INTRODUCTION TO BOETHIUS.

§ 1. Date of the Work.

In my introductory remarks to the Legend of Good Women, I refer to the close connection that is easily seen to subsist between Chaucer's translation of Boethius and his Troilus and Criseyde. All critics seem now to agree in placing these two works in close conjunction, and in making the prose work somewhat the earlier of the two; though it is not at all unlikely that, for a short time, both works were in hand together. It is also clear that they were completed before the author commenced the House of Fame, the date of which is, almost certainly, about 1383-4. Dr. Koch, in his Essay on the Chronology of Chaucer's Writings, proposes to date 'Boethius' about 1377-8, and 'Troilus' about 1380-1. It is sufficient to be able to infer, as we can with tolerable certainty, that these two works belong to the period between 1377 and 1383. And we may also feel sure that the well-known lines to Adam, beginning—

'Adam scriveyn, if ever it thee befalle

Boece or Troilus to wryten newe'—

were composed at the time when the fair copy of Troilus had just been finished, and may be dated, without fear of mistake, in 1381-3. It is not likely that we shall be able to determine these dates within closer limits; nor is it at all necessary that we should be able to do so. A few further remarks upon this subject are given below.

§ 2. Boethius.

Before proceeding to remark upon Chaucer's translation of Boethius, or (as he calls him) Boece, it is necessary to say a few words as to the original work, and its author.

Anicius Manlius Torquatus Severinus Boethius, the most {viii}learned philosopher of his time, was born at Rome about A. D. 480, and was put to death A. D. 524. In his youth, he had the advantage of a liberal training, and enjoyed the rare privilege of being able to read the Greek philosophers in their own tongue. In the particular treatise which here most concerns us, his Greek quotations are mostly taken from Plato, and there are a few references to Aristotle, Homer, and to the Andromache of Euripides. His extant works shew that he was well acquainted with geometry, mechanics, astronomy, and music, as well as with logic and theology; and it is an interesting fact that an illustration of the way in which waves of sound are propagated through the air, introduced by Chaucer into his House of Fame, ll. 788-822, is almost certainly derived from the treatise of Boethius De Musica, as pointed out in the note upon that passage. At any rate, there is an unequivocal reference to 'the felinge' of Boece 'in musik' in the Nonnes Preestes Tale, B 4484.

§ 3. The most important part of his political life was passed in the service of the celebrated Theodoric the Goth, who, after the defeat and death of Odoacer, A. D. 493, had made himself undisputed master of Italy, and had fixed the seat of his government in Ravenna. The usual account, that Boethius was twice married, is now discredited, there being no clear evidence with respect to Elpis, the name assigned to his supposed first wife; but it is certain that he married Rusticiana, the daughter of the patrician Symmachus, a man of great influence and probity, and much respected, who had been consul under Odoacer in 485. Boethius had the singular felicity of seeing his two sons, Boethius and Symmachus, raised to the consular dignity on the same day, in 522. After many years spent in indefatigable study and great public usefulness, he fell under the suspicion of Theodoric; and, notwithstanding an indignant denial of his supposed crimes, was hurried away to Pavia, where he was imprisoned in a tower, and denied the means of justifying his conduct. The rest must be told in the eloquent

words of Gibbon[1].

'While Boethius, oppressed with fetters, expected each moment the sentence or the stroke of death, he composed in the tower of Pavia the "Consolation of Philosophy"; a golden volume, not unworthy of the leisure of Plato or Tully, but which claims {ix}incomparable merit from the barbarism of the times and the situation of the author. The celestial guide[2], whom he had so long invoked at Rome and at Athens, now condescended to illumine his dungeon, to revive his courage, and to pour into his wounds her salutary balm. She taught him to compare his long prosperity and his recent distress, and to conceive new hopes from the inconstancy of fortune[3]. Reason had informed him of the precarious condition of her gifts; experience had satisfied him of their real value[4]; he had enjoyed them without guilt; he might resign them without a sigh, and calmly disdain the impotent malice of his enemies, who had left him happiness, since they had left him virtue[5]. From the earth, Boethius ascended to heaven in search of the SUPREME GOOD[6],

