AND OTHER STORIES

Reprinted from The Hill of Trouble and The Isles of Sunset

BY

ARTHUR CHRISTOPHER BENSON

FELLOW OF MAGDALENE COLLEGE, CAMBRIDGE

LONDON SMITH, ELDER & CO., 15 WATERLOO PLACE 1911

[All rights reserved]

Printed by Ballantyne, Hanson & Co. At the Ballantyne Press, Edinburgh

"I mean by a picture a beautiful, romantic dream of something that never was, never will be—in a light better than any light that ever shone—in a land no one can define or remember, only desire—and the forms divinely beautiful—and then I wake up with the waking of Brynhild."

Sir E. Burne-Jones

PREFACE[vii]

[viii]

These stories were all written at a very happy time of my life, and they were first published when I was a master at Eton with a boarding-house. A house-master is not always a happy man. It is an anxious business at best. Boys are very unaccountable creatures, and the years between boyhood and adolescence are apt to represent an irresponsible mood. From the quiet childhood at home the boys have passed to what is now, most happily, in the majority of cases, a carefully guarded and sheltered atmosphere—the private school. My own private school was of the old-fashioned type, with a very independent tone of tradition; but nowadays private schools are smaller and much more domesticated. The boys live like little brothers in the company of active and kindly young masters; and then they are plunged into the rougher currents of public schools, with their strange and in many ways barbarous code of ethics, their strong and penetrating traditions. Here the boys, who have hitherto had little temptation to be anything but obedient, have to learn to govern themselves, and to

do so among conventions which hardly represent the conventions of the world, and where the public opinion is curiously unaffected either by parental desires, or by the wishes, expressed or unexpressed, of the masters. A house-master is often in the position of seeing a new set of boys come into power in his house whom he may distrust; but the sense of honour among the boys is so strong that he is often the last person to hear of practices and principles prevailing in his house of which he may wholly disapprove. He may even find that many of the individual boys in his house disapprove of them too, and yet be unable to alter a tone impressed on the place by a few boys of forcible, if even sometimes unsatisfactory, character. But at the time at which these stories were written the tone of my own house was sound, sensible, and friendly; and I had the happiness of living in an atmosphere which I knew to be wholesome, manly, and pure. I used to tell or read stories on Sunday evenings to any boys who cared to come to listen; and I remember with delight those hours when perhaps twenty

boys would come and sit all about my study, filling every chair and sofa and overflowing on to the floor, to listen to long, vague stories of adventure, with at all events an appearance of interest and excitement.

[ix]

One wanted to do the best for the boys, to put fine ideas, if one could, into their heads and hearts. But direct moral exhortation to growing boys, feeling the life of the world quickening in their veins, and with vague old instincts of love and war rising uninterpreted in their thoughts, is apt to be a fruitless thing enough. It is not that they do not listen; but they simply do not understand the need of caution and control, nor do they see the unguarded posterns by which evil things slip smiling into the fortress of the soul.

Every now and then I used to try to shape a tale which in a figure might leave an arresting or a restraining thought in their minds; or even touch with a light of romance some of the knightly virtues which are apt to be dulled into the aspect of commonplace and uninteresting duties.

It is very hard to make the simple choices of life assume a noble or an inspiring form. One sees long afterwards in later life how fine the right choice, the vigorous resistance, the honest perseverance might have been; but the worst faults of boyhood have something exciting and even romantic about them—they would not be so alluring if they had not—while the homely virtues of honesty, frankness, modesty, and self-restraint appear too often as a dull and priggish abstention from the more daring and adventurous joys of eager living. If evil were always ugly and goodness were always beautiful at first sight, there would be little of the trouble and havoc in the world that is wrought by sin and indolence.

