you; you will be only a poor student, and must maintain yourself by your studies."

"That would be a sad support, indeed," said the young man, smiling. "I am more than willing to choose another path in life. I would, indeed, prefer being an artist to being a philosopher."

"An artist!" cried Fredersdorf, contemptuously; "have you discovered in yourself an artist's vein?"

"Yes; or rather, Eckhof has awakened my sleeping talent."

"Eckhof—who is Eckhof?"

"How? you ask who is Eckhof? You know not, then, this great, this exalted artist, who arrived here some weeks since, and has entranced every one who has a German heart in his bosom, by his glorious acting? I saw him a few days since in Golsched's Cato. Ah! my brother, on that evening it was clear to me that I also was born for something greater than to sit in a lonely study, and seek in musty books for useless scraps of knowledge. No! I will not make the world still darker and mistier for myself with the dust of ancient books; I will illuminate my world by the noblest of all arts—I will become an actor!"

"Fantastic fool!" said his brother. "A GERMAN ACTOR! that is to say, a beggar and a vagabond! who wanders from city to city, and from village to village, with his stage finery, who is laughed at everywhere, even as the monkeys are laughed at when they make their somersets over the camels' backs; it might answer to be a dancer, or, at least, a French actor."

"It is true that the German stage is a castaway—a Cinderella— thrust aside, and clothed with sackcloth and ashes, while the spoiled and petted step-child is clothed in gold-embroidered robes. Alas! alas! it is a bitter thing that the French actors are summoned by the king to perform in the royal castle, while Schonemein, the director of the German theatre, must rent the Council-house for a large sum of money, and must pay a heavy tax for the permission to give to the German public a German stage. Wait patiently, brother, all this shall be changed, when the mystery of mysteries is discovered, when we have found the black ram! I bless the accident which gave me a knowledge of your secret, which forced you to receive me as a member in order to secure my silence. I shall be rich, powerful, and influential; I will build a superb theatre, and fill the German heart with wonder and rapture."

"Well, well, let us first understand the art of making gold, and we will make the whole world our theatre, and all mankind shall play before us! Hasten, therefore, brother, hasten! By the next full moon we will be the almighty rulers of the earth and all that is therein!"

"Always provided that we have found the black ram."

"We will find him! If necessary, we will give his weight in gold, and gold can do all things. Honor, love, power, position, and fame, can all be bought with gold! Let us, then, make haste to be rich. To be rich is to be independent, free, and gloriously happy. Go, my brother, go! and may you soon return crowned with success."

"I have still a few weighty questions to ask. In the first place, where shall I go?"

"To seek the black ram—it makes no difference where."

"Ah! it makes no difference! You do not seem to remember that the vacation is over, that the professors of the University of Halle have threatened to dismiss me if my attendance is so irregular. I must, therefore, return to Halle to-day, or—"

"Return to Halle to-day!" cried Fredersdorf, with horror. "That is impossible! You cannot return to Halle, unless you have already found what we need."

"And that not being the case, I shall not return to Halle; I shall be dismissed, and will cease to be a student. Do you consent, then, that I shall become an actor, and take the great Eckhof for my only professor?"

"Yes, I consent, provided the command of the alchemist is complied with."

"And how if the alchemist, notwithstanding the blood of the black ram, is unhappily not able to bring up the devil?"

At this question, a feverish crimson spot took possession of the wan cheek of Fredersdorf, which was instantly chased away by a more intense pallor. "If that is the result, I will either go mad or die," he murmured.

"And then will you see the devil face to face!" cried his brother, with a gay laugh. "But perhaps you might find a Eurydice to unlock the under world for you. Well, we shall see. Till then, farewell, brother, farewell." Nodding merrily to Fredersdorf, Joseph hurried away.

Fredersdorf watched his tall and graceful figure as it disappeared among the trees with a sad smile.

"He possesses something which is worth more than power or gold; he is young, healthy, full of hope and confidence. The world belongs to him, while I—"

The sound of footsteps called his attention again to the allee.

CHAPTER II.

THE OLD COURTIER.

The figure of a man was seen approaching, but with steps less light and active than young Joseph's. As the stranger drew nearer, Fredersdorf's features expressed great surprise. When at last he drew up at the window, the secretary burst into a hearty laugh.

"Von Pollnitz! really and truly I do not deceive myself," cried Fredersdorf, clapping his hands together, and again and again uttering peals of laughter, in which Pollnitz heartily joined.

Then suddenly assuming a grave and dignified manner, Fredersdorf bowed lowly and reverentially. "Pardon, Baron Pollnitz, pardon," said he in a tone of mock humility, "that I have dared to welcome you in such an unseemly manner. I was indeed amazed to see you again; you had taken an eternal leave of the court, we had shed rivers of tears over your irreparable loss, and your unexpected presence completely overpowered me."

"Mock and jeer at me to your heart's content, dear Fredersdorf; I will joyfully and lustily unite in your laughter and your sport, as soon as I have recovered from the fearful jolting of the carriage which brought me here. Be pleased to open the window a little more, and place a chair on the outside, that I may climb in, like an ardent, eager lover. I have not patience to go round to the castle door."

