THE DUCHESS (Margaret Wolfe Hamilton)

Author of "Phylis," "Airy Fairy Lilian," "Portia," Etc,. Etc.

NEW YORK HURST AND COMPANY PUBLISHERS

Transcriber's Note: The Table of Contents was not printed in this book. It has been created for the convenience of the reader.

CONTENTS

MOLLY BAWN.

CHAPTER I.

"On hospitable thoughts intent."

"Positively he is coming!" says Mr. Massereene, with an air of the most profound astonishment.

"Who?" asks Molly, curiously, pausing with her toast in mid-air (they are at breakfast), and with her lovely eyes twice their usual goodly size. Her lips, too, are apart; but whether in anticipation of the news or of the toast, it would be difficult to decide. "Is any one coming here?"

"Even here. This letter"—regarding, with a stricken conscience, the elegant scrawl in his hand—"is from Tedcastle George Luttrell (he is evidently proud of his name), declaring himself not only ready but fatally willing to accept my invitation to spend a month with me."

"A month!" says Molly, amazed. "And you never said a word about it, John."

"A month!" says Letitia, dismayed. "What on earth, John, is any one to do with any one for a month down here?"

"I wish I knew," replies Mr. Massereene, getting more and more stricken as he notices his wife's dejection, and gazing at Molly as though for inspiration. "What evil genius possessed me that I didn't say a fortnight? But, to tell you the honest truth, Letty, it never occurred to me that he might come."

"Then why did you ask him?" says Letitia, as sharply as is possible for her. "When writing, you might have anticipated so much: people generally do."

"Do they?" says Mr. Massereene, with an irrepressible glance at Molly. "Then you must only put me down as an exception to the general rule. I thought it only civil to ask him, but I certainly never believed he would be rash enough to go in for voluntary exile. I should have remembered how unthinking he always was."

"But who is he?" asks Molly, impatiently, full of keen and pleasurable excitement. "I die of vulgar curiosity. What is he like? Is he young, handsome? Oh, John, do say he is young and good-looking."

"He was at school with me."

"Oh!" groans Molly.

"Does that groan proceed from a conviction that I am in the last stage of decay?" demands Mr. Massereene. "Anything so rude as you, Molly, has not as yet been rivaled. However, I am at a disadvantage: so I forgive, and will proceed. Though at school with me, he is at least nine years my junior, and can't be more than twenty-seven."

"Ah!" says Molly. To an Irish girl alone is given the power to express these two exclamations with proper effect.

"He is a hussar, of a good family, sufficiently good looks, and, I think, no fortune," says Mr. Massereene, as though reading from a doubtful guide-book.

"How delightful!" says Molly.

"How terrific!" sighs Letitia. "Fancy a hussar finding amusement in lambs, and cows, and fat pigs, and green fields!"

"'Green fields and pastures new,'" quotes Mr. Massereene. "He will have them in abundance. He ought to be happy, as they say there is a charm in variety."

"Perhaps he will find some amusement in me," suggests Molly, modestly. "Can it be possible that he is really coming? Oh, the glory of having a young man to talk to, and that young man a soldier! Letitia," to her sister-in-law, "I warn you it will be no use for you to look shocked, because I have finally made up my mind to flirt every day, and all day long, with Tedcastle George Luttrell."

"Shocked!" says Letitia, gravely. "I would be a great deal more shocked if you had said you wouldn't; for what I should do with him, if you refused to take him in hand, is a thing on which I shudder to speculate. John is forever doing questionable things, and repenting when it is too late. Unless he means to build a new wing—" with a mild attempt at sarcasm,—"I don't know where Mr. Luttrell is to sleep."

"I fear I would not have time," says Massereene, meekly; "the walls would scarcely be dry, as he is coming—the day after to-morrow."

"Not until then?" says Letitia, ominously calm. "Why did you not make it to-day? That would have utterly precluded the possibility of my getting things into any sort of order."

"Letitia, if you continue to address me in your present heartless style for one minute longer, I shall burst into tears," says Mr. Massereene. And then they all laugh.

"He shall have my room," says Molly, presently, seeing that perplexity still adorns Letitia's brows, "and I can have Lovat's."

"Oh, Molly, I will not have you turned out of your room for any one," says Letitia; but she says it faintly, and is conscious of a feeling of relief at her heart as she speaks.