explored the metaphysical labyrinth of chance and destiny[7], of prescience and freewill, of time and eternity, and generously attempted to reconcile the perfect attributes of the Deity with the apparent disorders of his moral and physical government[8]. Such topics of consolation, so obvious, so vague, or so abstruse, are ineffectual to subdue the feelings of human nature. Yet the sense of misfortune may be diverted by the labour of thought; and the sage who could artfully combine, in the same work, the various riches of philosophy, poetry, and eloquence, must already have possessed the intrepid calmness which he affected to seek. Suspense, the worst of evils, was at length determined by the ministers of death, who executed, and perhaps exceeded, the inhuman mandate of Theodoric. A strong cord was fastened round the head of Boethius, and forcibly tightened till his eyes almost started from their sockets; and some mercy may be discovered in the milder torture of beating him with clubs till he expired. But his genius

survived to diffuse a ray of knowledge over the darkest ages of the Latin world; the writings of the philosopher were translated by the most glorious of the English Kings, and the third emperor of the name of Otho removed to a more honourable tomb the bones of a catholic saint, who, from his Arian persecutors, had acquired the honours of martyrdom and the fame of miracles. In the last hours of Boethius, he derived some comfort from the {x}safety of his two sons, of his wife, and of his father-in-law, the venerable Symmachus. But the grief of Symmachus was indiscreet, and perhaps disrespectful; he had presumed to lament, he might dare to revenge, the death of an injured friend. He was dragged in chains from Rome to the palace of Ravenna; and the suspicions of Theodoric could only be appeased by the blood of an innocent and aged senator.'

This deed of injustice brought small profit to its perpetrator; for we read that Theodoric's own death took place shortly afterwards; and that, on his death-bed, 'he expressed in broken murmurs to his physician Elpidius, his deep repentance for the murders of Boethius and Symmachus.'

§ 4. For further details, I beg leave to refer the reader to the essay on 'Boethius' by H. F. Stewart, published by W. Blackwood and Sons, Edinburgh and London, in 1891. We are chiefly concerned here with the 'Consolation of Philosophy,' a work which enjoyed great popularity in the middle ages, and first influenced Chaucer indirectly, through the use of it made by Jean de Meun in the poem entitled Le Roman de la Rose, as well as directly, at a later period, through his own translation of it. Indeed, I have little doubt that Chaucer's attention was drawn to it when, somewhat early in life, he first perused with diligence that remarkable poem; and that it was from the following passage that he probably drew the inference that it might be well for him to translate the whole work:—

'Ce puet l'en bien des clers enquerre

Qui Boëce de Confort lisent,

Et les sentences qui là gisent,

Dont grans biens as gens laiz feroit

Qui bien le lor translateroit' (ll. 5052-6).

I.e. in modern English:—'This can be easily ascertained from the learned men who read Boece on the Consolation of Philosophy, and the opinions which are found therein; as to which, any one who would well translate it for them would confer much benefit on the unlearned folk':—a pretty strong hint[9]!

§ 5. The chief events in the life of Boethius which are referred to in the present treatise are duly pointed out in the notes; and it may be well to bear in mind that, as to some of these, nothing further is known beyond what the author himself tells us. Most of the personal references occur in Book i. Prose 4, Book ii. Prose 3, and in Book iii. Prose 4. In the first of these passages, Boethius recalls the manner in which he withstood one Conigastus, because he oppressed the poor (l. 40); and how he defeated the iniquities of Triguilla, 'provost' (præpositus) of the royal household (l. 43). He takes credit for defending the people of Campania against a particularly obnoxious fiscal measure instituted by Theodoric, which was called 'coemption' (coemptio); (l. 59.) This Mr. Stewart describes as 'a fiscal measure which allowed the state to buy provisions for the army at something under market-price—which threatened to ruin the province.' He tells us that he rescued Decius Paulinus, who had been consul