Fredersdorf silently obeyed orders, and in a few moments Von Pollnitz was lying comfortably stretched out on a silk divan, in the secretary's room.

"Ask me no questions, Fredersdorf," said he, breathing loudly; "leave me awhile to enjoy undisturbed the comfort of your sofa, and do me the favor first to answer me a few questions, before I reply to yours."

"Demand, baron, and I will answer," said Fredersdorf, seating himself on a chair near the sofa.

"First of all, who is King of Prussia? You, or Jordan,—or General Kothenberg,—or Chazot,—or—speak, man, who is King of Prussia?"

"Frederick the Second, and he alone; and he so entirely, that even his ministers are nothing more than his secretaries, to write at his dictation; and his generals are only subordinate engineers to draw the plans of battle which he has already fully determined upon; his composers are only the copyists of his melodies and his musical conceptions; the architects are carpenters to build according to the plan which he has either drawn or chosen from amongst old Grecian models: in short, all who serve him are literally servants in this great state machine; they understand his will and obey it, nothing more."

"Hum! that is bad, very bad," said Pollnitz. "I have found, however, that there are two sorts of men, and you have mentioned in your catalogue but one species, who have fallen so completely under the hand of Frederick. You have said nothing of his cook, of his valet- de-chambre, and yet these are most important persons. You must know that in the presence of these powers, a king ceases to be a king, and indeed becomes an entirely commonplace mortal, who eats and drinks and clothes himself, and who must either conceal or adorn his bodily necessities and weaknesses like any other man."

Fredersdorf shook his head sadly. "It seems to me that Frederick the Second is beyond the pale of temptation; for even with his cook and his valet he is still a king; his cook may prepare him the most costly and luxurious viands, but unhappily they do not lead him into temptation; a bad dish makes him angry, but the richest and choicest food has no effect upon his humor; he is exactly the same before dinner as after, fasting or feasting, and the favor he refuses before the champagne, he never grants afterward."

"The devil! that is worse still," murmured Pollnitz. "And the valet- -with him also does the king remain king?"

"Yes, so entirely, that he scarcely allows his valet to touch him. He shaves, coifs, and dresses himself."

"My God! who, then, has any influence over him? To whom can I turn to obtain a favor for me?"

"To his dogs, dear baron; they are now the only influential dependants!"

"Do you mean truly the four-footed dogs?—or—"

"The four-footed, dearest baron! Frederick has more confidence in them than in any two-legged animal. You know the king always trusted much to the instincts of his dogs; he has now gone so far in this confidence, as to believe that the hounds have an instinctive aversion to all false, wicked, and evil-minded men. It is therefore very important to every new-comer to be well received by the hounds, as the king's reception is somewhat dependent upon theirs."

"Is Biche yet with the king?"

"Yes, still his greatest favorite."

"I am rejoiced to hear that! I was always in favor with the Signora Biche; it was her custom to smell my pocket, hoping to find chocolate. I beseech you, therefore, dearest friend, to give me some chocolate, with which I may touch and soften the heart of the noble signora, and thus induce the king to look upon me favorably.

"I will stick a half pound in each of your pockets, and if Biche still growls at you, it will be a proof that she is far more noble than men; in short, that she cannot be bribed. Have you finished with your questions? I think it is now my time to begin."

"Not so, my friend. My head is still entirely filled with questions, and they are twining and twisting about like the fishing-worms in a bag, by the help of which men hope to secure fish. Be pitiful and allow me to fasten a few more of these questions to my fishing-rod, and thus try to secure my future."

"Well, then, go on—ask further!"

"Does Frederick show no special interest in any prima donna of the opera, the ballet, or the theatre?"

"No, he cares for none of these things."

"Is his heart, then, entirely turned to stone?"

"Wholly and entirely."

"And the queen-mother, has she no influence?"

"My God! Baron Pollnitz, how long have you been away? You ask me as many questions as if you had fallen directly from the moon, and knew not even the outward appearance of the court."

"Dear friend, I have been a whole year away, that is to say, an eternity. The court is a very slippery place; and if a man does not accustom himself hourly to walk over this glassy parquet, he will surely fall.

"Also there is nothing so uncertain as a court life; that which is true to-day, is to-morrow considered incredible; that which was beautiful yesterday is thrust aside to-day, as hateful to look upon: that which we despise to-day is to-morrow sought after as a rare and precious gem.

"Oh, I have had my experiences. I remember, that while I was residing at the court of Saxony, I composed a poem in honor of the Countess Aurora of Konigsmark. This was by special command of the king; the poem was to be set to music by Hasse, and sung by the Italian singers on the birthday of Aurora. Well, the Countess Aurora was cast aside before my poem was finished, and the Countess Kozel had taken her place. I finished my poem, but Amelia, and not Aurora, was my heroine. Hasse composed the music, and no one who attended the concert, given in honor of the birthday of the Countess Kozel, had an idea that this festal cantata had been originally ordered for Aurora of Konigsmark!

"Once, while I was in Russia, I had an audience from the Empress Elizabeth. As I approached the castle, leaning on the arm of the Captain Ischerbatow, I observed the guard, who stood before the door, and presented arms. Well, eight weeks later, this common guard was a general and a prince, and Isoherbatow was compelled to bow before him!

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