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Chapter I

ELLA WHEELER WILCOX,

AUTHOR OF "POEMS OF PASSION," "MAURINE," ETC., ETC.

NEW YORK: COPYRIGHT, 1885, BY G. W. Carleton & Co., Publishers. LONDON: S. LOW, SON & CO. MDCCCLXXXVI.

Stereotyped byHENRY M. TOBITT, SAMUEL STODDER,PRINTER, 42 DEY STREET, N. Y.42 DEY STREET, N. Y.

PREFACE.

It is more than two years since the outline of this simple story first suggested itself to me, and since the first chapters were written.

Many times since then, conscious that I possessed no talent as a novelist, I have resolved to abandon the work. Yet an unaccountable and mysterious impulse (which no doubt my severe critics will declare as unfortunate, as unaccountable) compelled me to complete it.

I have attempted no fine descriptions, no rare word-painting, no flights of eloquence. These things lie not within my province. As simply and briefly as possible, I have endeavored to relate such events as occur almost daily in our midst.

In Percy Durand, I have described, and possibly,[8] somewhat idealized, a type of man to be found in any of the cities of America.

In Dolores King, the unfortunate and undesired offspring of a loveless marriage fletrie avant sa naissance.

In Helena Maxon, my ideal of

In my selection of a title, I could find no suitable English term which would express the meaning I wished to convey in unison with the leading idea in the book. Therefore, I was obliged, not without reluctance, to use a French term.

To avoid many personal inquiries, I would say, in the beginning, that while I have known nearly all the experiences herein related to occur, in actual life, I do not, at the present time, know of any person or persons who answer to the characters I have created.

Ella Wheeler Wilcox. Meriden, Ct., December, 1885.

[9]

CONTENTS.

[11]

CHAPTER I.

TWO GIRLS.

ELENA MAXON stood at the window which looked out on the tennis court, weeping softly, when her mother's arm encircled her, and her mother's voice, tremulous with tears unshed, addressed her.

"Lena, darling," she said, "you must control yourself. Madame Scranton will return in a moment, with the young lady who is to be your roommate and companion, during the next year. She is a lovely and charming girl; and I do not want my own[12] sweet darling's face to be utterly disfigured by weeping when her new friend first beholds it. I am certain, my dear daughter, that you will be very happy here, and perfectly content after the first loneliness wears away."

"I can never be happy and contented away from you and Papa!" cried the young lady passionately. "I should feel like a wicked, cruel hearted creature, if I became contented and happy when separated from you. I know I shall die of home-sickness before I have been here one term," and her tears dripped anew.

Mrs. Maxon choked down a lump in her own throat, and forced a smile to her lips.

"You will, I know, try to be happy dear," she continued, "when you realize that the happiness of your parents depends upon your own. We have selected this academy as the most desirable institution in which to place you, and Madame Scranton is a lady in every way suited to guide and direct a young girl's mind. It will be very hard for us to live without you, but we know it is for your good, and you will one day thank us for it.[13] Here comes Madame, and the young lady; dry your eyes, dear child, and greet her pleasantly." And while Lena was bravely striving to stem the upward-welling tide of tears with a very moist bit of cambric, she heard Madame's deep contralto voice following her mother's tremulous soprano tones:

"Miss Maxon, let me present your future companion and I trust, friend. Miss Dolores King—Miss Helena Maxon."

As the two girls looked in each other's eyes and clasped hands, no faintest premonition came to either young heart of the strange and tragic destiny which was to link their future lives.

Helena's first thought was, "What a beautiful creature—a perfect Aphrodite." While Miss King was saying to herself, "Rather a nice little body—and almost pretty if she had not disfigured herself by crying."

An artist might have found the two girls a fine study for opposite effects.

Miss King was nearly twenty; tall, and so slight as to seem almost fragile. Her face was exquisitely beautiful in contour, quite[14] classic in its perfectly-chiseled features, and interesting from its mingled expression of pride and melancholy. In color her hair was a pure, pale shade of yellow, like the under side of a canary bird's wing; her skin that firm, yet delicate white, of the calla lily blossom. Her long heavily-fringed eyes were as darkly blue as the heart of a violet—the flower she best loved. A rare, wonderful face, a face that might become a priceless fortune or a blighting curse to its possessor.

