By Samuel Merwin

Illustrated by Walt Louderback

Indianapolis

The Bobbs. Merrill Company Publishers

1919

Hills of Han,

Slumber on! The sunlight, dying,

Lingers on your terraced tops;

Yellow stream and willow sighing,

Field of twice ten thousand crops

Breathe their misty lullabying,

Breathe a life that nei'er stops.

Spin your chart of ancient wonder,

Fold your hands within your sleeve,

Live and let live, work and ponder,

Be tradition, dream, believe...

So abides your ancient plan,

Hills of Han!

Hills of Han,

What's this filament goes leaping

Pole to pole and hill to hill?

What these strips of metal creeping

Where the dead have lain so still.

What this wilder thought that's seeping

Where was peace and gentle will?

Smoke of mill on road and river,

Roar of steam by temple wall...

Drop the arrow in the quiver...

Bow to Buddha.... All is all!

Slumber they who slumber can,

Hills of Han!

CONTENTS

NOTE

HILLS OF HAN

CHAPTER I—THE SOLITARY

CHAPTER II—ROMANCE

CHAPTER III—THE SHEPHERD

CHAPTER IV—THE RIDDLE OF LIFE, AND OF DEATH

CHAPTER V—IN T'AINAN

CHAPTER VI—CATASTROPHE

CHAPTER VII—LOVE IS A TROUBLE

CHAPTER VIII—THE WAYFARER

CHAPTER IX—KNOTTED LIVES

CHAPTER X—GRANITE

CHAPTER XI—EMOTION

CHAPTER XII—STORM CENTER

CHAPTER XIII—THE PLEDGE

CHAPTER XIV—DILEMMA

CHAPTER XV—THE HILLS

CHAPTER XVI—DESTINY

CHAPTER XVII—APPARITION

CHAPTER XVIII—THE DARK

CHAPTER XIX—LIVING THROUGH

CHAPTER XX—LIGHT

CHAPTER XXI—THE SOULS OF MEN

CHAPTER XXII—BEGINNINGS

NOTE

The slight geographical confusion which will be found by the observant reader in Hills of Han is employed as a reminder that the story, despite considerable elements of fact in the background, is a work of the imagination, and deals with no actual individuals of the time and place. S. M.

CHAPTER I—THE SOLITARY

I

ON a day in late March, 1907, Miss Betty Doane sat in the quaintly airy dining-room of the Hotel Miyaka, at Kioto, demurely sketching a man's profile on the back of a menu card.

The man, her unconscious model, lounged comfortably alone by one of the swinging windows. He had finished his luncheon, pushed away his coffee cup, lighted a cigarette, and settled back to gaze out at the hillside where young green grasses and gay shrubs and diminutive trees bore pleasant evidence that the early Japanese springtime was at hand.

Betty could even see, looking out past the man, a row of cherry trees, all afoam with blossoms. They brought a thrill that was almost poignant. It was curious, at home—or, rather, back in the States—there was no particular thrill in cherry blossoms. They were merely pleasing. But so much more was said about them here in Japan.

The man's head was long and well modeled, with a rugged long face, reflective eyes, somewhat bony nose, and a wide mouth that was, on the whole, attractive. Both upper lip and chin were dean shaven. The eyebrows were rather heavy; the hair was thick and straight, slanting down across a broad forehead. She decided, as she sketched it in with easy sure strokes of a stubby pencil, that he must have quite a time every morning brushing that hair down into place.

He had appeared, a few days back, at the Grand Hotel, Yokohama, coming in from somewhere north of Tokio. At the hotel he had walked and eaten alone, austerely. And, not unnaturally, had been whispered about. He was, Betty knew, a journalist of some reputation. The name was Jonathan Brachey. He wore an outing suit, with knickerbockers; he was, in bearing, as in costume, severely conspicuous. You thought of him as a man of odd attainment. He had been in many interesting corners of the world; had known danger and privation. Two of his books were in the ship's library. One of these she had already taken out and secreted in her cabin. It was called To-morrow in India, and proved rather hard to read, with charts, diagrams and pages of figures.

The sketch was about done; all but the nose. When you studied that nose in detail it seemed a little too long and strong, and—well, knobby—to be as attractive as it actually was. There would be a trick in drawing it; a shadow or two, a suggestive touch of the pencil; not so many real knobs. In the ship's diningroom she had his profile across an aisle. There would be chances to study it.

