Joy In The Morning

By

MARY RAYMOND SHIPMAN ANDREWS

NEW YORK CHARLES SCRIBNER'S SONS 1919

By MARY R.S. ANDREWS

JOY IN THE MORNING THE ETERNAL FEMININE AUGUST FIRST THE ETERNAL MASCULINE THE MILITANTS BOB AND THE GUIDES CROSSES OF WAR HER COUNTRY OLD GLORY THE COUNSEL ASSIGNED THE COURAGE OF THE COMMONPLACE THE LIFTED BANDAGE THE PERFECT TRIBUTE

CHARLES SCRIBNER'S SONS

He pinned the thing men die for on the shabby coat of the guide.

DEDICATION

To the two stars of a service flag, to a brother and a son who served in France, this book is dedicated. No book, to my thinking, were one Shakespere and Isaiah rolled together, might fittingly answer the honor which they, with four million more American soldiers, have brought to their own. So that the stories march out very proudly, headed by the names of

CHAPLAIN HERBERT SHIPMAN AND CAPTAIN PAUL SHIPMAN ANDREWS

NOTE

Now that the tide of Khaki has set toward our shores instead of away; now that the streets are filled with splendid boys with gold chevrons of foreign service or no less honorable silver chevrons of service here; now that the dear lads who sleep in France know that the "torch was caught" from their hands, and that faith with them was kept; now that—thank God, who, after all, rules—the war is over, there is an old word close to the thought of the nation. "Heaviness may endure for a night, but joy cometh in the morning." A whole country is so thinking. For possibly ten centuries the Great War will be a background for fiction. To us, who have lived those years, any tale of them is a personal affair. Every-day women and men whom one meets in the street may well say to us: "My boy was in the Argonne," or: "My brother fought at St. Mihiel." Over and over, unphrased, our minds echo lines of that verse found in the pocket of the soldier dead at Gallipoli:

"We saw the powers of darkness put to flight,

We saw the morning break."

Crushed and glorified beyond all generations of the planet, war stories prick this generation like family records. It is from us of to-day that the load is lifted. We have weathered the heaviness of the night; to us "Joy cometh in the morning."

M.R.S.A.

THE DITCH

The Time.—A summer day in 1918 and a summer day in 2018

FIRST ACT

The time is a summer day in 1918. The scene is the first-line trench of the Germans—held lately by the Prussian Imperial Guard—half an hour after it had been taken by a charge of men from the Blankth Regiment, United States Army. There has been a mistake and the charge was not preceded by artillery preparation as usual. However, the Americans have taken the trench by the unexpectedness of their attack, and the Prussian Guard has been routed in confusion. But the German artillery has at once opened fire on the Americans, and also a German machine gun has enfiladed the trench. Ninety-nine Americans have been killed in the trench. One is alive, but dying. He speaks, being part of the time delirious.

Why can't I stand? What—is it? I'm wounded. The sand-bags roll when I try—to hold to them. I'm—badly wounded. (Sinks down. Silence.) How still it is! We—we took the trench. Glory be! We took it! (Shouts weakly as he lies in the trench.) (Sits up and stares, shading his eyes.) It's horrid still. Why—they're here! Jack—you! What makes you—lie [pg 004] there? You beggar—oh, my God! They're dead. Jack Arnold, and Martin and—Cram and Bennett and Emmet and—Dragamore—Oh—God, God! All the boys! Good American boys. The whole blamed bunch—dead in a ditch. Only me. Dying, in a ditch filled with dead men. What's the sense? (Silence.) This damned silly war. This devilish—killing. When we ought to be home, doing man's work—and play. Getting some tennis, maybe, this hot afternoon; coming in sweaty and dirty—and happy—to a tub—and dinner—with mother. (Groans.) It begins to hurt—oh, it hurts confoundedly. (Becomes delirious.) Canoeing on the river. With little Jim. See that trout jump, Jimmie? Cast now. Under the log at the edge of the trees. That's it!

