ENGLISH AND SCOTTISH BALLADS.

EDITED BY FRANCIS JAMES CHILD.

VOLUME VI.

BOSTON: LITTLE, BROWN AND COMPANY. M.DCCC.LX.

[Pg ii] Entered according to Act of Congress, in the year 1858, by Little, Brown and Company, in the Clerk's Office of the District Court of the District of Massachusetts.

RIVERSIDE, CAMBRIDGE: STEREOTYPED AND PRINTED BY H. O. HOUGHTON AND COMPANY.

[Pg iii]

CONTENTS OF VOLUME SIXTH.

[Pg 1]

[Pg 2]

BOOK VI.

[Pg 3]

THE LOCHMABEN HARPER.

This fine old ballad was first printed in the Musical Museum (O heard ye e'er of a silly blind Harper, p. 598). Scott inserted a different copy, equally good, in the Border Minstrelsy, i. 422, and there is another, of very ordinary merits, in Scottish Traditional Versions of Ancient Ballads (The Jolly Harper), p. 37. In this the theft is done on a wager, and the booty duly restored. On account of the excellence of the ballad, we give two versions, though they differ but slightly.

LOCHMABEN HARPER.

Minstrelsy of the Scottish Border, i. 422.

[Pg 11]

JOHNIE OF BREADISLEE.

AN ANCIENT NITHSDALE BALLAD.

Minstrelsy of the Scottish Border, iii. 114.

"The hero of this ballad appears to have been an outlaw and deer-stealer—probably one of the broken men residing upon the Border. There are several different copies, in one of which the principal personage is called Johnie of Cockielaw. The stanzas of greatest merit have been selected from each copy. It is sometimes said, that this outlaw possessed the old Castle of Morton, in Dumfries-shire, now ruinous: "Near to this castle there was a park, built by Sir Thomas Randolph, on the face of a very great and high hill; so artificially, that, by the advantage of the hill, all wild beasts, such as deers, harts, and roes, and hares, did easily leap in, but could not get out again; and if any other cattle, such as cows, sheep, or goats, did voluntarily leap in, or were forced to do it, it is doubted if their owners were permitted to get them out again." Account of Presbytery of Penpont, apud Macfarlane's MSS. Such a park would form a convenient domain to an outlaw's castle, and the mention of Durisdeer, a neighboring parish, adds weight to this tradition."

Johnie of Breadislee was first printed in the Border Minstrelsy. Fragments of two other versions, in which the hero's name is Johny Cock, were given in Fry's Pieces of Ancient Poetry, Bristol, 1814, p. 55,[Pg 12] and the editor did not fail to notice that he had probably lighted on the ballad of Johny Cox, which Ritson says the Rev. Mr. Boyd faintly recollected, (Scottish Song, I. p. xxxvi.) Motherwell, not aware of what Fry had done, printed a few stanzas belonging to the first of these versions, under the title of Johnie of Braidisbank (Minstrelsy, Ancient and Modern, p. 23), and Kinloch recovered a nearly complete story. Another copy of this last has been published from Buchan's manuscripts in Scottish Traditional Versions of Ancient Ballads (Percy Society, vol. xvii. p. 77). Chambers, in his Scottish Ballads, p. 181, has compounded Scott's, Kinloch's, and Motherwell's copies, interspersing a few additional stanzas of no value. Scott's and Kinloch's versions are given in this place, and Fry's fragments (which contain several beautiful stanzas) in the Appendix.

JOHNIE OF COCKLESMUIR.

From Kinloch's Ancient Scottish Ballads, p. 38. This version was procured in the North Country. The termination would seem to be wanting, for the story must have had a tragical conclusion. Buchan's copy ends very insipidly with the King's granting Johny a free license to hunt![Pg 17]

[Pg 20]

THE SANG OF THE OUTLAW MURRAY.

Minstrelsy of the Scottish Border, i. 369.

"This ballad appears to have been composed about the reign of James V. It commemorates a transaction supposed to have taken place betwixt a Scottish monarch and an ancestor of the ancient family of Murray of Philiphaugh, in Selkirkshire. The Editor is unable to ascertain the historical foundation of the tale; nor is it probable that any light can be thrown upon the subject, without an accurate examination of the family charter-chest....