[x]

I chose, not deliberately but instinctively, the old romantic form for the setting of these tales, a semi-mediæval atmosphere such as belongs to the literary epic; some of the stories are pure fantasy; but they all aim more or less directly at illustrating the stern necessity of moral choice; the difficulty is to get children to believe, at the brilliant outset of life, that it will not do to follow the delights of impulse. And one of the most pathetic parts of a schoolmaster's life is that he cannot, however earnestly and sincerely he may wish to do so, transfer his own experience to the boys, or persuade them that, in the simple words of Browning, "It's wiser being good than bad." It may be wiser but it is certainly duller! and the schoolmaster has the horror, which ought never to be a faithless despair, of seeing boys drift into habits of non-resistance, and sow with eager hand the seed which must almost inevitably grow up into the thorns and weeds of life. If the child could but grasp the bare truth, if one could but pull away the veil of the years and show

him the careless natural joy ending in the dingy, broken slovenliness of failure! But one cannot; and perhaps life would lose all its virtue if one could.

[xi]

One does not know, one cannot dimly guess, why all these attractive opportunities of evil are so thickly strewn about the path of the young in a world which we believe to be ultimately ruled by Justice and Love. Much of it comes from our own blindness and hardness of heart. Either we do not care enough ourselves, or we cannot risk the unpopularity of interfering with bad traditions, or we are lacking in imaginative sympathy, or we sophistically persuade ourselves into the belief that the character is strengthened by exposure to premature evil. The atmosphere of the boarding-school is a very artificial one; its successes are patent, its débris we sweep away into a corner; but whatever view we take of it all, it is a life which, if one cares for virtue at all, however half-heartedly, tries the mental and emotional faculties of the schoolmaster to the uttermost, and every now and then shakes one's heart to the depths with a terrible wonder as to how one can ever answer to the account which will be demanded.

I do not claim to have realised my responsibilities fully, or to have done all I could to lead my flock along the right path. But I did desire to minimise temptations and to try to get the better side of the boys' hearts and minds to emphasise itself. One saw masters who seemed to meddle too much—that sometimes produced an atmosphere of guarded hostility—and one saw masters who seemed to be foolishly optimistic about it all; but as a rule one found in one's colleagues a deep and serious preoccupation with manly ideals of boy-life; and in these stories I tried my best to touch into life the poetical and beautiful side of virtue, to show life as a pilgrimage to a far-off but glorious goal, with seductive bypaths turning off the narrow way, and evil shapes, both terrifying and alluring, which loitered in shady corners, or even sometimes straddled horribly across the very road.

The romance, then, of these stories is coloured by what may be thought to be a conventional and commonplace morality enough; but it is real for all that; and life as it proceeds has a blessed way of revealing the urgency and the unseen features of the combat. It is just because virtue seems dry and humdrum that the struggle is so difficult. It is so hard to turn aside from what seems so dangerously beautiful, to what seems so plain and homely. But it is what we mostly have to do.

[xii]

I saw many years ago a strange parable of what I mean. I was walking through a quiet countryside with a curious, fanciful, interesting boy, and we came to a little church off the track in a tiny churchyard full of high-seeded grasses. On the wall of the chancel hung an old trophy of armour, a helmet and a cuirass, black with age. The boy climbed quickly up upon the choir-stalls, took the helmet down, enclosed his own curly head in it, and then knelt down suddenly on the altar-step; after which he replaced the helmet again on its nail. "What put it into your head to do that?" I said. "Oh," he said lightly, "I thought of the old man who wore it; and they used to kneel before the altar in their armour when they were made knights, didn't they? I wanted just to feel what it was like!"

Life was too strong for that boy, and he was worsted! He won little credit in the fight. But it had been a pretty fancy of his, and perhaps something more than a fancy. I have often thought of the little slender figure, so strangely helmeted, kneeling in the summer sunlight, with Heaven knows what thoughts of what life was to be; it seems to me a sorrowful enough symbol of boyhood—so eager to share in the fray, so unfit to bear the dinted helm.

