ROBERT LOUIS STEVENSON

BY E. BLANTYRE SIMPSON

JOHN W. LUCE & CO. BOSTON AND LONDON 1906

Copyright, 1906, by JOHN W. LUCE & COMPANY Boston, Mass., U. S. A. All rights reserved

Lakeview Press Boston and South Framingham U. S. A.

STEVENSON'S APPRENTICESHIP ACROSS THE SEAS

ILLUSTRATIONS

1875 AS ADVOCATE frontispiece AN EDINBURGH STUDENT page thirty-two THE TELLER OF TALES page forty-eight 1892 PORTRAIT PAINTED BY COUNT NERLI IN SAMOA Reproduced by kind permission of Mrs. Turnbull page sixty-four

SPIRIT OF THE AGE SERIES

The publishers desire to announce that it is their purpose to comprise in this series a collection of little books uniform in general style and appearance to the present volume and having for their subjects men and women, whose work and influence, in whatever field of literature or art was their chosen one, may be said to faintly reflect the spirit or tendencies of cultivated thought at the present time.

The treatment of the subject matter will not be conventional, the chief aim being to present to the readers a living, marching personality breathing with the individuality characteristic of the person.

Volume I of this series is Whistler by Haldane Macfall

Volume II, Robert Louis Stevenson by Eve Blantyre Simpson

Additional volumes to be announced shortly.

"A spirit all sunshine, graceful from every gladness, useful because bright." Carlyle.

The mother of Robert Louis Stevenson, when asked to inscribe a motto on a guest list, wrote:—

"The world is so full of a number of things, I am sure we should all be happy as kings."

"That," she said, "includes the whole gospel of R. L. S." These lines are certainly a concise statement of the spirit in which her son undertook to expound the benefits to be derived from "performing our petty round of irritating concerns and duties with laughter and kind faces." Before he could walk steadily, it had been discovered he was heavily handicapped by the burden of ill-health. Still the good fairy who came to his christening endowed him with "sweet content," a gift which carried him triumphantly through all hampering difficulties. He never faltered in the task he set himself—the task of happiness. He began to preach his gospel as a child. He would not have his tawdry toy sword disparaged even by his father. "I tell you," he said, "the sword is of gold, the sheath of silver, and the boy who has it is quite contented." In the same manner he transformed a coddling shawl into a wrap fit for a soldier on a night march. To the end of his days he was eager to be happy. We are told

"Two men looked out from prison bars; One saw mud, the other stars."

When bodily ailments held Stevenson as a captive in bonds, his keen sight pierced through the obstructions which held him caged. We are not left in doubt, when we read his books, as to whether his gaze was earthwards or to heaven's distant lamps. He taught others to see with his clear vision, and he expounded his gospel in so taking a manner, even if the import of it had savoured more of mud than stars, it would have been studied for its style. He had the true artist soul within him. He wished to create or represent what came within the range of those brilliant dark eyes of his, so, with infinite care and effort, he strove to attune his words to the even cadence and harmony with which he wished to amaze us, for, as A.J. Balfour said, "he was a man of the finest and most delicate imagination, a style which, for grace and suppleness, for its power of being at once turned to any purpose which the author desired, has seldom been matched." It is difficult for those who knew him before he had, by pure hard work, won his way to fame, to realise how one

physically so fragile, of so light-somely versatile and whimsical a nature, apparently so ready to be diverted from the main high-road by a desire to explore any brambly lane, had in him the deliberate goal-winning gait of the tortoise. His stubborn tenacity of purpose he owed to his antecedents. The Scot's inalienable prerogative of pedigree exercised an influence over him, though he appeared as a foreign ingraft upon his Scotch family tree. In his record of his father's kinsfolk, A Family of Engineers, and in many of his essays, he engages his readers' attention by confiding to them his own and his forebears' history. "I am a rogue at egotism myself; and to be plain, I have rarely or never liked any man who was not," he says.