"The merit of this beautiful old tale, it is thought, will be fully acknowledged. It has been, for ages, a popular song in Selkirkshire. The scene is by the common people supposed to have been the Castle of Newark upon Yarrow. This is highly improbable, because Newark was always a royal fortress. Indeed, the late excellent antiquarian, Mr. Plummer, Sheriff-depute of Selkirkshire, has assured the Editor that he remembered the insignia of the unicorns, &c., so often mentioned in the ballad, in existence upon the old Tower of Hangingshaw, the seat of the Philiphaugh family; although, upon first perusing a copy of the ballad, he was inclined to subscribe to the popular opinion. The Tower of Hangingshaw has been demolished for many years. It stood in a romantic and solitary situation, on the classical banks of the Yarrow. When the mountains around Hangingshaw were covered with the wild copse which constituted a Scottish[Pg 21] forest, a more secure stronghold for an outlawed baron can scarcely be imagined.

"The tradition of Ettrick Forest bears, that the outlaw was a man of prodigious strength, possessing a baton or club, with which he laid lee (i. e. waste) the country for many miles round; and that he was at length slain by Buccleuch, or some of his clan, at a little mount, covered with fir-trees, adjoining to Newark Castle, and said to have been a part of the garden. A varying tradition bears the place of his death to have been near to the house of the Duke of Buccleuch's gamekeeper, beneath the castle; and that the fatal arrow was shot by Scott of Haining, from the ruins of a cottage on the opposite side of Yarrow. There were extant, within these twenty years, some verses of a song on his death. The feud betwixt the Outlaw and the Scots, may serve to explain the asperity with which the chieftain of that clan is handled in the ballad.

"In publishing the following ballad, the copy principally resorted to is one apparently of considerable antiquity, which was found among the papers of the late Mrs. Cockburn of Edinburgh, a lady whose memory will be long honoured by all who knew her. Another copy, much more imperfect, is to be found in Glenriddel's MSS. The names are in this last miserably mangled, as is always the case when ballads are taken down from the recitation of persons living at a distance from the scenes in which they are laid. Mr. Plummer also gave the editor a few additional verses, not contained in either copy, which are thrown into what seemed their proper place. There is yet another copy in Mr. Herd's MSS., which has been occasionally[Pg 22] made use of. Two verses are restored in the present edition, from the recitation of Mr. Mungo Park, whose toils during his patient and intrepid travels in Africa have not eradicated from his recollection the legendary lore of his native country."—S.

Since the above was printed, Mr. Aytoun has published still another copy of this piece, (Ballads of Scotland, ii. 129,) from a manuscript in the Philiphaugh charter-chest. I cannot assent to the praise bestowed by Scott on The Outlaw Murray. The story lacks point, and the style is affected—not that of the unconscious poet of the real traditional ballad.

38. Thomas Boyd, Earl of Arran, was forfeited, with his father and uncle, in 1469, for an attempt on the person of James III. He had a son, James, who was restored, and in favor with James IV. about 1482. If this be the person here meant, we should read, "The Earl of Arran his son was he." Glenriddel's copy reads, "a Highland laird I'm sure was he." Reciters sometimes call the messenger the Laird of Skene.—S.

60. Birkendale Brae, now commonly called Birkendailly, is steep descent on the south side of Minch-moor, which separates Tweeddale from Ettrick Forest; and from the top of which we have the first view of the woods of Hangingshaw, the Castle of Newark, and the romantic dale of Yarrow.—S.

63, Scott, blows: Aytoun, bows.

154. This is a place at the head of Moffat-water, possessed of old by the family of Halliday.—S.

173. This family were ancestors of the Murrays, Earls of Annandale; but the name of the representative, in the time of James IV., was William, not Andrew. Glenriddel's MS. reads, "the country-keeper."—S.

183. Before the Barony of Traquair became the property of the Stewarts, it belonged to a family of Murrays, afterwards Murrays of Black-barony, and ancestors of Lord Elibank. The old castle was situated on the Tweed. The lands of Traquair were forfeited by Willielmus de Moravia, previous to 1464; for, in that year, a charter, proceeding upon his forfeiture, was granted by the crown to "Willielmo Douglas de Cluny." Sir James was, perhaps, the heir of William Murray. It would farther seem, that the grant in 1464 was not made effectual by Douglas; for another charter from the crown, dated the 3d February, 1478, conveys the estate of Traquair to James Stewart, Earl of Buchan, son of the Black Knight of Lorne, and maternal uncle to James III., from whom is descended the present Earl of Traquair. The first royal grant not being followed by possession, it is very possible that the Murrays may have continued to occupy Traquair long after the date of that charter. Hence, Sir James might have reason to say, as in the ballad, "The King has gifted my lands lang syne."—S.

195, A ford on the Tweed, at the mouth of the Caddon Burn, near Yair.—S.