[xiii]

And yet I do not wish to be sorrowful, and it would be untrue to life to yield oneself to foolish pity. My own little company is broken up long ago; I wonder if they remember the old days and the old stories. They are good citizens most of them, standing firmly and sturdily, finding out the meaning of life in their own way and contributing their part to the business of the world. But some of them have fallen by the way, and those not the faultiest or coarsest, but some of fine instinct and graceful charm, who evoked one's best hopes and most affectionate concern.

[xiv]

If one believed that life were all, that there was no experience beyond the dark grave and the mouldering clay, it would be a miserable task enough to creep cautiously through life, just holding on to its tangible advantages and cautiously enjoying its delights. But I do most utterly believe that there is a truth beyond that satisfies our sharpest cravings and our wildest dreams, and that if we have loved what is high and good, even for a halting minute, it will come to bless us consciously and abundantly before we have done with experience. Many of our dreams are heavy-hearted enough; we are hampered by the old faults, and by the body that not only cannot answer the demands of the spirit, but bars the way with its own urgent claims and desires. But whatever hope we can frame or conceive of peace and truth and nobleness and light shall be wholly and purely fulfilled; and even if we are separated by a season, as we must be separated, from those whom we love and journey with, there is a union ahead of us when we shall remember gratefully the old dim days, and

the path which we trod in hope and fear together; when all the trouble we have wrought to ourselves and others will vanish into the shadow of a faded dream, in the sweetness and glory of some great city of God, full of fire and music and all the radiant visions of uplifted hearts, which visited us so faintly and yet so beckoningly in the old frail days.

PAUL THE MINSTREL[1]

I

The old House of Heritage stood just below the downs, in the few meadows that were all that was left of a great estate. The house itself was of stone, very firmly and gravely built; and roofed with thin slabs of stone, small at the roof-ridge, and increasing in size towards the eaves. Inside, there were a few low panelled rooms opening on a large central hall; there was little furniture, and that of a sturdy and solid kind—but the house needed nothing else, and had all the beauty that came of a simple austerity.

[2]

Old Mistress Alison, who abode there, was aged and poor. She had but one house-servant, a serious and honest maid, whose only pride was to keep the place sweet, and save her mistress from all care. But Mistress Alison was not to be dismayed by poverty; she was a tranquil and loving woman, who had never married; but who, as if to compensate her for the absence of nearer ties, had a simple and wholesome love of all created things. She was infirm now, but was quite content, when it was fine, to sit for long hours idle for very love, and look about her with a peaceful and smiling air; she prayed much, or rather held a sweet converse in her heart with God; she thought little of her latter end, which she knew could not be long delayed, but was content to leave it in the hands of the Father, sure that He, who had made the world so beautiful and so full of love, would comfort her when she came to enter in at the dark gate.

There was also an old and silent man who looked after the cattle and the few hens that the household kept; at the back of the house was a thatched timbered grange, where he laid his tools; but he spent his time mostly in the garden, which sloped down to the fishpond, and was all bordered with box; here was a pleasant homely scent, on hot days, of the good herbs that shed their rich smell in the sun; and here the flies, that sate in the leaves, would buzz at the sound of a footfall, and then be still again, cleaning their hands together in their busy manner.

[3]

The only other member of the quiet household was the boy Paul, who was distantly akin to Mistress Alison. He had neither father nor mother, and had lived at Heritage all of his life that he could remember; he was a slender, serious boy, with delicate features, and large grey eyes that looked as if they held a secret; but if they had, it was a secret of his forefathers; for the boy had led a most quiet and innocent life; he had been taught to read in a fashion, but he had no schooling; sometimes a neighbouring goodwife would say to Mistress Alison that the boy should be sent to school, and Mistress Alison would open her peaceful eyes and say, "Nay, Paul is not like other boys—he would get all the hurt and none of the good of school; when there is work for him he will do it—but I am not for making all toil alike. Paul shall grow up like the lilies of the field. God made not all things to be busy." And the goodwife would shake her head and wonder; for it was not easy to answer Mistress Alison, who indeed was often right in the end.

