TALES FROM THE GESTA ROMANORUM
PREFACE TO THE FIRST AMERICAN EDITION (PUBLISHED BY WILEY & PUTNAM IN 1845).
You have here, my good friends, sundry moral and entertaining stories, invented by the monks of old, and used by them for amusement, as well as for instruction; from which the most celebrated poets, of our own and other lands, have condescended to draw their plots.
The improvements and refinements of this age will naturally lead you to condemn as absurdities, many of the incidents with which these tales abound. Considering the knowledge of the present day, you are justified in so doing. But I pray you to bear in mind that few qualities are more dependent on time, than probability and improbability. When you read these tales, you must, for the time, retrace your steps to the age in which they were written; and though the tale may seem absurd to us of this day, yet if it was calculated to impress the ivminds of those for whom it was invented, and to whom it was told, its merit was great, and therefore deserving of due praise. A giant or a magician was as probable to the people of the middle ages, as electricity to us. I pray you bear this in mind whilst you judge of these tales.
Romantic fiction pleases all minds, both old and young: the reason is this, says an old Platonist, “that here things are set down as they should be; but in the true history of the world, things are recorded indeed as they are, but it is but a testimony that they have not been as they should be. Wherefore, in the upshot of all, when we shall see that come to pass, that so mightily pleases us in the reading the most ingenious plays and heroic poems, that long afflicted Virtue at last comes to the crown, the mouth of all unbelievers must be stopped.”
To the work of the ingenious Mr. Swan, the only translator of these stories that I know of in this country, I am indebted for my first introduction to these old tales; and I cannot conclude these few words without thanking him for having often lightened my labors by his close and admirable versions.
CONTENTS.
CHAPTER I.
The Gesta Romanorum—Its Origin—Tale of the Ungrateful Man—Sources of Didactic Fiction—Jovinian the Proud Emperor—Morals of the Tales.
It was a dull, cold Christmas evening; the snow fell fast and small, and the cutting northeast wind blew its white shower into heaps and ridges in every corner of St. John’s quadrangle, and piled its clear flakes against every projecting part of the old building. No one was moving in college, at least out-of-doors; but the rude laugh from the buttery, and the dull-red gleam through the closely drawn curtains of one of the upper rooms in the outer quadrangle, proved that in two portions of the college Christmas was being kept with plenty and with gayety.
The change from the white cold of the quadrangle to the ruddy blaze of that upper room was inspiriting. The fire burnt bright; the small table, drawn immediately in front of its merry blaze, glittered with after-dinner good cheer; and three young and happy faces sat by that little table, and compared their former Christmases at home, with this one, during which they were determined to remain up in Oxford and read for the ensuing examination.
“Morrison is always in good luck,” said Henry Herbert, the youngest of the party. “Whatever it is, 2whether drawing lots for a Newham party, or cramming for an examination, he always succeeds; and now he is the last man that got away from Oxford before the roads were blocked up by this snow-drift.”
“Fortunate fellow!” said Lathom. “We are shut up now—fifteen feet of snow at Dorchester, and Stokenchurch bottom quite impassable.”
“Ay, and Oxford streets equally so,” said Frederick Thompson, the last of the triumvirate, “and we shut up here with the pleasant prospect of taking our constitutional, for some days to come, under the old Archbishop’s cloisters.”
“By the by,” said Herbert, “what were you after in the old library last week, Lathom?”
“Looking for a copy of the Gesta Romanorum, with the idea of reading some of its amusing stories during our after-dinner sittings.”
“Any thing but those Romans: it is bad enough to have read and believed all that Livy wrote, from his Sucking Wolf to his Capitol Goose, and then to have a shrewd German prove that kings were not kings, and consuls not consuls, just when you are beginning to think that you really do know something about your Roman history.”
“You will have but little of Roman history, Thompson; the title of the book but ill agrees with its contents: fables of all climes contribute their share in the formation of this singular composition. The majority of the tales are entirely unconnected with the history of Rome, though the writer, in order to, in some manner, cover this deviation from his title, has taken care to preface almost every story with the name of some emperor, who in most cases never existed, and sometimes has little to do with the incidents of the narrative.”
“To whom, most learned antiquary, are we indebted for this very stout volume?”