"But indeed he shall. It is such a pretty room that he cannot fail to be impressed. Any one coming from a hot city, and proving insensible to the charms of the roses that are now creeping into my window, would be unfit to live. Even a hussar must have a soft spot somewhere. I foresee those roses will be the means of reducing him to a lamb-like meekness."

"You are too good, Molly. It seems a shame," says Letitia, patting her sister-in-law's hand, and still hesitating, through a sense of duty; "does it not, John?"

"It is so difficult to know what a woman really means by the word, 'shame,'" replies John, absently, being deep in the morning's paper. "You said it was a shame yesterday when the cat drank all the cream; and Molly said it was a shame when Wyndham ran away with Crofton's wife."

"Don't take any notice of him, Letty," says Molly, with a scornful shrug of her pretty shoulders, turning her back on her brother, and resuming the all-important subject of the expected visitor.

"Another railway accident, and twenty men killed," says Mr. Massereene, in a few minutes, looking up from his Times, and adopting the lugubrious tone one always assumes on such occasions, whether one cares or not.

"Wasn't it fortunate we put up those curtains clean last week?" murmurs Letitia, in a slow, self-congratulatory voice.

"More than fortunate," says Molly.

"Twenty men killed, Letty!" repeats Mr. Massereene, solemnly.

"I don't believe there is a spare bath in the house," exclaims Letitia, again sinking into the lowest depth of despair.

"You forget the old one in the nursery. It will do for the children very well, and he can have the new one," says Molly.

"Twenty men killed, Molly!" reiterates Mr. Massereene, a faint gleam of surprised disgust creeping into his eyes.

"So it will, dear. Molly, you are an immense comfort. What did you say, John? Twenty men killed? Dreadful! I wonder, Molly, if I might suggest to him that I would not like him to smoke in bed? I hear a great many young men have that habit; indeed, a brother of mine, years ago, at home, nearly set the house on fire one night with a cigar."

"Let me do all the lecturing," says Molly, gayly; "there is nothing I should like better."

"Talk of ministering angels, indeed!" mutters Mr. Massereene, rising, and making for the door, paper and all. "I don't believe they would care if England was swamped, so long as they had clean curtains for Luttrell's bed."

CHAPTER II.

"A lovely lady, garmented in light

From her own beauty."

—Shelley.

The day that is to bring them Luttrell has dawned, deepened, burst into perfect beauty, and now holds out its arms to the restful evening. A glorious sunny evening as yet, full of its lingering youth, with scarce a hint of the noon's decay. The little yellow sunbeams, richer perhaps in tint than they were two hours agone, still play their games of hide-and-seek and bo-peep among the roses that climb and spread themselves in all their creamy, rosy, snowy loveliness over the long, low house where live the Massereenes, and breathe forth scented kisses to the wooing wind.

A straggling house is Brooklyn, larger, at the first glance, than it in reality is, and distinctly comfortable, yet with its comfort, a thing very far apart from luxury, and with none of the sleepiness of an over-rich prosperity about it. In spite of the late June sun, there is a general air of life, a tremulous merriment, everywhere: the voices of the children, a certain laugh that rings like far-off music, the cooing of the pigeons beneath the eaves, the cluck-cluck of the silly fowls in the farm-yard,—all mingle to defy the creeping sense of laziness that the day generates.

"It is late," says Mr. Massereene to himself, examining his watch for the fifteenth time as he saunters in a purposeless fashion up and down before the hall door. There is a suppressed sense of expectancy both in his manner and in the surroundings. The gravel has been newly raked, and gleams white and untrodden. The borders of the lawn that join on to it have been freshly clipped. A post in the railings, that for three weeks previously has been tottering to its fall, has been securely propped, and now stands firm and uncompromising as its fellows.

"It is almost seven," says Letitia, showing her fresh, handsome face at the drawing-room window. "Do you think he will be here for dinner, John?"

"I am incapable of thought," says John. "I find that when a man who is in the habit of dining at six is left without his dinner until seven he grows morose. It is a humiliating discovery. Surely the stomach should be subservient to the mind; but it isn't. Letitia, like a good girl, do say you have ordered up the soup."

"But, my dear John, had we not better wait a little longer?"

"My dear Letitia, most certainly not, unless you wish to raise a storm impossible to quell. At present I feel myself in a mood that a very little more waiting will render ferocious. Besides,"—seeing his wife slightly uneasy,—"as he did not turn up about six, he cannot by any possibility be here until half-past eight."

