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Chapter I

ALEXANDRE DUMAS

TRANSLATED BY

E. M. WALLER

WITH AN INTRODUCTION BY

ANDREW LANG

VOL. II

1822 TO 1825

WITH A FRONTISPIECE

NEW YORK

THE MACMILLAN COMPANY

1907

CONTENTS BOOK I CHAPTER I An unpublished chapter from the Diable boiteux—History of Samud and the beautiful Doña Lorenza 1 CHAPTER II The good my flouting at the hands of the two Parisians had done me—The young girls of Villers-Cotterets—My three friends—First love affairs 13 CHAPTER III Adolphe de Leuven—His family—Unpublished details concerning the death of Gustavus III.—The Count de Ribbing—The shoemakers of the château de Villers-Hellon 24 CHAPTER IV Adolphe's quatrain—The water-hen and King William—Lunch in the wood—The irritant powder, the frogs and the cock—The doctor's spectre—De Leuven, Hippolyte Leroy and I are exiled from the drawing-room—Unfortunate result of a geographical error—M. Paroisse 34 CHAPTER V Amédée de la Ponce—He teaches me what work is—M. Arnault and his two sons—A journey by diligence—A gentleman fights me with cough lozenges and I fight him with my fists—I learn the danger from which I escaped 48 CHAPTER VI First dramatic impressions—The Hamlet of Ducis—The Bourbons en 1815—Quotations from it 57 CHAPTER VII

The events of 1814 again—Marmont, Duc de Raguse, Maubreuil and Roux-Laborie at M. de Talleyrand's—The Journal des Débats and the Journal de Paris—Lyrics of the Bonapartists and enthusiasm of the Bourbons—End of the Maubreuil affair—Plot against the life of the Emperor—The Queen of Westphalia is robbed of her money and jewels 63 CHAPTER VIII Account of the proceedings relative to the abstraction of the jewels of the Queen of Westphalia by the Sieur de Maubreuil—Chamber of the Court of Appeal—The sitting of 17 April, 1817 88 BOOK II CHAPTER I The last shot of Waterloo—Temper of the provinces in 1817, 1818 and 1819—The Messéniennes—The Vêpres siciliennes—Louis IX.—Appreciation of these two tragedies—A phrase of Terence—My claim to a similar sentiment—Three o'clock in the morning—The course of love-making—Valeat res ludrica 96 CHAPTER II Return of Adolphe de Leuven—He shows me a corner of the artistic and literary world—The death of Holbein and the death of Orcagna—Entrance into the green-rooms—Bürger's

Lénore—First thoughts of my vocation 103 CHAPTER III The Cerberus of the rue de Largny—I tame it—The ambush—Madame Lebègue—A confession 109 CHAPTER IV De Leuven makes me his collaborator—The Major de Strasbourg—My first couplet-Chauvin—The Dîner d'amis—The Abencérages 117 CHAPTER V Unrecorded stories concerning the assassination of the Duc de Berry. 123 CHAPTER VI Carbonarism 132 CHAPTER VII My hopes—Disappointment—M. Deviolaine is appointed forest-ranger to the Duc d'Orléans—His coldness towards me—Half promises—First cloud on my love-affairs—I go to spend three months with my brother-in-law at Dreux—The news waiting for me on my return—Muphti—Walls and hedges—The summer-house—Tennis—Why I gave up playing it—The wedding party in the wood 147 CHAPTER VIII I leave Villers-Cotterets to be second or third clerk at Crespy—M. Lefèvre—His character—My journeys to Villers-Cotterets—The Pélerinage d'Ermenonville—Athénaïs—New matter sent to Adolphe—An uncontrollable desire to pay a visit to Paris—How

this desire was accomplished—The journey—Hôtel des Vieux-Augustins—Adolphe—Sylla—Talma 155 CHAPTER IX The theatre ticket—The Café du Roi—Auguste Lafarge—Théaulon—Rochefort—Ferdinand Langlé—People who dine and people who don't—Canaris—First sight of Talma—Appreciation of Mars and Rachel—Why Talma has no successor—Sylla and the Censorship—Talma's box—A cab-drive after midnight—The return to Crespy—M. Lefèvre explains that a machine, in order to work well, needs all its wheels—I hand in my resignation as his third clerk 166 BOOK III CHAPTER I I return to my mother's—The excuse I give concerning my return—The calfs lights—Pyramus and Cartouche—The intelligence of the fox more developed than that of the dog—Death of Cartouche—Pyramus's various gluttonous habits 184 CHAPTER II Hope in Laffitte—A false hope—New projects—M. Lecomier—How and on what conditions I clothe myself anew—Bamps, tailor, 12 rue du Helder—Bamps at Villers-Cotterets—I visit our estate along with