Behind her, in the wide doorway, appeared a stout, short woman of fifty or more, in an ample and wrinkled traveling suit of black and a black straw hat ornamented only with a bow of ribbon. Her face wore an anxious expression that had settled, years back, into permanency. The mouth drooped a little. And the brows were lifted and the forehead grooved with wrinkles suggesting some long habitual straining of the eyes that recent bifocal spectacles were powerless to correct.

“Betty!” called the older woman guardedly. “Would you mind, dear... one moment...?”

Her quick, nervous eyes had caught something of the situation. There was Betty and—within easy earshot—a man. The child was unquestionably sketching him.

Betty's eagerly alert young face fell at the sound. She stopped drawing; for a brief instant chewed the stubby pencil; then, quite meekly, rose and walked toward the door.

“Mr. Hasmer is outside. I thought you were with him. Betty.”

“No... I didn't know your plans... I was waiting here.”

“Well, my dear... it's all right, of course! But I think we'll go now. Mr. Hasmer thinks you ought to see at least one of the temples. Something typical. And of course you will want to visit the cloisonné and satsuma shops, and see the Damascene work. The train leaves for Kobe at four-fifteen. The ships sails at about eight, I believe. We haven't much time, you see.”

A chair scraped. Jonathan Brachey had picked up his hat, his pocket camera and his unread copy of the Japan Times, and was striding toward her, or toward the door. He would pass directly by, of course, without so much as a mental recognition of her existence. For so he had done at Yokohama; so he had done last evening and again this morning on the ship.

But on this occasion, as he bore down on her, the eyes of the distinguished young man rested for an instant on the table, and for a brief moment he wavered in his stride. He certainly saw the sketch. It lay where she had carelessly tossed it, face up, near the edge of the table. And he certainly recognized it for himself; for his strong facial muscles moved a very little. It couldn't have been called a smile; but those muscles distinctly moved. Then, as coolly as before, he strode on out of the room.

Betty's cheeks turned crimson. A further fact doubtless noted by this irritatingly, even arrogantly composed man.

Betty, with desperate dignity, put the sketch in her wrist bag, followed Mrs. Hasmer out of the building, and stepped into the rickshaw that awaited her.

The brown-legged coolie tucked the robe about her, stepped in between the shafts of the vehicle; a second coolie fell into place behind, and they were off down the hill. Just ahead, Mrs. Hasmer's funny little hat bobbed with the inequalities of the road. Just behind, Doctor Hasmer, a calm, patient man who taught philosophy and history in a Christian college fifteen hundred miles or more up the Yangtse River and who never could remember to have his silvery beard trimmed, smiled kindly at her when she turned.

And behind him, indifferent to all the human world, responsive in his frigid way only to the beauties of the Japanese country-side and of the quaint, gray-brown, truly ancient city extending up and down the valley by its narrow, stone-walled stream, rode Mr. Jonathan Brachey.

The coolies, it would seem, had decided to act in concert. From shop to shop among the crowded little streets went the four rickshaws. Any mere human being (so ran Betty's thoughts) would have accepted good-humoredly the comradeship implied in this arrangement on the part of a playful fate; but Mr. Brachey was no mere human being. Side by side stood the four of them in a toy workshop looking down at toy-like artisans with shaved and tufted heads who wore quaint robes and patiently beat out designs in gold and silver wire on expertly fashioned bronze boxes and bowls. They listened as one to the thickly liquid English of a smiling merchant explaining the processes and expanding on the history of fine handiwork in this esthetic land. Yet by no sign did Mr. Brachey's face indicate that he was aware of their presence; except once—on a crooked stairway in a cloisonné shop he flattened himself against the wall to let them pass, muttering, almost fiercely, “I beg your pardon!”

The moment came, apparently, when he could endure this enforced companionship no longer. He spoke gruffly to his rickshaw coolies, and rolled off alone. When they finally reached the railway station after a half-hour spent in wandering about the spacious enclosure of the Temple of Nishi Otani, with its huge, shadowy gate house, its calm priests, its exquisite rock garden under ancient mystical trees—the tall journalist was pacing the platform, savagely smoking a pipe.

At Kobe they were united again, riding out to the ship's anchorage in the same launch. But Mr. Brachey gave no sign of recognition. He disappeared the moment of arrival at the ship, reappearing only when the bugle announced dinner, dressed, as he had been each evening at the Grand Hotel and the previous evening on the ship, rather stiffly, in dinner costume.