This Benjamin of Edinburgh's literary sons, the youngest, not the least, was born in the very middle of last century, 1850. This babe, that was to do Edinburgh honour yet, had been named after his two grandfathers, Robert Lewis. He was a mixture of both, the inevitable result of their diverse qualities, which he inherited. The Robert (a name he was seldom known by in his youth) was from the Stevenson side. They were a race of men of sterling metal, who lit our Northern Lights, and from the besieging sea wrung footholds for harbours. From them Robert Louis Stevenson inherited that tenacity of purpose which made him write and rewrite chapters till his phrases concisely expressed his meaning, and toilsomely labour till his work was perfected. His minister grandfather he etched with the "Old Manse." All his mother's people, the Balfours, were of a sanguine, hopeful strain, retaining an elasticity of spirit which never lessened under the burden of years. Stevenson writes of "that wise youth, my uncle," who was a grey-bearded doctor when his nephew

thus referred to him. So from the daughter of the Herd of Men at Colinton he inherited his perennial youthfulness. "He was ever the spirit of boyhood," says Barrie, "tugging at the skirts of this old world, and compelling it to come back and play."

It was well for the boy that his mother had gifted him with her hopeful nature, for his father had Celtic traits in his character, and was oppressed with a morbid sense of his own unworthiness. It is Carlyle who vouches for the fact "that wondrous is the strength of cheerfulness, altogether past calculation its power of endurance." Little store of bodily vigour had Robert Lewis; but with his buoyant, enthusiastic, inquisitive spirit he accomplished a strong man's task, "weaving his garlands when his mood was gay, mocking his sorrows with a solemn jest." This treasured only son, worshipped by his doting parents and his nurse, Alison Cunningham, who was a second mother to him, reports himself to have been a good child. He also says he had a covenanting childhood. In the mid-Victorian era, a stricter discipline reigned over nurseries in Scotland's capital than now. "The serviceable pause" in the week's work on Sunday was not without real benefits, for the children of these times, if sermons were long and the Sabbath devoid of toys, learned to sit

still and to endure, and very useful lessons they were to R. L. S. and others. Despite being an extra model little soul, "eminently religious," he says, he was much like other children. His nurse tells how, during one of the many feverish, wakeful nights he suffered from, when he lay wearying for the carts coming (a sign to him of morning), she read to him for hours at his request the Bible. He fell asleep, soothed by her kind voice, to awake when the sun was bright on the window pane. Again he commanded, "Read to me, Cummie." "And what chapter would my laddie like?" she asked. "Why, it's daylight now," he answered; "I'm not afraid any longer; put away the Bible, and go on with Ballantyne's story."

"I am one of the few people in the world who do not forget their own lives," he boasted. His Garden of Verses testifies to the truth of this statement. When he was a man over thirty, he bridged the gulf of years, and wrote of the golden days of childhood. Not only do the little people joy to hear his piping, but those who sit in the elders' seat hearken to these happy songs of merry cheer coming to them as echoes from the well-nigh forgotten past. His father often sat by his sick-bed, and beguiled his small son from fears and pains by tales "of ship-wreck on outlying iron skerries' pitiless breakers, and great sea-lights, clothed in language apt, droll and emphatic." His mother and Cummie read to him day and night. Thus early the instinct of authorship was fired within him.

One evening the young Stevenson realised that the printed page was intelligible to him. It was as if a rock that barred his entrance into the cave of treasure had melted, or swung back at his command. Till then Louis had been keen, like other youngsters, on adopting many professions when he grew up. Soldiering, even in the Crimean War time, did not appeal to the girlishly gentle little chap, for, as he shrewdly remarked, he neither wanted to kill anybody nor be killed himself. When he learned to read, he saw before him all the rows of books which he was told had finer stirring stories in them than even those his father told him, and he resolved he, too, would be a maker of tales.

Those wide apart but penetrating eyes of his had caught sight of an ideal guiding star to follow, viz., Literature. His juvenile ambition to be a "Leerie licht the lamp" faded. To reach the gleam which had enamoured him, he knew he must build with care and patience, like his family of engineers, a tower to enclose or a ladder to reach to this will-o'-the-wisp which inveigled him upward. His mind teemed with ideas; but he saw he would have to serve an apprenticeship to learn to weave smoothly together the web of his fancy, till, in his verbal fabric, he had the charm of all the muses flowering in a single word.