Helena Maxon was full half a head below her new friend in stature, and though three years her junior, her figure was much more voluptuously developed. A round face, a clear brunette complexion, a coil of dark hair that exactly matched the color of her eyes—eyes peculiar, from the fact that at times they seemed veiled with a delicate film, which gave the appearance of one in a trance or somnambulic state—a nose which no phrenologist could classify, which we must therefore call irregular (and which was just now swollen and reddened with much weeping), lips too full for beauty, yet a[15] mouth so luscious in bloom, and so sweet in expression, that the beholder instantly forgave it for being large. This comprises a fair pen picture of Helena Maxon, on that September afternoon as she stood in the stiff and orderly reception room of Madame Scranton's Select Academy for young ladies.

"Miss King will show Miss Maxon to her apartments," said Madame, after the two girls had exchanged greetings. "We will join you there, presently." Then, turning to Mrs. Maxon as soon as the young ladies had left the room, she continued: "I wish to assure you, my dear madame, that your daughter could not have a more desirable companion, in this her first absence from you, than the young person you have just seen. Miss King is quite a rare character; I consider her the most reliable pupil in my charge. I have never known her to disobey a rule during the three years she has been with me. I regret that she remains only another year."

"She is very beautiful," Mrs. Maxon said, musingly; "but her face impresses me as a sad one."

"Her nature is tinged with a seriousness[16] which is almost melancholy," Madame replied. "Her mother died when she was but a few months old: her father married a second time, and unhappily, I believe: at all events, Dolores has made her home with an uncle—a peculiar and austere man; he has given her every advantage, as he is a man of wealth, but she seems prematurely grave and serious-minded, from her association with him. She is very thoughtful, and of marked originality, and absolutely devoid of the vanity one might naturally expect so beautiful a girl to possess. She is wholly indifferent to admiration, and seems to have none of the sentimental weaknesses of youth. I am sure she can only be an advantage and benefit to your daughter. She is, too, a member of an Orthodox church in good standing."

"I am pleased with what you tell me of this young lady," Mrs. Maxon replied. "I fully realize the great dangers to which parents expose their daughters in sending them from home to boarding-schools: it requires the utmost care and surveillance, to surround them with the right influences. The[17] choice of instructors and companions for a daughter at this critical period of her existence, is a matter of vital importance; and one not sufficiently considered. Many a young girl's mind has been poisoned, and her future warped by injudicious companionship at boarding-school. Too often the most careful instructors are utterly ignorant of their pupil's thoughts and conversation outside the class room."

"Quite true: too true," Madame Scranton assented. "But I endeavor as much as possible to render myself the confidant of my pupils: to lead them to talk to me on all subjects as they would talk with their mothers. Having a limited number of young ladies in my charge, this is possible for me, while it could not be successfully done in a larger establishment."

"And that is the reason why Mr. Maxon and myself decided upon bringing Helena to you," Mrs. Maxon continued. "We were convinced that you would exercise a wise supervision over her character and conduct. She is of a strongly affectionate and emotional nature, full of love for humanity, and[18] belief in her fellow beings. I do not want her affections chilled, nor her confidence checked by worldly counsels, or a premature knowledge of the baseness which exists in the world: let her keep her beautiful faith and loving impulses while she may. Only guard her from being led into folly or imprudence. As I grow older I am more and more convinced that the people who constantly strive to impress the mind of the young with distrust for humanity are the people who are themselves unworthy of trust: or else those who have become embittered by sorrows they have not understood. I believe it possible to keep a nature like Lena's sweet and wholesome forever."

"But there are infinite disappointments and bitter experiences in store for a nature such as you describe," Madame suggested. "That beautiful trust must be rudely shattered."

"Shocked, but not shattered;" corrected Mrs. Maxon. "And I think it better in this life to be often wounded through too great faith in our fellow-beings than to embitter our minds with an early distrust.