Good—oh! (Groans.) It hurts—badly. Why, how can I stand it? How can anybody? I'm badly wounded. Jimmie—tell mother. Oh—good boy—you've hooked him. Now play him; lead him away from the lily-pads. (Groans.) Oh, mother! Won't you come? I'm wounded. You never failed me before. I need you—if I die. You [pg 005] went away down—to the gate of life, to bring me inside. Now—it's the gate of death—you won't fail? You'll bring me through to that other life? You and I, mother—and I won't be scared. You're the first—and the last. (Puts out his arm searching and folds a hand, still warm, of a dead soldier.) Ah—mother, my dear. I knew—you'd come. Your hand is warm—comforting. You always—are there when I need you. All my life. Things are getting—hazy. (He laughs.) When I was a kid and came down in an elevator—I was all right, I didn't mind the drop if I might hang on to your hand. Remember? (Pats dead soldier's hand, then clutches it again tightly.) You come with me when I go across and let me—hang on—to your hand. And I won't

be scared. (Silence.) This damned—damned—silly war! All the good American boys. We charged the Fritzes. How they ran! But—there was a mistake. No artillery preparation. There ought to be crosses and medals going for that charge, for the boys—(Laughs.) Why, they're all dead. And me—I'm dying, in a ditch. [pg 006] Twenty years old. Done out of sixty years by—by the silly war. What's it for? Mother, what's it about? I'm ill a bit. I can't think what good it is. Slaughtering boys—all the nations' boys—honest, hard-working boys mostly. Junk. Fine chaps an hour ago. What's the good? I'm dying—for the flag. But—what's the good? It'll go on—wars. Again. Peace sometimes, but nothing gained. And all of us—dead. Cheated out of our lives. Wouldn't the world have done as well if this long ditch of good fellows had been let live? Mother?

(Seems to speak.) My very dearest—no. It takes this great burnt-offering to free the world. The world will be free. This is the crisis of humanity; you are bending the lever that lifts the race. Be glad, dearest life of the world, to be part of that glory. Think back to your school-days, to a sentence you learned. Lincoln spoke it. "These dead shall not have died in vain, and government of the people, by the people, for the people, shall not perish from the earth." [pg 007] The Boy. (Whispers.) I remember. It's good. "Shall not have died in vain"—"The people—shall not perish"—where's your hand, mother? It's taps for me. The lights are going out. Come with me—mother. (Dies.) [pg 008]

SECOND ACT

The scene it the same trench one hundred years later, in the year 2018. It is ten o'clock of a summer morning. Two French children have come to the trench to pick flowers. The little girl of seven is gentle and soft-hearted; her older brother is a man of nearly ten years, and feels his patriotism and his responsibilities.

(The little French girl.) Here's where they grow, Jean-B'tiste.

(The little French boy.) I know. They bloom bigger blooms in the American ditch.

(Climbs into the ditch and picks flowers busily.) Why do people call it the 'Merican ditch, Jean-B'tiste? What's 'Merican?

(Ripples laughter.) One's little sister doesn't know much! Never mind. One is so young—three years younger than I am. I'm ten, you know.

Tiens, Jean-B'tiste. Not ten till next month.

Oh, but—but—next month!

What's 'Merican?

Droll p'tite. Why, everybody in all France knows that name. Of American.

(Unashamed.) Do they? What is it?

It's the people that live in the so large country across the ocean. They came over and saved all our lives, and France.

(Surprised.) Did they save my life, Jean-B'tiste?

Little drôle. You weren't born.

Oh! Whose life did they then save? Maman's?

But no. She was not born either.

Whose life, then—the grandfather's?

But—even he was not born. (Disconcerted by Angélique's direct tactics.) One sees they could not save the lives of people who were not here. But—they were brave—but [pg 010] yes—and friends to France. And they came across the ocean to fight for France. Big, strong young soldiers in brown uniforms—the grandfather told me about it yesterday. I know it all. His father told him, and he was here. In this field. (Jean-Baptiste looks about the meadow, where the wind blows flowers and wheat.) There was a large battle—a fight very immense. It was not like this then. It was digged over with ditches and the soldiers stood in the ditches and shot at the wicked Germans in the other ditches. Lots and lots of soldiers died.

(Lips trembling.) Died—in ditches?

(Grimly.) Yes, it is true.

(Breaks into sobs.) I can't bear you to tell me that. I can't bear the soldiers to—die—in ditches.

(Pats her shoulder.) I'm sorry I told you if it makes you cry. You are so little. But it was one hundred years ago. They're dead now.

(Rubs her eyes with her dress and [pg 011] smiles.) Yes, they're quite dead now. So—tell me some more.

But I don't want to make you cry more, p'tite. You're so little.

I'm not very little. I'm bigger than Anne-Marie Dupont, and she's eight.