He describes to us how he became a skilled artificer with his pen, and how with obstinate persistence he taught himself daintiness of diction. In his first book of travels he mentions how the branch of a tree caught him, and the flooded Oise bereft him of his canoe. "On my tomb, if ever I have one," he wrote, "I mean to get these words inscribed, HE CLUNG TO HIS PADDLE." The paddle he chose was his pen. It was the motive power which forwarded him along the river of life, through shoals and rapids. When but a wee toddling bairn, he drew his nurse aside and commanded her to write, as he had a story to tell. He dictated to his mother, too, when a boy of six, an essay on Moses. As a housebound child, he had to amuse himself. Skelt's dramas were then his delight; but the life of every child is a prophecy for those who know how to interpret it. His mother was prescient, and fore-told her white-faced Louis had the light of genius in those windows of the soul—the eyes. "Talent," she knew, "was the result of human labor and culture." He dreamed, when but

four, he "heard the noise of pens writing." She took it and his childish "Songstries" he sung as an earnest of his future.

Louis' father, despite being, like Dr. John Brown's Rab, "fu' o' seriousness," had odd whims, among others, an objection to schools and lessons, so he raised no objection to his son's regulation school-days being intermittent. When barely in his teens, Stevenson was ordered South, and spent two winters abroad. He was a pupil at Edinburgh Academy for a few years. Andrew Lang was there at the same time; but, he explains, the future Tusitala,—"the lover of children, the teller of tales, giver of counsel, and dreams, a wonder, a world's delight,"—and he did not meet there, for Louis was "but a little whey-faced urchin, the despicable member of some lower class," when his future brother author was "an elderly boy of seventeen." The pity was that the cosseted only son never rubbed against his compatriot children in the discipline of the play-fields, but in some of his summer holidays he tasted of the doubtful pleasures of lantern-bearing and other boyish "glories of existence."

When the lad was seventeen, his parents leased Swanston Cottage, which became their summer home, and a big factor in their boy's education. It is a spot peculiarly secluded, to be within sight and sound of Edinburgh, lying hidden in the lap of the hills, sheltered "frae nirly nippin' Eas'lan' breeze and haar o' seas." It was there Stevenson began deliberately to educate himself to become the Master Stylist—the "Virgil of prose" of his contemporaries. These Pentlands were to him always the hills of home. He lifted his eyes to them from the old manse of Colinton, when he played there in his grandfather's garden. He longingly, in gaps between the tall, grey houses, looked for their familiar outline when winter prisoned him in Auld Reekie.

These pastoral hills, with their sweeps of heathy moorlands, appear from first to last in his works. Two of his initial Memories and Portraits depict his hill-folk neighbors, the Shepherd and the Gardener. It was at a church "atween the muckle Pentland's knees" that Archie Weir of Hermiston noted young Kirsty, and that same "little cruciform place" was the scene of his "PETIT POEME EN PROSE," where we can all spend a peaceful "Lowden Sabbath morning" with his "living Scotch" sounding in our ears. However far away Louis Stevenson roved, there was mirrored on the tablets of his memory his own country, its speech, its very atmosphere. He wrote a New Arabian Nights, but from the old (he tells us how his minister grandfather envied him his first reading thereof) he had acquired the secret of the magic carpet, and could be transported at will from the tropics back to where the curlews and the plovers wailed and swooped above the whins and the heather on his hills of sheep.

STEVENSON'S APPRENTICESHIP

In his early days, Louis was sociable, pleased when he met compatriot children, ready to be dressed and go to parties. But after he left school, his mood changed. He had been completely sheltered from rebuffs, so, when he stood in the "palace porch of life," and the peculiar accents of his mind were jeered at, he, who had never tasted of a whipping, felt the smart of humankind, and suffered sorely from "maladies incident to only sons." In the "coiled perplexities of youth" he "sorrowed, sobbed, and feared" alone. Blackford's uncultured breast had been meet nurse for Sir Walter when he roamed a truant boy, but further south of the becastled capital, topmost Allermuir or steep Caerketton became the cradle of the next poet and master of Romance that Edinburgh reared. There, in woody folds of the hills, he found, as he said, "bright is the ring of words," and there he taught himself to be the right man to ring them. When Swanston became the Stevensons' summer home, the undisciplined Robert kicked with his fullest vigour against what he

called the Bastille of Civilisation and the bowing down before "the bestial Goddesses, Comfort and Respectability." He was loudly rebellious, and too impatient to follow the ordinary rules of life or the sage advice, "Jowk and let the jaw gae by."