[19]

"I have tried to impress her with the belief, that whatever pain is sent to her, comes as an ennobling and purifying lesson; not as a punishment. I want her to think of her Creator as a Benefactor; not as an Avenger. Her heart is free now, from all envious or jealous emotions, as a carefully tended flower-bed is free from weeds. But she has never been exposed to the constant friction of association with her own sex: and I tremble when I think what emotions evil influences may implant in that fresh soil.

"I want you to teach her, as I have done, that envy is a vice, and jealousy and unkind criticism are immoralities, certain to destroy the noblest character. We warn our sons from the gaming-table and the wine-cup, with loud voices; but too many of us sit silent while our daughters contract habits of malicious speaking and envious criticism, which are quite as great evils in society to-day, as intemperance or gambling.

"You will forgive my lengthy dissertation, my dear Madame, when you remember how precious the trust placed in your care.[20] And now I must bid her a last farewell and take my departure. Poor child! she has never been separated from me a week in her life. The parting will be very hard for both of us."

"Remember, my sweet child," was Mrs. Maxon's last injunctions to her weeping daughter, "that you are always to make me your first confidant in all things. Hear nothing, say nothing, do nothing, which you cannot tell your mother, who will ever strive to be your best adviser. And now, God's angels guard you, dear, and good-by."

And Mrs. Maxon turned hastily from the clinging arms of her daughter, and hurried away, while Helena threw herself upon the couch in a wild passion of uncontrolled tears.

[21]

CHAPTER II.

TWO GIRLS AND A DOLL.

HEN Dolores rapped softly at the door an hour later, she was bidden to enter by a low but calm voice; and she found Helena busy in unpacking her trunks, and arranging her wardrobe in closets, drawers and boxes.

"You look tired, Miss Maxon," she said kindly—"or rather, Miss Lena, for we must not be formal if we are to be room-mates, must we? so let us begin with Lena and Dolores from the first."

"Dolores," repeated Helena, softly; "Dolores—it is a lovely name, but I never heard it before."

"No, it is not a common name. It means sorrowful, I believe; my mother named me well. And now, may I not assist you in your unpacking? Let me hang up[22] your dresses—the hooks are so high, and I am taller than you."

"Oh, thank you, you are very kind, and I am tired. It always makes me tired and ill to cry, and I look so like a fright, too. I wish I might be improved by tears, like the heroines in novels we read about; but I am not so fortunate as they."

"Have you read many novels?" asked Dolores, as she hung up a neat blue walking suit, secretly wondering if that color could be becoming to her dusky companion.

"Oh, no, not many. Mamma thinks I am too young to read the best novels understandingly, and she does not like to have me read anything for just the story of it. I have read all of Mrs. Whitney's books; they are the sweetest stories in the world for girls to read, mamma says, and I think so, too. They always make me feel braver and better, and more contented. I have read two or three books that made me discontented; the heroines were so wonderfully gifted and so gloriously beautiful that I fairly hated my poor self for days after reading about them."

[23]

Dolores smiled.

"That is very odd," she said, "I do not remember to ever have been affected in that way by a book."

Helena cast an admiring glance upon her companion.

"Well, I should not suppose you would be?" she responded, "because you are more beautiful than any heroine I ever read about, and that makes all the difference in the world, you know."

Dolores let a whole arm full of mantles and dresses fall in a heap upon the floor, as she turned and stared at the speaker.

"Are you making sport of me?" she asked, bluntly.

"I, making sport of you? Why, I would not be so rude," cried Helena, the tears starting to her eyes again. "Perhaps I ought not to have spoken so plainly—may be you think 'praise to the face is an open disgrace;' but I do not believe that. If I like any thing or any body, I can not help saying so; and I thought you must know how very beautiful you are, and I spoke of it just as I would speak of the beauty of a[24] flower or a picture. I am sorry if I have annoyed you."

Dolores picked up the scattered garments and began to arrange them in order.

"Well, you are the oddest girl I ever met," she said. "But you have not annoyed me; I am sure it is very sweet of you to say such pretty things to me; only I never knew any girl who talked like that before: girls are usually so hateful, you know."

"Are they?" and there was real grief in Helena's voice. "Oh, I don't like to believe that is true."

"But have not you found them so?"