in 498, from the rapacity of the officers of the royal palace (l. 68); and that, in order to save Decius Albinus, who had been consul in 493, from wrongful punishment, he ran the risk of incurring the hate of the informer Cyprian (l. 75). In these ways, he had rendered himself odious to the court-party, whom he had declined to bribe (l. 79). His accusers were Basilius, who had been expelled from the king's service, and was impelled to accuse him by pressure of debt (l. 81); and Opilio and Gaudentius, who had been sentenced to exile by royal decree for their numberless frauds and crimes, but had escaped the sentence by taking sanctuary. 'And when,' as he tells us, 'the king discovered this evasion, he gave orders that, unless they quitted Ravenna by a given day, they should be branded on the forehead with a hot iron and driven out of the city. Nevertheless on that very day the information laid against me by these men was admitted' (ll. 89-94). He next alludes to some forged letters (l. 123), by means of which he had been accused of 'hoping for the

freedom of Rome,' (which was of course interpreted to mean that he wished to deliver Rome from the tyranny of Theodoric). He then boldly declares that if he had had the opportunity of confronting his accusers, he would have answered in the words of Canius, when accused by Caligula of having been privy to a conspiracy against him—'If I had known it, thou shouldst never have known it' (ll. 126-135). This, by the way, was rather an {xii}imprudent expression, and probably told against him when his case was considered by Theodoric.

He further refers to an incident that took place at Verona (l. 153), when the king, eager for a general slaughter of his enemies, endeavoured to extend to the whole body of the senate the charge of treason, of which Albinus had been accused; on which occasion, at great personal risk, Boethius had defended the senate against so sweeping an accusation.

In Book ii. Prose 3, he refers to his former state of happiness and good fortune (l. 26), when he was blessed with rich and influential parents-in-law, with a beloved wife, and with two noble sons; in particular (l. 35), he speaks with justifiable pride of the day when his sons were both elected consuls together, and when, sitting in the Circus between them, he won general praise for his wit and eloquence.

In Book iii. Prose 4, he declaims against Decoratus, with whom he refused to be associated in office, on account of his infamous character.

§ 6. The chief source of further information about these circumstances is a collection of letters (Variæ Epistolæ) by Cassiodorus, a statesman who enjoyed the full confidence of Theodoric, and collected various state-papers under his direction. These tell us, in some measure, what can be said on the other side. Here Cyprian and his brother Opilio are spoken of with respect and honour; and the only Decoratus whose name appears is spoken of as a young man of great promise, who had won the king's sincere esteem. But when all has been said, the reader will most likely be inclined to think that, in cases of conflicting evidence, he would rather take the word of the noble Boethius than that of any of his opponents.

§ 7. The treatise 'De Consolatione Philosophiæ' is written in the form of a discourse between himself and the personification of Philosophy, who appears to him in his prison, and endeavours to soothe and console him in his time of trial. It is divided (as in this volume) into five Books; and each Book is subdivided into chapters, entitled Metres and Proses, because, in the original, the alternate chapters are written in a metrical form, the metres employed being of various kinds. Thus Metre 1 of Book I is written in alternate hexameters and pentameters; while Metre 7 consists of very short lines, each consisting of a single dactyl and {xiii}spondee. The Proses contain the main arguments; the Metres serve for embellishment and recreation.

In some MSS. of Chaucer's translation, a few words of the original are quoted at the beginning of each Prose and Metre, and are duly printed in this edition, in a corrected form.

§ 8. A very brief sketch of the general contents of the volume may be of some service.

Book I. Boethius deplores his misfortunes (met. 1). Philosophy appears to him in a female form (pr. 2), and condoles with him in song (met. 2); after which she addresses him, telling him that she is willing to share his misfortunes (pr. 3). Boethius pours out his complaints, and vindicates his past conduct (pr. 4). Philosophy reminds him that he seeks a heavenly country (pr. 5). The world is not governed by chance (pr. 6). The book concludes with a lay of hope (met. 7).

Book II. Philosophy enlarges on the wiles of Fortune (pr. 1), and addresses him in Fortune's name, asserting that her mutability is natural and to be expected (pr. 2). Adversity is transient (pr. 3), and Boethius has still much to be thankful for (pr. 4). Riches only bring anxieties, and cannot confer happiness (pr. 5); they were unknown in the Golden Age (met. 5). Neither does happiness consist in honours and power (pr. 6). The power of Nero only taught him cruelty (met. 6). Fame is but vanity (pr. 7), and is ended by death (met. 7). Adversity is beneficial (pr. 8). All things are bound together by the chain of Love (met. 8).