"And I took such trouble with that dinner!" says Letitia, with a sigh.

"I am more glad to hear it than I can tell you," says her husband, briskly. "Take my word for it, Letty, your trouble won't go for nothing."

"Gourmand!" says Letitia, with the smile she reserves alone for him.

Eight,—half-past eight—nine.

"I don't believe he is coming at all," says Molly, pettishly, coming out from the curtains of the window, and advancing straight into the middle of the room.

Under the chandelier, that has been so effectively touched up for this recreant knight, she stands bathed in the soft light of the many candles that beam down with mild kindliness upon her. It seems as though they love to rest upon her,—to add yet one more charm, if it may be, to the sweet, graceful figure, the half-angry, wholly charming attitude, the tender, lovable, fresh young face.

Her eyes, large, dark, and blue,—true Irish eyes, that bespeak her father's race,—shine with a steady clearness. They do not sparkle, they are hardly brilliant; they look forth at one with an expression so soft, so earnest, yet withal so merry, as would make one stake their all on the sure fact that the heart within her must be golden.

Her nut-brown hair, drawn back from her low brow into a loose coil behind, is enriched here and there with little sunny tresses, while across her forehead a few wavy locks—veritable love-locks, in Molly's case—wander idly, not as of a set purpose, but rather as though they have there drifted of their own gay will.

Upon her cheeks no roses lie,—unless they be the very creamiest roses that ever eye beheld. She is absolutely without color until such occasions rise as when grief or gladness touch her and dye her lovely skin with their red glow.

But it is her mouth—at once her betrayer and her chief charm—that one loves. In among its many curves lies all her wickedness,—the beautiful mouth, so full of mockery, laughter, fun, a certain decision, and tenderness unspeakable.

She smiles, and all her face is as one perfect sunbeam. Surely never has she looked so lovely. The smile dies, her lips close, a pensive sweetness creeps around them, and one terms one's self a fatuous fool to have deemed her at her best a moment since; and so on through all the many changes that only serve to show how countless is her store of hidden charms.

She is slender, but not lean, round, yet certainly not full, and of a middle height. For herself, she is impulsive; a little too quick at times, fond of life and laughter, as all youth should be, while perhaps (that I should live to say it!) down deep within her, somewhere, there hides, but half suppressed and ever ready to assert itself, a wayward, turbulent vein that must be termed coquetry.

Now, at this instant the little petulant frown, born of "hope deferred," that puckers up her forehead has fallen into her eyes, notwithstanding the jealous guard of the long curling lashes, and, looking out defiantly from thence, gives her all the appearance of a beloved but angry child fretting at the delay of some coveted toy.

"I don't believe he is coming at all," she says, again, with increased emphasis, having received no answer to her first assertion, Letitia being absorbed in a devout prayer that her words may come true, while John is disgracefully drowsy. "Oh, fancy the time I have wasted over my appearance, and all for nothing! I won't be able to get up the enthusiasm a second time: I feel that. How I hate young men,—young men in the army especially! They are so selfish and so good-for-nothing, with no thought for any one on earth but Number One. Give me a respectable, middle-aged squire, with no aspirations beyond South-downs and Early York."

"Poor Molly Bawn!" says John, rousing himself to meet the exigencies of the moment. "'I deeply sympathize.' And just when you are looking so nice, too: isn't she, Letty? I vow and protest, that young man deserves nothing less than extinction."

"I wish I had the extinguishing of him," says Molly, viciously. Then, laughing a little, and clasping her hands loosely behind her back, she walks to a mirror, the better to admire the long white trailing robe, the faultless face, the red rose dying on her breast. "And just when I had taken such pains with my hair!" she says, making a faint grimace at her own vanity. "John, as there is no one else to admire me, do say (whether you think it or not) I am the prettiest person you ever saw."

"I wouldn't even hesitate over such a simple lie as that," says John; "only—Letty is in the room: consider her feelings."

"A quarter to nine. I really think he can't be coming now," breaks in Letitia, hopefully.

"Coming or not coming, I shan't remain in for him an instant longer this delicious night," says Molly, walking toward the open window, under which runs a balcony, and gazing out into the still, calm moonlight. "He is probably not aware of my existence; so that even if he does come he will not take my absence in bad part; and if he does, so much the better. Even in such a poor revenge there is a sweetness."

"Molly," apprehensively, "the dew is falling."

"I hope so," answers Molly, with a smile, stepping out into the cool, refreshing dark.