"No; but you see I have known very few girls. I have lived very quietly at home, and I never even staid all night with a girl in my life—mamma never liked to have me. No doubt I have a great deal to learn, but I always longed for a sister, and I thought girls were very nice indeed."

"I suppose some of them are," Dolores admitted, "but I never cared much for their society myself; as a rule they only think and talk about beaus, and marriage, and silly gossip which does not interest me.[25] But I'm sure you are quite different, and we shall get along nicely together. For pity's sake, what is that!"

This last exclamatory query was uttered just as Helena unfolded numerous wrappings from a large inanimate object, which very much resembled a sleeping infant several months old. Helena's olive cheek glowed with a sudden flush like the rosy side of a ripe peach. She bent low over the object, which was now quite free from its protecting wraps, as she answered, "I suppose you will think me terribly silly; mamma said she was afraid the girls would make sport of me, if I brought it with me, but when I came away I found I just could not leave my dear dolly at home. Papa gave it to me three years ago Christmas, and I think it is the loveliest creature I ever saw in the shape of a doll. I have been so fond of her, and I have always had her in my room at night; and it broke my heart to think of leaving her behind me. So at last mamma said I might bring her. I shall keep her in the bottom drawer of the dresser, and no one but you need know she is here. I don't[26] want the whole school laughing at me; but I know I shall be a great deal happier because she is with me. Did you feel badly

when you had to give up your dolls?"

"I never played with a doll in all my life," Dolores answered, "I always knew they were only dolls."

"Yes, of course real babies are nicer, but they cry so—and one has to be so careful—"

"Real babies!" echoed Dolores, in undisguised contempt, "I am sure I never want to play with those miserable little beings. I never know what to do with them."

"Don't you love babies? the sweet innocent little creatures," cried Helena, clasping her arms over an imaginary infant, and cuddling it to her breast with true mother-tenderness. "Oh, I think they are the loveliest, dearest little things in the world. How can you dislike them?"

"I don't really dislike them," Dolores replied; "I only pity them. Nobody ever asks them whether or not they wish to come into this world of trouble—nobody ever wants them, and every body tires of their[27] plaintive protest against life. Yes, indeed, I pity the poor things."

"Oh, but I am sure some babies are wanted," Helena interposed. "A little brother came to me three years ago, and we were all so glad and happy, as if an angel had been sent to us. And it was an angel," she added, in a lower tone, "for it was called back to heaven in a few months, and we were left so very, very lonely. But we were glad it came even for that brief time. It made us all better, I know. Have you any brothers or sisters, Dolores?"

"No," Dolores answered, "my mother died when I was six months old."

"Oh," said Helena, very softly, "then you are an orphan? I think that is the saddest thing in the world—to have no father and mother on earth."

"My father is living—but he has another wife, and I never see him," Dolores explained, "and I feel that I am an orphan. I live with my mother's brother—my Uncle Laurence, when I am at home. But I think we ought to retire early to-night, Miss Lena—you[28] look very tired; this has been a hard day for you."

As they disrobed together, Helena's admiration for her companion's beauty broke forth again.

"You have the loveliest hair I ever saw," she said. "How I would love to see a picture of you with it flowing about your shoulders like that."

As malice creates malice, so generosity awakens generosity. Dolores, who was usually quite too indifferent to individuals to particularly notice, much less mention their pleasing traits, now smilingly replied to Helena's eulogy:

"And I would like a picture of your beautiful neck and shoulders; you have the form of a young goddess, my dear."

"Have I?" cried Helena with childish delight, "why, I am sure no one ever said so before—only Papa told me there was a classic slope to my shoulders—I always remembered that compliment—as I shall yours. I just worship beauty, and I am so grateful to heaven for the least little spark of prettiness it has given me, and I try to make the most[29] of myself in every way. I think the Creator meant all women to be lovely; Eve was beautiful, I am sure; and it is only by disobeying the laws of health, and not thinking the right thoughts that her descendants have grown deformed and unattractive. That is what Mamma thinks, and I believe it is true too."

"Are you quite ready to retire," asked Dolores, as she saw Helena let down her brown hair over her snowy night-dress. "If so, I will put out the light."

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