247. Permanscore is a very remarkable hollow on the top of a high ridge of hills, dividing the vales of Tweed and Yarrow, a little to the eastward of Minch-moor. It is the outermost point of the lands of Broadmeadows. The Glenriddel MS., which, in this instance, is extremely inaccurate as to names, calls the place of rendezvous, "The Poor Man's House," and hints that the Outlaw was surprised by the treachery of the King:—

I believe the reader will think with me, that the catastrophe is better, as now printed from Mrs. Cockburn's copy. The deceit, supposed to be practised on the Outlaw, is unworthy of the military monarch, as he is painted in the ballad; especially if we admit him to be King James IV.—S.

312. In this and the following verse, the ceremony of feudal investiture is supposed to be gone through, by the Outlaw resigning his possessions into the hands of the king, and receiving them back, to be held of him as superior. The lands of Philiphaugh are still possessed by the Outlaw's representative. Hangingshaw and Lewinshope were sold of late years. Newark, Foulshiels, and Tinnies, have long belonged to the family of Buccleuch.—S.

JOHNIE ARMSTRANG.

"Johnie Armstrong, of Gilnockie, the hero of the following ballad, is a noted personage, both in history and tradition. He was, it would seem from the ballad, a brother of the Laird of Mangertoun, chief of the name. His place of residence (now a roofless tower) was at the Hollows, a few miles from Langholm, where its ruins still serve to adorn a scene, which, in natural beauty, has few equals in Scotland. At the head of a desperate band of freebooters, this Armstrong is said to have spread the terror of his[Pg 38] name almost as far as Newcastle, and to have levied black-mail, or protection and forbearance money, for many miles round. James V., of whom it was long remembered by his grateful people that he made the "rush-bush keep the cow," about 1529, undertook an expedition through the Border counties, to suppress the turbulent spirit of the Marchmen. But before setting out upon his journey, he took the precaution of imprisoning the different Border chieftains, who were the chief protectors of the marauders. The Earl of Bothwell was forfeited, and confined in Edinburgh

Castle. The Lords of Home and Maxwell, the Lairds of Buccleuch, Fairniherst, and Johnston, with many others, were also committed to ward. Cockburn of Henderland, and Adam Scott of Tushielaw, called the King of the Border, were publicly executed.—Lesley, p. 430. The King then marched rapidly forward, at the head of a flying army of ten thousand men, through Ettrick Forest and Ewsdale. The evil genius of our Johnie Armstrong, or, as others say, the private advice of some courtiers, prompted him to present himself before James, at the head of thirty-six horse, arrayed in all the pomp of Border chivalry. Pitscottie uses nearly the words of the ballad, in describing the splendor of his equipment, and his high expectations of favor from the King. "But James, looking upon him sternly, said to his attendants, 'What wants that knave that a king should have?' and ordered him and his followers to instant execution."—"But John Armstrong," continues this minute historian, "made great offers to the King: That he should sustain himself, with forty gentlemen, ever

ready at his service, on their own cost, without wrong[Pg 39]ing any Scottishman: Secondly, that there was not a subject in England, duke, earl, or baron, but, within a certain day, he should bring him to his majesty, either quick or dead. At length, he seeing no hope of favor, said very proudly, 'It is folly to seek grace at a graceless face; but,' said he, 'had I known this, I should have lived upon the Borders in despite of King Harry and you both; for I know King Harry would downweigh my best horse with gold, to know that I were condemned to die this day."—Pitscottie's History, p. 145. Johnie and all his retinue were accordingly hanged upon growing trees, at a place called Carlenrig Chapel, about ten miles above Hawick, on the high road to Langholm. The country people believe, that, to manifest the injustice of the execution, the trees withered away. Armstrong and his followers were buried in a deserted churchyard, where their graves are still shown.

"As this Border hero was a person of great note in his way, he is frequently alluded to by the writers of the time. Sir David Lindsay of the Mount, in the curious play published by Mr. Pinkerton, from the Bannatyne MS., introduces a pardoner, or knavish dealer in relics, who produces, among his holy rarities—

Pinkerton's Scottish Poems, vol. ii. p. 69.

"In The Complaynt of Scotland, John Armistrangis' dance, mentioned as a popular tune, has probably[Pg 40] some reference to our hero." [See the Musical Museum, ed. 1853, vol. iv. p. 336.]—Scott's Minstrelsy, i. 402.

The ballad as here given is to be found in A Collection of Old Ballads, 1723, vol. i. p. 170. The whole title is: Johnny Armstrang's Last Good-night, shewing how John Armstrong, with his eightscore men, fought a bloody battle with the Scotch King at Edenborough. It had previously appeared in Wit Restor'd, 1658, p. 123, in very good shape, except the want of some stanzas towards the end. It is in this form, says Motherwell, that the story is preserved in the mouths of the people. Nevertheless, Allan Ramsay has inserted in his Evergreen quite a different version, taken down from the mouth of a gentleman of the name of Armstrong, "the sixth generation from this John," which the reciter maintained to be the genuine ballad, "and the common one false."