3“To the imagination, knowledge, and literary labor of the monks of the middle ages. In the refectory, whilst the monks ate their meals, one, the youngest generally, of the society, read from some such collection as this, a tale at once amusing and instructive. Nor was the use of these fables confined to the refectory. The success which has always attended instruction by fables, and the popularity ever consequent on this form of teaching, led the monks to use this medium to illustrate their public discourses, as well as for their own daily relaxation.”
“Few things are more certain,” said Herbert, “than that an argument, however clear,—a deduction, however logical,—operates but faintly except on trained intellects; but an apposite story at once arouses the attention, and makes a more durable impression on illiterate auditors. Knowledge in the garb of verse is soonest appreciated by an uneducated mind, and remains there far longer than in any other form. A ballad will descend from generation to generation without a fault or an interpolation.”
“Yes,” rejoined Lathom, “and next to poetry comes poetic prose, at the head of which class stands didactic fiction. Many a clever man has confessed that he was more indebted to Shakspeare and Scott for his English and Scottish history, than to the standard historians of either land.”
“And as far as the general belief goes,” said Thompson, “the popular dramatist or poet will always outweigh the learned historian. Let Walpole or Turner write what they will about Richard the Third; to the majority—ay, to more than four fifths of the people—he is still Shakspeare’s Richard, the Humpbacked Murderer.”
“One of the best of the old monks’ stories,” said Lathom, “was translated in Blackwood’s Magazine some 4years since. It well illustrates the popular method by which the writers of these tales inculcated Christian duties on their brethren of the convent, or on their hearers in the Church. If you like, I will read it.”
The following was the tale of
THE UNGRATEFUL MAN.
Vitalis, a noble Venetian, one day, at a hunting party, fell into a pit, which had been dug to catch wild animals. He passed a whole night and day there, and I will leave you to imagine his dread and his agony. The pit was dark. Vitalis ran from the one side of it to the other, in the hope of finding some branch or root by which he might climb its sides and get out of his dungeon; but he heard such confused and extraordinary noises, growlings, hissings, and plaintive cries, that he became half-dead with terror, and crouched in a corner motionless, awaiting death with the most horrid dismay. On the morning of the second day he heard some one passing near the pit, and then raising his voice he cried out with the most dolorous accent: “Help, help! draw me out of this; I am perishing!”
A peasant crossing the forest heard his cry. At first he was frightened; but after a moment 5or two, taking courage, be approached the pit, and asked who had called.
“A poor huntsman,” answered Vitalis, “who has passed a long night and day here. Help me out, for the love of God. Help me out, and I will recompense you handsomely.”
“I will do what I can,” replied the peasant.
Then Massaccio (such was the name of the peasant) took a hedge-bill which hung at his girdle, and cutting a branch of a tree strong enough to bear a man,—“Listen, huntsman,” said he, “to what I am going to say to you. I will let down this branch into the pit. I will fasten it against the sides, and hold it with my hands; and by pulling yourself out by it, you may get free from your prison.”
“Good,” answered Vitalis; “ask me anything you will, and it shall be granted.”
“I ask for nothing,” said the peasant, “but I am going to get married, and you may give what you like to my bride.”
So saying, Massaccio let down the branch—he soon felt it heavy, and the moment after a monkey leapt out of the pit. He had fallen like Vitalis, and had seized quickly on the branch of Massaccio. “It was the devil surely which spoke to me from the pit,” said Massaccio, running away in affright.
“Do you abandon me, then?” cried Vitalis, 6in a lamentable accent; “my friend, my dear friend, for the love of the Lord, for the love of your mistress, draw me out of this; I beg, I implore you; I will give her wedding gifts, I will enrich you. I am the Lord Vitalis, a rich Venetian; do not let me die of hunger in this horrible pit.”
Massaccio was touched by these prayers. He returned to the pit—let down another branch, and a lion jumped out, making the woods echo with a roar of delight.
“Oh certainly, certainly, it was the devil I heard,” said Massaccio, and fled away again; but stopping short, after a few paces, he heard again the piercing cries of Vitalis.
“O God, O God,” cried he, “to die of hunger in a pit! Will no one then come to my help? Whoever you may be, I implore you return; let me not die, when you can save me. I will give you a house and field, and cows and gold, all that you can ask for; save me, save me only.”