him—Pyramus follows a butcher lad—An Englishman who loved gluttonous dogs—I sell Pyramus—My first hundred francs—The use to which they are put—Bamps departs for Paris—Open credit 191 CHAPTER III My mother is obliged to sell her land and her house—The residu—The Piranèses—An architect at twelve hundred francs salary—I discount my first bill—Gondon—How I was nearly killed at his house—The fifty francs—Cartier—The game of billiards—How six hundred small glasses of absinthe equalled twelve journeys to Paris 204 CHAPTER IV How I obtain a recommendation to General Foy—M. Danré of Vouty advises my mother to let me go to Paris—My good-byes—Laffitte and Perregaux—The three things which Maître Mennesson asks me not to forget—The Abbé Grégoire's advice and the discussion with him—I leave Villers-Cotterets 213 CHAPTER V I find Adolphe again—The pastoral drama—First steps—The Duc de Bellune—General Sébastiani—His secretaries and his snuff-boxes—The fourth floor, small door to the left—The general who painted battles 223 CHAPTER VI

Régulus—Talma and the play—General Foy—The letter of recommendation and the interview—The Duc de Bellune's reply—I obtain a place as temporary clerk with M. le Duc d'Orléans—Journey to Villers-Cotterets to tell my mother the good news—No. 9—I gain a prize in a lottery 234 CHAPTER VII I find lodgings—Hiraux's son—Journals and journalists in 1823—By being saved the expense of a dinner I am enabled to go to the play at the Porte-Saint-Martin—My entry into the pit—Sensation caused by my hair—I am turned out—How I am obliged to pay for three places in order to have one—A polite gentleman who reads Elzevirs 251 CHAPTER VIII My neighbour—His portrait—The Pastissier françois—A course in bibliomania—Madame Méchin and the governor of Soissons—Cannons and Elzevirs 263 CHAPTER IX Prologue of the Vampire—The style offends my neighbour's ear—First act—Idealogy—The rotifer—What the animal is—Its conformation, its life, its death and its resurrection 272 CHAPTER X Second act of the Vampire—Analysis—My neighbour

again objects—He has seen a vampire—Where and how—A statement which records the existence of vampires—Nero—Why he established the race of hired applauders—My neighbour leaves the orchestra 284 CHAPTER XI A parenthesis—Hariadan Barberousse at Villers-Cotterets—I play the rôle of Don Ramire as an amateur—My costume—The third act of the Vampire—My friend the bibliomaniac whistles at the most critical moment—He is expelled from the theatre—Madame Allan-Dorval—Her family and her childhood—Philippe—His death and his funeral 295 BOOK IV CHAPTER I My beginning at the office—Ernest Basset—Lassagne—M. Oudard—I see M. Deviolaine—M. le Chevalier de Broval—His portrait—Folded letters and oblong letters—How I acquire a splendid reputation for sealing letters—I learn who was my neighbour the bibliomaniac and whistler 307 CHAPTER II Illustrious contemporaries—The sentence written on my foundation stone—My reply—I settle down in the place des Italiens—M. de Leuven's table—M. Louis-Bonaparte's

witty saying—Lassagne gives me my first lesson in literature and history 323 CHAPTER III Adolphe reads a play at the Gymnase—M. Dormeuil—Kenilworth Castle—M. Warez and Soulié—Mademoiselle Lévesque—The Arnault family—The Feuille—Marius à Minturnes—Danton's epigram—The reversed passport—Three fables—Germanicus —Inscriptions and epigrams—Ramponneau—The young man and the tilbury—Extra ecclesiam nulla est salus—Madame Arnault 334 CHAPTER IV Frédéric Soulié, his character, his talent—Choruses of the various plays, sung as prologues and epilogues—Transformation of the vaudeville—The Gymnase and M. Scribe—The Folie de Waterloo 349 CHAPTER V The Duc d'Orléans—My first interview with him—Maria-Stella-Chiappini—Her attempts to gain rank—Her history—The statement of the Duc d'Orléans—Judgment of the Ecclesiastical Court of Faenza—Rectification of Maria-Stella's certificate of birth 360 CHAPTER VI The "year of trials"—The case of Potier and the director of the theatre of the Porte-Saint-Martin—Trial