An impression has arisen, because of his revolt in these years against convention and creeds, that he was thwarted and unappreciated in his home and its surroundings. On the contrary, he was at liberty to indulge his Bohemian tastes and do much as he listed. His father gave him a seemingly inadequate allowance. Yet Thomas Stevenson was not a miserly man. He begged his son to go to his tailor's, for he disapproved of the youth's scuffy, mounte-bankish appearance. He supplied him with an allowance for travel—in fact, R. L. S. had all his bills paid, and his own study in a very hospitable home. R, L. S. owned books, and jewels were the only things he felt tempted to buy. The 1 pound a month allowance, when he left school, raised soon after to 82 pounds a year, was to keep the money from dropping out of that hole in the pocket of his ragged jacket, which never seemed to get sewed up. Books he had in plenty, but his parents naturally did not treat him to strings of flashing stones to wear over his shabby velvet coat, or twine round his

battered straw hat. His money affairs, like the table of Weir of Hermiston, were likely all his life "just mismanaged." By the time he settled in Samoa, his literary earnings were thousands a year; and by then his quiet-living, hard-working father was dead, leaving an ample fortune. Still he seemed haunted by fear of lack of means.

Louis' love and admiration for his father was deep and sincere. At his home, when guests gathered round the engineer's table, the boy, with his eyes sparkling, listened to his father's "strange, humorous vein of talk," then glanced round with a smile of expectation to see how much others appreciated their host's well-told tales. "My father was always my dearest," he wrote. This was a high certificate of appreciation, when we remember he had the most devoted of mothers. It hurt the son to the quick to deal his "dearest" a staggering blow, and decline to follow his hereditary profession. Louis had tried to be an engineer. He liked the swinging, smoking seas on which they struggled for a site for sheltering masonry. As in the case of other Stevensons, the romance of the work was welcome to him, but the office stool frightened him. When the would-be author had refused to follow in his kinsmen's footsteps, he promised to study as an advocate to satisfy his father, who urged his son to follow a recognised profession. Owing to his easy-going schooling

and lack of a settled course of study, the law classes were excellent training for the erratic, mercurial-notioned youth. Stevenson had the good fortune in 1869 to be elected a member of the Speculative, the famed Debating Society where Jeffrey first met Scott. There Stevenson encountered his contemporaries in years and social standing, his superiors in debate, and he, "the lean, ugly, idle, unpopular student," as he calls himself, enjoyed "its atmosphere of good-fellowship, its vivid and varied interests, its traditions of honourable labour and success." "Speculative evenings," says R. L. S., "form pretty salient milestones on our intellectual journey." He had gripped a deal of the foundations of his hereditary trade when seemingly but a consistent idler. He mastered the intricacies of law, and took to the abhorred office stool so as to learn the better the workings of its slow machinery. He tells us he only obtained the mastery of his pen by toiling faithfully, but inborn in him was the art of talking. Even as a petti-coated child, we read he gesticulated to aid his glib tongue.

W. E. Henley (whose acquaintance Louis made about 1875, and who helped Stevenson with his chary praise and frank criticism) says of his friend, "He radiates talk. He will discourse with you of morals, music, marbles, men, manners, meta-physics, medicine, mangold-wurzel, with equal insight into essentials and equal pregnancy and felicity of utterance."

Along with this ready affluence of speech, the youth had what good talkers often lack, viz., the patience to hearken to others. Stevenson shone best in what he called a little committee of talkers, though his father and he used to argue a question together for days; but, in the Speculative, he had at first to be a listener. A candid fellow-member says, "I cannot remember that Stevenson was ever anything as a speaker. He was nervous and ineffective, and had no power of debate; but his papers were successful." In one of his essays, touching on this select assemblage, Louis sketches what the editor of the History of the Speculative Society, just published, calls "a little Dutch picture; it focuses in vivid colour the associations which rise in the memory at the name of the Spec.—the stately old room aglow with many candles, the books, the portraits, the pious commemoration of the dead,—famous men and our fathers that begat us." "Stevenson," Mr Dickson goes on to say, "is the most famous man of letters who has belonged to the Society since Scott.