But no. She's not eight till next month. She told me.

Oh, well—next month. Me, I want to hear about the brave 'Mericans. Did they make this ditch to stand in and shoot the wicked Germans?

They didn't make it, but they fought the wicked Germans in a brave, wonderful charge, the bravest sort, the grandfather said. And they took the ditch away from the wicked Germans, and then—maybe you'll cry.

I won't. I promise you I won't.

Then, when the ditch—only they called it a trench—was well full of American soldiers, the wicked Germans got a machine gun at the end of it and fired all the way along—the [pg 012] grandfather called it enfiladed—and killed every American in the whole long ditch.

(Bursts into tears again; buries her face in her skirt.) I—I'm sorry I cry, but the 'Mericans were so brave and fought—for France—and it was cruel of the wicked Germans to—to shoot them.

The wicked Germans were always cruel. But the grandfather says it's quite right now, and as it should be, for they are now a small and weak nation, and scorned and watched by other nations, so that they shall never be strong again. For the grandfather says they are not such as can be trusted—no, never the wicked Germans. The world will not believe their word again. They speak not the truth. Once they nearly smashed the world, when they had power. So it is looked to by all nations that never again shall Germany be powerful. For they are sly, and cruel as wolves, and only intelligent to be wicked. That is what the grandfather says.

Me, I'm sorry for the poor wicked [pg 013] Germans that they are so bad. It is not nice to be bad. One is punished.

(Sternly.) It is the truth. One is always punished. As long as the world lasts it will be a punishment to be a German. But as long as France lasts there will be a nation to love the name of America, one sees. For the Americans were generous and brave. They left their dear land and came and died for us, to keep us free in France from the wicked Germans.

(Lip trembles.) I'm sorry—they died.

But, p'tite! That was one hundred years ago. It is necessary that they would have been dead by now in every case. It was more glorious to die fighting for freedom and France than just to die—fifty years later. Me, I'd enjoy very much to die fighting. But look! You pulled up the roots. And what is that thing hanging to the roots—not a rock?

No, I think not a rock. (She takes the object in her hands and knocks dirt from it.) But what is it, Jean-B'tiste?

It's—but never mind. I can't always know everything, don't you see, Angélique? It's just something of one of the Americans who died in the ditch. One is always finding something in these old battle-fields.

(Rubs the object with her dress. Takes a handful of sand and rubs it on the object. Spits on it and rubs the sand.) V'là, Jean-B'tiste—it shines.

(Loftily.) Yes. It is nothing, that. One finds such things.

(Rubbing more.) And there are letters on it.

Yes. It is nothing, that. One has flowers en masse now, and it is time to go home. Come then, p'tite, drop the dirty bit of brass and pick up your pretty flowers. Tiens! Give me your hand. I'll pull you up the side of the ditch. (Jean-Baptiste turns as they start.) I forgot the thing which the grandfather told me I must do always. (He stands at attention.) Au revoir, brave Americans. One salutes your immortal glory. (Exit Jean-Baptiste and Angélique.)

THIRD ACT

The scene is the same trench in the year 2018. It is eleven o'clock of the same summer morning. Four American schoolgirls, of from fifteen to seventeen years, have been brought to see the trench, a relic of the Great War, in charge of their teacher. The teacher, a worn and elderly person, has imagination, and is stirred, as far as her tired nerves may be, by the heroic story of the old ditch. One of the schoolgirls also has imagination and is also stirred. The other three are "young barbarians at play." Two out of five is possibly a large proportion to be blessed with imagination, but the American race has improved in a hundred years.

This, girls, is an important bit of our sight-seeing. It is the last of the old trenches of the Great War to remain intact in all northern France. It was left untouched out of the reverence of the people of the country for one hundred Americans of the Blankth Regiment, who died here—in this old ditch. The regiment had charged too soon, by a mistaken order, across what was called [pg 016] No-Man's Land, from their own front trench, about (consults guide-book)—about thirty-five yards away—that would be near where you see the red poppies so thick in the wheat. They took the trench from the Germans, and were then wiped out partly by artillery fire, partly by a German machine gun which was placed, disguised, at the end of the trench and enfiladed the entire length. Three-quarters of the regiment, over two thousand men, were killed in this battle. Since then the regiment has been known as the "Charging Blankth."

Wouldn't those poppies be lovely on a yellow hat?