[4]

So Paul grew up as he would; sometimes he would help the old gardener, when there was work to be done; for he loved to serve others, and was content with toil if it was sweetened with love; but often he rambled by himself for hours together; he cared little for company, because the earth was to him full of wonder and of sweet sights and sounds. He loved to climb the down, and lie feasting his eyes on the rich plain, spread out like a map; the farms in their closes, the villages from which went up the smoke at evening, the distant blue hills, like the hills of heaven, the winding river, and the lake that lay in the winter twilight like a shield of silver. He loved to see the sun flash on the windows of the houses so distant that they could not themselves be seen, but only sparkled like stars. He loved to loiter on the edge of the steep hanging woods in summer, to listen to the humming of the flies deep in the brake, and to catch a sight of lonely flowers; he loved the scent of the wind blowing softly out of the copse, and he wondered what the trees said to each

other, when they stood still and happy in the heat of midday. He loved, too, the silent night, full of stars, when the wood that topped the hill lay black against the sky. The whole world seemed to him to be full of a mysterious and beautiful life of which he could never quite catch the secret; these innocent flowers, these dreaming trees seemed, as it were, to hold him smiling at arm's length, while they guarded their joy from him. The birds and the beasts seemed to him to have less of this quiet joy, for they were fearful and careful, working hard to find a living, and dreading the sight of man; but sometimes in the fragrant eventide the nightingale would say a little of what was in her heart. "Yes," Paul would say to himself, "it is like that."

[5]

One other chief delight the boy had; he knew the magic of sound, which spoke to his heart in a way that it speaks to but few; the sounds of the earth gave up their sweets to him; the musical fluting of owls, the liquid notes of the cuckoo, the thin pipe of dancing flies, the mournful creaking of the cider-press, the horn of the oxherd wound far off on the hill, the tinkling of sheep-bells—of all these he knew the notes; and not only these, but the rhythmical swing of the scythes sweeping through the grass, the flails heard through the hot air from the barn, the clinking of the anvil in the village forge, the bubble of the stream through the weir—all these had a tale to tell him. Sometimes, for days together, he would hum to himself a few notes that pleased him by their sweet cadence, and he would string together some simple words to them, and sing them to himself with gentle content. The song of the reapers on the upland, or the rude chanting in the little church had a magical charm for him; and Mistress Alison would hear the boy, in his room overhead, singing

softly to himself for very gladness of heart, like a little bird of the dawn, or tapping out some tripping beat of time; when she would wonder and speak to God of what was in her heart.

As Paul grew older—he was now about sixteen—a change came slowly over his mind; he began to have moods of a silent discontent, a longing for something far away, a desire of he knew not what. His old dreams began to fade, though they visited him from time to time; but he began to care less for the silent beautiful life of the earth, and to take more thought of men. He had never felt much about himself before; but one day, lying beside a woodland pool at the feet of the down, he caught a sight of his own face; and when he smiled at it, it seemed to smile back at him; he began to wonder what the world was like, and what all the busy people that lived therein said and thought; he began to wish to have a friend, that he might tell him what was in his heart—and yet he knew not what it was that he would say. He began, too, to wonder how people regarded him—the people who had before been but to him a distant part of the shows of the world. Once he came in upon Mistress Alison, who sate talking with a gossip of hers; when he entered, there was a sudden silence, and a glance

passed between the two; and Paul divined that they had been speaking of himself, and desired to know what they had said.

[6]

One day the old gardener, in a more talkative mood than was his wont, told him a tale of one who had visited the Wishing Well that lay a few miles away, and, praying for riches, had found the next day, in digging, an old urn of pottery, full of ancient coins. Paul was very urgent to know about the well, and the old man told him that it must be visited at noonday and alone. That he that would have his wish must throw a gift into the water, and drink of the well, and then, turning to the sun, must wish his wish aloud. Paul asked him many more questions, but the old man would say no more. So Paul determined that he would visit the place for himself.

[7]