Then the ship moved out from her anchorage into that long, island-studded, green-bordered body of water known as the Inland Sea of Japan. Early on the second morning she would slip in between the closepressing hills that guard Nagasaki harbor. There another day ashore. Then three days more across the Yellow Sea to Shanghai. Thence, for the Hasmers and Betty, a five-day journey by steamer up the muddy but majestic Yangtze Kiang to Hankow; at which important if hardly charming city they would separate, the Hasmers to travel on by other, smaller steamer to Ichang and thence on up through the Gorges to their home among the yellow folk of Szechwan, while Hetty, from Hankow, must set out into an existence that her highly colored young mind found it impossible to face squarely. As yet, despite the long journey across the American continent and the Pacific, she hadn't begun so much as to believe the facts. Though there they stood, squarely enough, before her. It had been easier to surrender her responsive, rather easily gratified emotions to a day-by-day enjoyment of the journey itself.

When the constant, worried watchfulness of Mrs. Hasmer reached the point of annoyance—not that Mrs. Hasmer wasn't an old dear; kindness itself, especially if your head ached or you needed a little mothering!—why then, with the easy adaptability and quick enthusiasm of youth, she simply busied herself sketching. The top layer of her steamer trunk was nearly full now—sketches of the American desert, of the mountains and San Francisco, of people on the ship, of the sea and of Honolulu.

But now, with Yokohama back among the yesterdays and Kobe falling rapidly, steadily astern, Betty's heart was as rapidly and as steadily sinking. Only one more stop, and then—China. In China loomed the facts.

That night, lying in her berth, Betty, forgot the cherry blossoms of Kioto and the irritating Mr. Brachey. Her thoughts dwelt among the young friends, the boy-and-girl “crowd,” she had left behind, far off, at the other edge of those United States that by a queerly unreal theory were her home-land. And, very softly, she cried herself to sleep.

2

Betty Doane was just nineteen. She was small, quick to feel and think, dark rather than light (though not an out-and-out brunette). She was distinctly pretty. Her small head with its fine and abundant hair, round face with its ever-ready smile, alert brown eyes and curiously strong little chin expressed, as did her slim quick body, a personality of considerable sprightly vigor and of a charm that could act on certain other sorts of personalities, particularly of the opposite sex, with positive, telling effect.

Mrs. Hasmer, who had undertaken, with misgivings, to bring her from suburban New Jersey to Hankow, found her a heavy responsibility. It wasn't that the child was insubordinate, forward, or, in anyway that you could blame her for, difficult. On the contrary, she was a dear little thing, kind, always amusing, eager to please. But none the less there was something, a touch of vital quality, perhaps of the rare gift of expressiveness, that gave her, at times, a rather alarming aspect. Her clothes were simple enough—Griggsby Doane, goodness knew, couldn't afford anything else—but in some way that Mrs. Hasmer would never fully understand, the child always managed to make them look better than they were. She had something of the gift of smartness. She had, Mrs. Hasmer once came out with, “too much imagination.” The incessant sketching, for instance. And she did it just a shade too well. Then, too, evening after evening during the three weeks on the Pacific, she had danced. Which was, from the only daughter of Griggsby Doane—well,

confusing. And though Mrs. Hasmer, balked by the delicacy of her position, had gone to lengths in concealing her disapproval, she had been unable to feign surprise at the resulting difficulties. Betty had certainly not been deliberate in leading on any of the men on the ship; young men, by the way that you had no means of looking up, even so far as the certainty that they were unmarried. But the young mining engineer on his way to Korea had left quite heart-broken. From all outer indications he had proposed marriage and met with a refusal. But not a word, not a hint, not so much as a telltale look, came from Betty.

Mrs. Hasmer sighed over it. She would have liked to know. She came to the conclusion that Betty had been left just a year or so too long in the States. They weren't serious over there, in the matter of training girls for the sober work of life. Prosperity, luxury, were telling on the younger generations. No longer were they guarded from dangerously free thinking. They read, heard, saw everything; apparently knew everything. They read openly, of a Sunday, books which, a generation earlier, would not have reached their eyes even on a week-day. The church seemed to have lost its hold (though she never spoke aloud of this fact). Respect for tradition and authority had crumbled away. They questioned, weighed everything, these modern children.... Mrs. Hasmer worried a good deal, out in China, about young people in the States.

But under these surface worries, lurked, in the good woman's mind, a deeper, more real worry. Betty was just stepping over the line between girlhood and young womanhood. She was growing more attractive daily. She was anything but fitted to step into the life that lay ahead. Wherever she turned, even now—as witness the Pacific ship—life took on fresh complications. Indeed, Mrs. Hasmer, pondering the problem, came down on the rather strong word, peril. A young girl—positive in attractiveness, gifted, spirited, motherless (as it happened), trained only to be happy in living—was in something near peril.