and condemnation of Magallon—The anonymous journalist—Beaumarchais sent to Saint-Lazare—A few words on censorships in general—Trial of Benjamin Constant—Trial of M. de Jouy—A few words concerning the author of Sylla—Three letters extracted from the Ermite de la Chaussée-d'Antin—Louis XVIII. as author 375 CHAPTER VII The house in the rue Chaillot—Four poets and a doctor—Corneille and the Censorship—Things M. Faucher does not know—Things the President of the Republic ought to know 389 BOOK V CHAPTER I Chronology of the drama—Mademoiselle Georges Weymer—Mademoiselle Raucourt—Legouvé and his works—Marie-Joseph Chénier—His letter to the company of the Comédie-Française—Young boys perfectionnés—Ducis—His work 398 CHAPTER II Bonaparte's attempts at discovering poets—Luce de Lancival—Baour-Lormian—Lebrun-Pindare—Lucien Bonaparte, the author—Début of Mademoiselle Georges—The Abbé Geoffroy's critique—Prince Zappia—Hermione at Saint-Cloud 407 CHAPTER III Imperial literature—The Jeunesse de Henri IV—Mercier

and Alexandre Duval—The Templiers and their author—César Delrieu—Perpignan—Mademoiselle Georges' rupture with the Théâtre-Français—Her flight to Russia—The galaxy of kings—The tragédienne acts as ambassador 420 CHAPTER IV The Comédie-Française at Dresden—Georges returns to the Théâtre-Français—The Deux Gendres—Mahomet II.—Tippo-Saëb—1814—Fontainebleau—The allied armies enter Paris—Lilies—Return from the isle of Elba—Violets—Asparagus stalks—Georges returns to Paris 430 CHAPTER V The drawbacks to theatres which have the monopoly of a great actor—Lafond takes the rôle of Pierre de Portugal upon Talma declining it—Lafond—His school—His sayings—Mademoiselle Duchesnois—Her failings and her abilities-Pierre de Portugal succeeds 438 CHAPTER VI General Riégo—His attempted insurrection—His escape and flight—He is betrayed by the brothers Lara—His trial—His execution 445 CHAPTER VII The inn of the Tête-Noire—Auguste Ballet—Castaing—His trial—His attitude towards the

audience and his words to the jury—His execution 452 CHAPTER VIII Casimir Delavigne—An appreciation of the man and of the poet—The origin of the hatred of the old school of literature for the new—Some reflections upon Marino Faliero and the Enfants d'Édouard—Why Casimir Delavigne was more a comedy writer than a tragic poet—Where he found the ideas for his chief plays 465 CHAPTER IX Talma in the École des Vieillards—One of his letters—Origin of his name and of his family—Tamerlan at the pension Verdier—Talma's début—Dugazon's advice—More advice from Shakespeare—Opinions of the critics of the day upon the débutant—Talma's passion for his art 480

THE MEMOIRS OF ALEXANDRE DUMAS

BOOK I

[Pg 1]

CHAPTER I

An unpublished chapter from the Diable boiteux—History of Samud and the beautiful Doña Lorenza

About a fortnight after that wonderful night, during which I had experienced such new and unknown emotions, I was busy in Maître Mennesson's office,—as Niguet was absent seeing after a marriage settlement at Pisseleu, and Ronsin had gone to collect debts at Haramont,—sadly engrossing a copy of a deed of sale, when M. Lebègue, a colleague of my patron, entered the office and, after gazing at me with an amused expression on his face, went into the next room, which was the private office, and took a seat by the side of Maître Mennesson. The cause of my sadness shall be discovered presently.

Maître Mennesson's door, which separated the two offices, I was generally left open, so that he could answer our questions, save when a client closed it to discuss private matters with him; and when this door was left open, we could hear in our office everything that was said in M. Mennesson's room, as he could hear in his office all that went on in ours.

This M. Lebègue, some months before, had married one of M. Deviolaine's daughters by his first marriage: her name was Éléonore. The eldest daughter, Léontine, had been married to[Pg 2] a tax collector named Cornu some time before her sister's wedding. The singularity of the name had not prevented the marriage from coming off. The sharp-tongued young girl feared to be jeered at in her turn, and the wittier she became, the more she dreaded even the appearance of being ridiculous. But Cornu was such a good-natured, honest-hearted fellow, everybody was so used to the name, which had been borne by several families in Villers-Cotterets, he was so used to it himself, he responded so naïvely and triumphantly to the remarks of his fiancée, that the matter was settled.

When she was married to him she made up her mind to raise the unfortunate name which fate had given her above even the suspicion of any banter naturally connected with it: she was the most chaste of wives, the tenderest of mothers I have ever known, and her husband, a happy man himself, made her happy too.

But it was not so with her sister, Madame Lebègue, who was three or four years younger, prettier, and far more of a flirt than she was. Her flirtations were innocent enough, I have no doubt, but they were as a rule looked upon maliciously by the gossips of the little town—a matter to which Madame Lebègue in her innocence paid little heed; concerning which, in her indifference to such calumnies, she simply teased her husband. He was a stout, rotund fellow, pockmarked, rather ugly, with a somewhat common-looking face, but a good fellow at heart—although I have been told since that he ruined himself, not from having lent at too low interest, but from an entirely opposite reason. I am wholly ignorant as to the truth of this accusation: I take it to be a calumny similar to the more pleasing and certainly more human accusation levelled against the wife.