Ramsay's copy is subjoined, and the imperfect edition from Wit Restor'd finds a place in the Appendix.

The following verses, generally styled Armstrong's Good-night, are said to have been composed by one of that tribe who was executed in 1601 for the murder of Sir John Carmichael, Warden of the Middle Marches. They are from Johnson's Museum, p. 620, and are also found in Herd's Scottish Songs, ii. 182. In Buchan's Ballads of the North of Scotland, ii. 127, there is a twaddling piece called The Last Guid Night, which is a sort of imitation of these stanzas.

JOHNIE ARMSTRANG.

From Ramsay's Evergreen, ii. 190.

17. Langum hown.

30. thou mayst sune.[Pg 51]

HUGHIE GRAHAM.

Of the two editions of this ballad which follow, the first is taken from The Scots Musical Museum (p. 312), to which it was contributed by Burns. Burns states that he obtained his copy from oral tradition in Ayrshire, but he had certainly retouched several stanzas (the ninth and tenth, says Cromek), and the third and eighth are entirely of his composition.

The other copy is from the Border Minstrelsy, and consists of a version "long current in Selkirkshire" (procured for Scott by Mr. William Laidlaw), which also has been slightly improved by the pen of the editor.

In the Appendix we have placed the story as it occurs in Durfey's Pills to purge Melancholy, and in Ritson's Ancient Songs. The seventeenth volume of the Percy Society Publications furnishes us with a Scottish version in which Sir Hugh is rescued and sent over the sea: Scottish Traditional Versions of Ancient Ballads, p. 73. These, we believe, are all the published forms of this ballad, unless we mention Mr. Allan Cunningham's réchauffé of Burns, in his Songs of Scotland, i. 327.

"According to tradition," says Mr. Stenhouse, "Robert Aldridge, Bishop of Carlisle, about the year 1560, seduced the wife of Hugh Graham, one of those bold and predatory chiefs who so long inhabited what was called the Debatable Land, on the English and[Pg 52] Scottish border. Graham, being unable to bring so powerful a prelate to justice, in revenge made an excursion into Cumberland, and carried off inter alia, a fine mare belonging to the bishop (!) but being closely pursued by Sir John Scroope, warden of Carlisle, with a party on horseback, was apprehended near Solway Moss, and carried to Carlisle, where he was tried and convicted of felony. Great intercessions were made to save his life; but the bishop, it is said, being determined to remove the chief obstacle to his guilty passions, remained inexorable, and poor Graham fell a victim to his own indiscretion and his wife's infidelity. Anthony Wood observes that there were many changes in this prelate's time, both in church and state, but that he retained his offices and preferments during them all."—Musical Museum, iv. 297.

[Pg 55]

HUGHIE THE GRÆME.

From Minstrelsy of the Scottish Border, iii. 110.

[Pg 58]

KINMONT WILLIE.

In the year 1596, Mr. Salkeld, the deputy of Lord Scroope, the English warden of the West Marches, and Robert Scott, the representative of the Laird of Buccleuch, then keeper of Liddesdale, held a meeting on the border line of the kingdoms, according to the custom of the times, for the purpose of arranging such differences, and redressing such grievances, as either party might have to allege. On these occasions a truce was always proclaimed, inviolable on pain of death, from the day of the meeting to the next day at sunrise. After the conference in question, as William Armstrong of Kinmonth, a notorious freebooter, whose ordinary style was Kinmont Willie, was returning to his home, accompanied by only three or four persons, he was pursued by a couple of hundred Englishmen, taken prisoner, and in contravention of the truce, lodged in the castle of Carlisle. The Laird of Buccleuch sought to obtain the enfranchisement of his client and retainer, through the mediation, first of the English warden, and then of the Scottish ambassador. Receiving no satisfaction, he took the matter into his

own hands, raised a party of two hundred horse, surprised the castle of Carlisle, and carried off the prisoner by main force. This dashing achievement was performed on the 13th of April, 1596.

According to a rhymester who celebrated the daring feat of Buccleuch about a hundred years later, Kinmont Willie was a descendant of Johnie Armstrong of Gilnockie.[Pg 59]

Interesting details of the surprise of the castle, and further notices of Kinmont Willie are given by Scott in the Border Minstrelsy (ii. 32), where the ballad was first published.

"This ballad is preserved," says Scott, "on the West Borders, but much mangled by reciters, so that some conjectural emendations have been absolutely necessary to render it intelligible."

4. Haribee is the place of execution at Carlisle.—S.

13. The Liddel-rack is a ford on the Liddel.—S.

76. A house on the Border, belonging to Buccleuch.—S.