One fact which Mrs. Hasmer's mind had been forced to accept was that most of the complications came from sources or causes with which the girl herself had little consciously to do. She was flatly the sort of person to whom things happened. Even when her eager interest in life and things and men (young and old) was not busy.

In the matter of the rather rude young man in knickerbockers, at Kioto, Betty was to blame, of course. She had set to work to sketch him. Evidently. The most you could say for her on that point was that she would have set just as intently at sketching an old man, or a woman, or a child—or a corner of the room. Mrs. Hasmer had felt, while on the train to Kobe, that she must speak of the matter. After all, she had that deathly responsibility on her shoulders. Betty's only explanation, rather gravely given, had been that she found his nose interesting.

The disturbing point was that something in the way of a situation was sure to develop from the incident. Something. Six weeks of Betty made that a reasonable assumption. And the first complication would arise in some quite unforeseen way. Betty wouldn't bring it about. Indeed, she had quickly promised not to sketch him any more.

This is the way it did arise. At eleven on the following morning Mr. and Mrs. Hasmer and Betty were stretched out side by side in their steamer chairs, sipping their morning beef tea and looking out at the rugged north shore of the Inland Sea. Beyond Betty were three vacant chairs, then this Mr. Brachey—his long person wrapped in a gay plaid rug. He too was sipping beef tea and enjoying the landscape; if so dry, so solitary a person could be said to enjoy anything. A note-book lay across his knees.

Mrs. Hasmer had thought, with a momentary flutter of concern, of moving Betty to the other side of Doctor Hasmer. But that had seemed foolish. Making too much of it. Betty hadn't placed the chairs; the deck steward had done that. Besides she hadn't once looked at the man; probably hadn't thought of him; had been quite absorbed in her sketching—bits of the hilly shore, an island mirrored in glass, a becalmed junk.

A youngish man, hatless, with blond curls and a slightly professional smile, came up from the after hatch and advanced along the deck, eagerly searching the row of rug-wrapped, recumbent figures in deck chairs. Before the Hasmers he stopped with delighted greetings. It came out that he was a Mr. Harting, a Y. M. C. A. worker in Bttrmah, traveling second-class.

“I hadn't seen the passenger list, Mrs. Hasmer, and didn't know you were aboard. But there's a Chinese boy sitting next to me at table. He has put in a year or so at Tokio University, and speaks a little English. He comes from your city, Miss Doane. Or so he seems to think. T'ainan-fu.”

Betty inclined her head.

“It was he who showed me the passenger list. At one time, he says, he lived in your father's household.”

“What is his name?” asked Betty politely.

“Li Hsien—something or other.” Mr. Harting was searching his pockets for a copy of the list.

“I knew Li Hsien very well,” said Betty. “We used to play together.”

“So I gathered. May I bring him up here to see you?”

Betty would have replied at once in the affirmative, but six weeks of companionship with Mrs. Hasmer had taught her that such decisions were not expected of her. So now with a vague smile of acquiescence, she directed the inquiry to the older woman.

“Certainly,” cried Mrs. Hasmer, “do bring him!”

As he moved away, Betty, before settling back in her chair, glanced, once, very demurely, to her left, where Jonathan Brachey lay in what might have been described, from outer appearances, supercilious comfort.

He hadn't so much as lifted an eyelid. He wasn't listening. He didn't care. It was nothing to him that Betty Doane was no idle, spoiled girl tourist, nothing that she could draw with a gifted pencil, nothing that she knew Chinese students at Tokio University, and herself lived at T'ainan-fu!... It wasn't that Betty consciously formulated any such thoughts. But the man had an effect on her; made her uncomfortable; she wished he'd move his chair around to the other side of the ship.

3

Li Hsien proved to be quite a young man, all of twenty or twenty-one. He had spectacles now, and gold in his teeth. He wore the conventional blue robe, Liack skull-cap with red button, and queue. More than four years were yet to elapse before the great revolution of 1911, with its wholesale queue-cutting and its rather frantic adoption, on the part of the better-to-do, of Western clothing—or, rather, of what they supposed was Western clothing.... He was tall, slim, smiling. He shook hands with Betty, Western fashion; and bowed with courtly dignity to Doctor and Mrs. Hasmer.