Book III. Boethius begins to receive comfort (pr. 1). Philosophy discourses on the search for the Supreme Good (summum bonum; pr. 2). The laws of nature are immutable (met. 2). All men are engaged in the pursuit of happiness (pr. 3). Dignities properly appertain to virtue (pr. 4). Power cannot drive away care (pr. 5). Glory is deceptive, and the only true nobility is that of character (pr. 6). Happiness does not consist in corporeal pleasures (pr. 7); nor in bodily strength or beauty (pr. 8). Worldly bliss is insufficient and false; and in seeking true felicity, we must invoke God's aid (pr. 9). Boethius sings a hymn to the Creator (met. 9); and acknowledges that God alone is the Supreme Good (p. 10). The unity of soul and body is necessary to existence, and the love of life is instinctive (pr. 11). Error is dispersed by the light of Truth (met. 11). God governs the world, and is all-sufficient, whilst evil has no true existence (pr. 12). The book ends with the story of Orpheus (met. 12).

Book IV. This book opens with a discussion of the existence of evil, and the system of rewards and punishments (pr. 1). Boethius describes the flight of Imagination through the planetary spheres till it reaches heaven itself (met. 1). The good are strong, but the wicked are powerless, having no real existence (pr. 2). Tyrants are chastised by their own passions (met. 2). Virtue secures reward; but the wicked lose even their human nature, and become as mere beasts (pr. 3). Consider the enchantments of Circe, though these merely affected the outward form (met. 4). The wicked are thrice wretched; they will to do evil, they can do evil, and they actually do it. Virtue is its own reward; so that the wicked should excite our pity (pr. 4). Here follows {xiv}a poem on the folly of war (met. 4). Boethius inquires why the good suffer (pr. 5). Philosophy reminds him that the motions of the stars are inexplicable to one who does not understand astronomy (met. 5). She explains the difference between Providence and Destiny (pr. 6). In all

nature we see concord, due to controlling Love (met. 6). All fortune is good; for punishment is beneficial (pr. 7). The labours of Hercules afford us an example of endurance (met. 7).

Book V. Boethius asks questions concerning Chance (pr. 1). An example from the courses of the rivers Tigris and Euphrates (met. 1). Boethius asks questions concerning Free-will (pr. 2). God, who sees all things, is the true Sun (met. 2). Boethius is puzzled by the consideration of God's Predestination and man's Free-will (pr. 3). Men are too eager to inquire into the unknown (met. 3). Philosophy replies to Boethius on the subjects of Predestination, Necessity, and the nature of true Knowledge (pr. 4); on the impressions received by the mind (met. 4); and on the powers of Sense and Imagination (pr. 5). Beasts look downward to the earth, but man is upright, and looks up to heaven (met. 5). This world is not eternal, but only God is such; whose prescience is not subject to necessity, nor altered by human intentions. He upholds the good, and condemns the wicked; therefore be constant in eschewing vice, and devote all thy powers to the love of virtue (pr. 6).

§ 9. It is unnecessary to enlarge here upon the importance of this treatise, and its influence upon medieval literature. Mr. Stewart, in the work already referred to, has an excellent chapter 'On Some Ancient Translations' of it. The number of translations that still exist, in various languages, sufficiently testify to its extraordinary popularity in the middle ages. Copies of it are found, for example, in Old High German by Notker, and in later German by Peter of Kastl; in Anglo-French by Simun de Fraisne; in continental French by Jean de Meun[10], Pierre de Paris, Jehan de Cis, Frere Renaut de Louhans, and by two anonymous authors; in Italian, by Alberto della Piagentina and several others; in Greek, by Maximus Planudes; and in Spanish, by Fra Antonio Ginebreda; besides various versions in later times. But the most interesting, to us, are those in English, which are somewhat numerous, and are worthy of some special notice. I shall here dismiss, as improbable and unnecessary, a suggestion sometimes made, that Chaucer may have consulted some French version in

the hope of obtaining assistance from it; there is no sure trace of anything of the kind, and the internal evidence is, in my opinion, decisively against it.