Down the wooden steps, along the gravel path, into the land of dreaming flowers she goes. Pale moonbeams light her way as, with her gown uplifted, she wanders from bed to bed, and with a dainty greediness drinks in the honeyed breathings round her. Here now she stoops to lift with gentle touch a drooping head, lest in its slumber some defiling earth come near it; and here she stands to mark a spider's net, brilliant with dews from heaven. A crafty thing to have so fair a home!—And here she sighs.

"Well, if he doesn't come, what matters it? A stranger cannot claim regret. And yet what fun it would have been! what fun! (Poor lily, what evil chance came by you to break your stem and lay your white head there?) Perhaps—who knows?—he might be the stupidest mortal that ever dared to live, and then—yet not so stupid as the walls, and trees, and shrubs, while he can own a tongue to answer back. Ah! wretched slug, would you devour my tender opening leaves? Ugh! I cannot touch the slimy thing. Where has my trowel gone? I wish my ears had never heard his name,—Luttrell; a pretty name, too; but we all know how little is in that. I feel absurdly disappointed; and why? Because it is decreed that a man I never have known I never shall know. I doubt my brain is softening. But why has my tent been pitched in such a lonely spot? And why did he say he'd come? And why did John tell me he was good to look at, and, oh! that best of all things—young?"

A sound,—a step,—the vague certainty of a presence near. And Molly, turning, finds herself but a few yards distant from the expected guest. The fates have been kind!

A tall young man, slight and clean-limbed, with a well-shaped head so closely shaven as to suggest a Newgate barber; a long fair moustache, a long nose, a rather large mouth, luminous azure eyes, and a complexion the sun has vainly tried to brown, reducing it merely to a deeper flesh-tint. On the whole, it is a very desirable face that Mr. Luttrell owns; and so Molly decides in her first swift glance of pleased surprise. Yes, the fates have been more than kind.

As for Luttrell himself, he is standing quite still, in the middle of the garden-path, staring at this living Flora. Inside not a word has been said about her, no mention of her name had fallen ever so lightly into the conversation. He had made his excuses, had received a hearty welcome; both he and Massereene had declared themselves convinced that not a day had gone over the head of either since last they parted. He had bidden Mrs. Massereene good-night, and had come out here to smoke a cigar in quietude, all without suspicion that the house might yet contain another lovelier inmate. Is this her favorite hour for rambling? Is she a spirit? Or a lunatic? Yes, that must be it.

Meanwhile through the moonlight—in it—comes Molly, very slowly, a perfect creature, in trailing, snowy robes. Luttrell, forgetting the inevitable cigar,—a great concession,—stands mutely regarding her as, with warm parted lips and a smile, half amused, half wondering, she gazes back at him.

"Even a plain woman may gain beauty from a moonbeam; what, then, must a lovely woman seem when clothed in its pure rays?"

"You are welcome,—very welcome," says Molly, at length, in her low, soft voice.

"Thank you," returns he, mechanically, still lost in conjecture.

"I am not a fairy, nor a spirit, nor yet a vision," murmurs Molly, now openly amused. "Have no fear. See," holding out to him a slim cool hand; "touch me, and be convinced, I am only Molly Massereene."

He takes the hand and holds it closely, still entranced. Already—even though three minutes have scarcely marked their acquaintance—he is dimly conscious that there might possibly be worse things in this world than a perpetual near-to "only Molly Massereene."

"So you did come," she goes on, withdrawing her fingers slowly but positively, and with a faint uplifting of her straight brows, "after all. I was so afraid you wouldn't, you were so long. John—we all thought you had thrown us over."

To have Beauty declare herself overjoyed at the mere fact of your presence is, under any circumstances, intoxicating. To have such an avowal made beneath the romantic light of a summer moon is maddening.

"You cared?" says Luttrell, in hopeful doubt.

"Cared!" with a low gay laugh. "I should think I did care. I quite longed for you to come. If you only knew as well as I do the terrible, never-ending dullness of this place, you would understand how one could long for the coming of any one."

Try as he will, he cannot convince himself that the termination of this sentence is as satisfactory as its commencement.

"When the evening wore on," with a little depressed shake of her head, "and still you made no sign, and I began to feel sure it was all too good to be true, and that you were about to disappoint me and plead some hateful excuse by the morning post, I almost hated you, and was never in such a rage in my life. But," again holding out her hand to him, with a charming smile "I forgive you now."