Ssh! The Eye is on you. How awful, Miss Hadley! And were they all killed? Quite a tragedy!

Not a yellow hat! Stupid! A corn-colored one—just the shade of the grain with the sun on it. Wouldn't it be lovely! When we get back to Paris—

You idiots! You poor kittens!

If we ever do get back to Paris!

(Wearily.) Please pay attention. This is one of the world's most sacred spots. It is the scene of a great heroism. It is the place where many of our fellow countrymen laid down their lives. How can you stand on this solemn ground and chatter about hats?

Well, you see, Miss Hadley, we're fed up with solemn grounds. You can't expect us to go into raptures at this stage over an old ditch. And, to be serious, wouldn't some of those field flowers make a lovely combination for hats? With the French touch, don't you know? You'd be darling in one—so ingénue!

Ssh! She'll kill you. (Three girls turn their backs and stifle a giggle.)

Girls, you may be past your youth yourselves one day.

(Airily.) But we're well preserved so far, Miss Hadley.

(Has wandered away a few yards. She bends and picks a flower from the [pg 018] ditch. She speaks to herself.) The flag floated here. There were shells bursting and guns thundering and groans and blood—here. American boys were dying where I stand safe. That's what they did. They made me safe. They kept America free. They made the "world safe for freedom," (She bends and speaks into the ditch.) Boy, you who lay just there in suffering and gave your good life away that long-ago summer day—thank you. You died for us. America remembers. Because of you there will be no more wars, and girls such as we are may wander across battle-fields, and nations are happy and well governed, and kings and masters are gone. You did that, you boys. You lost fifty years of life, but you gained our love forever. Your deaths were not in rain. Good-by, dear, dead boys.

(Calls). Child, come! We must catch the train.

FOURTH ACT

The scene is the same trench in the year 2018. It is three o'clock of the afternoon, of the same summer day. A newly married couple have come to see the trench. He is journeying as to a shrine; she has allowed impersonal interests, such as history, to lapse under the influence of love and a trousseau. She is, however, amenable to patriotism, and, her husband applying the match, she takes fire—she also, from the story of the trench.

This must be the place.

It is nothing but a ditch filled with flowers.

The old trench. (Takes off his hat.)

Was it—it was—in the Great War?

My dear!

You're horrified. But I really—don't know.

Don't know? You must.

You've gone and married a person who hasn't a glimmer of history. What will you do about it?

I'll be brave and stick to my bargain. Do you mean that you've forgotten the charge of the Blankth Americans against the Prussian Guard? The charge that practically ended the war?

Ended the war? How could one charge end the war?

There was fighting after. But the last critical battle was here (looks about) in these meadows, and for miles along. And it was just here that the Blankth United States Regiment made its historic dash. In that ditch—filled with flowers—a hundred of our lads were mown down in three minutes. About two thousand more followed them to death.

Oh—I do know. It was that charge. I learned about it in school; it thrilled me always.

Certainly. Every American child knows the story. I memorized the list of the one hundred soldiers' names of my own free will when I was ten. I can say them now. "Arnold—Ashe—Bennett—Emmet—Dragmore—"

Don't say the rest, Ted—tell me about it as it happened. (She slips her hand into his.) [pg 021] We two, standing here young and happy, looking forward to a, lifetime together, will do honor, that way, to those soldiers who gave up their happy youth and their lives for America.

(Puts his arm around her.) We will. We'll make a little memorial service and I'll preach a sermon about how gloriously they fell and how, unknowingly, they won the war—and so much more!

Tell me.

It was a hundred years ago about now—summer. A critical battle raged along a stretch of many miles. About the centre of the line—here—the Prussian Imperial Guards, the crack soldiers of the German army, held the first trench—this ditch. American forces faced them, but in weeks of fighting had not been able to make much impression. Then, on a day, the order came down the lines that the Blankth United States Regiment, opposed to the Guard, was to charge and take the German front trench. Of course the artillery was to prepare for their charge as usual, but there was some mistake. There was no curtain [pg 022] of fire before them, no artillery preparation to help them. And the order to charge came. So, right into the German guns, in the face of those terrible Prussian Guards, our lads went "over the top" with a great shout, and poured like a flame, like a catapult, across the space between them—No-Man's Land, they called it then—it was only thirty-five yards—to the German trench. So fast they rushed, and so unexpected was their coming,