It was this man who had just come in, who sat down by M. Mennesson and who was at that moment holding a whispered conversation with him, interspersed with guffaws of laughter. Thanks to the extremely delicate hearing with which I was gifted by nature, and which I had cultivated during hunting, I thought I could distinguish my own name; but[Pg 3] I supposed I had not heard correctly, not flattering myself that two such grave personages could be doing me the honour of talking about me. Unluckily for my pride,—and I have indicated to what a pitch this feeling was developed in me, a height that would have been absurd if it had not been painful,—unluckily for my pride, then, I was not kept long in doubt that the discussion was about me.

I have said that M. Mennesson was very fond of a joke and very witty; wherever he could find a joke he would fasten upon it, no matter whether it happened to concern a woman's virtue or a man's reputation. When the frenzy of joking seized him he gave himself up to it unreservedly, heart and soul. Finding nothing, probably, on this day, better to chew, he set upon me; the pasture was poor, but it was far better to crack my sorry bones than to chew at nothing or gulp only the air. After several of those whispered remarks, then, and bursts of stifled laughter, which had disturbed my equanimity, M. Mennesson raised his voice.

"My dear friend," he said, "it is a chapter out of the Diable boiteux re-discovered and still unpublished, which I mean to have printed the next time I go to Paris, to complete Lesage's work."

"Ah! tell it me," Lebègue replied; "I will tell it to my wife, who will pass it on to her sisters, who will tell it to everybody; then our publication will be disposed of in advance."

M. Mennesson began:—

"There was once upon a time at Salamanca a scholar who was descended from a race of Arabs and who was called Samud.[1] He was still so young that if anyone had pulled his nose, milk would most certainly have come out: this did not prevent him from being absurd enough to fancy himself a man; perhaps also—for, to be fair, we must say all there is to say—this ridiculous fancy would not have entered his head had not that happened which we are about to relate."

It may be imagined that I was listening attentively. I had recognised from the very first words that I was undoubtedly the[Pg 4] person in question, and I wondered uneasily where the story was going to lead after this beginning—a beginning which, so far as I was concerned, I found more impertinent than graphic.

M. Mennesson went on, and I listened with my ears open, my pen idle in my hand.

"On the day of the feast of Whitsuntide in the year ... I cannot say the exact date of the year, but, any way, it was on the day of the feast of Whitsuntide, which is also the town's feast-time, two beautiful senoras arrived from Madrid and put up at the house of a worthy canon who was the uncle of one of these ladies. It chanced that this canon was the same with whom Samud had learnt the bit of Latin he knew, and as the two lovely Madrid ladies wanted a cavalier who would not put their virtue to the blush, the canon cast his eyes on his pupil, and requested him to place both his arms at the disposal of the new arrivals, to show them the park of Salamanca, which is very wide, very beautiful, and belongs to the Duke of Rodelnas.[2] I will not dwell on the adventures of the first day, beyond just briefly touching upon two events: the first was the meeting between our scholar and an elegant senor from Madrid, who was noticed at once by the Sefiora Lorenza, with whom our scholar was walking arm in arm, dressed, as people of the provinces often are, about a decade behind the fashions

of the capital. This young gallant was called Audim. The second was a most serious accident, which happened to the scholar's breeches, just when, in order to give the fair Lorenza a proof of his agility, he had leaped across a ditch fourteen feet wide."

It can be imagined what I suffered as I listened to this secondhand recital of my lovelorn tribulations, which, according to his method of procedure, would not stop short at the two misadventures of the first day. M. Mennesson continued:—

"The beautiful Lorenza was specially impressed by the young gallant's get-up. In complete contrast to the scholar, who was[Pg 5] muffled up in a Gothic costume borrowed from the wardrobe of his ancestors, Señor Audim was dressed in the latest fashion, in tight-fitting breeches, ending in charming little heart-shaped shoes, and a dark-coloured doublet turned out by one of the best tailors in Madrid. The scholar had not been unconscious of the particular notice his companion had paid to the handsome Audim's attire, and as it began to dawn on him what influence a coat of a certain cut or trousers of a special shade of colour might have upon a woman, he decided during the night following the fête to please Lorenza no matter at what price, and to have a suit made exactly like the one worn by the young man who seemed destined by fate to become his rival. The most vital part of the costume, and moreover the most expensive, was in the matter of the boots. So he turned his attention to them first of all. On the opposite side of the square

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