Massaccio, thus implored, could not help returning. He let down the branch, and a serpent, hissing joyously, sprang out of the pit. Massaccio fell on his knees, half-dead with fear, and repeated all the prayers he could think of to drive away the demon. He was only brought to himself by hearing the cries of despair which Vitalis uttered.
7“Will no one help me?” said he. “Ah, then, must I die? O God, O God!” and he wept and sobbed in a heart-breaking manner.
“It is certainly the voice of a man for all that,” said Massaccio.
“Oh, if you are still there,” said Vitalis, “in the name of all that is dear to you, save me, that I may die at least at home, and not in this horrible pit. I can say no more; my voice is exhausted. Shall I give you my palace at Venice, my possessions, my honors? I give them all; and may I die if I forfeit my word. Life, life only; save only my life.”
Massaccio could not resist such prayers, and mingled with such promises. He let down the branch again.
“Ah, here you are at last,” said he, seeing Vitalis come up.
“Yes,” said he, and uttering a cry of joy he fainted in the arms of Massaccio.
Massaccio sustained, assisted him, and brought him to himself; then, giving him his arm,—“Let us,” said he, “quit this forest”; but Vitalis could hardly walk,—he was exhausted with hunger.
“Eat this piece of bread,” said Massaccio, and he gave him some which he took out of his wallet.
“My benefactor, my savior, my good angel,” 8said Vitalis, “how can I ever sufficiently recompense you!”
“You have promised me a marriage portion for my bride, and your palace at Venice for myself,” said Massaccio. But Vitalis now began to regain his strength.
“Yes, certainly, I will give a portion to your wife, my dear Massaccio, and I will make you the richest peasant of your village. Where do you live?”
“At Capalatta in the forest; but I would willingly quit my village to establish myself at Venice in the palace you have promised me.”
“Here we are out of the forest,” said Vitalis; “I know my road now; thank you, Massaccio.”
“But when shall I come for my palace and the portion for my intended?” returned the peasant.
“When you will,” said the other, and they separated.
Vitalis went to Venice, and Massaccio to Capalatta, where he related his adventure to his mistress, telling her what a rich portion she was to have, and what a fine palace she was to live in.
The next day early he set out for Venice, and asked for the palace of the Signor Vitalis,—went straight to it, and told the domestics that he should come shortly with his mistress, in a 9fine carriage, to take possession of the palace which the Signor Vitalis had promised to give him. Massaccio appeared to those who heard him mad, and Vitalis was told that there was a peasant in his hall, who asked for a marriage portion, and said the palace belonged to him.
“Let him be turned out immediately,” said Vitalis, “I know him not.”
The valets accordingly drove him away with insults, and Massaccio returned to his cottage in despair, without daring to see his mistress. At one corner of his fireplace was seated the monkey, at the other corner the lion, and the serpent had twisted itself in spiral circles upon the hearth. Massaccio was seized with fear. “The man has driven me from his door,” thought he; “the lion will certainly devour me, the serpent sting me, and the monkey laugh at me; and this will be my reward for saving them from the pit.” But the monkey turned to him with a most amicable grimace; the lion, vibrating gently his tail, came and licked his hand, like a dog caressing his master; and the serpent, unrolling its ringy body, moved about the room with a contented and grateful air, which gave courage to Massaccio.
“Poor animals!” said he, “they are better than the Signor Vitalis; he drove me like a beggar from the door. Ah! with what pleasure 10I would pitch him again into the pit! And my bride! whom I thought to marry so magnificently! I have not a stick of wood in my wood-house, not a morsel of meat for a meal, and no money to buy any. The ungrateful wretch, with his portion and his palace!”
Thus did Massaccio complain. Meanwhile the monkey began to make significant faces, the lion to agitate his tail with great uneasiness, and the serpent to roll and unroll its circles with great rapidity. Then the monkey, approaching his benefactor, made him a sign to follow, and led him into the wood-house, where was regularly piled up a quantity of wood sufficient for the whole year. It was the monkey who had collected this wood in the forest, and brought it to the cottage of Massaccio. Massaccio embraced the grateful ape. The lion then uttering a delicate roar, led him to a corner of the cottage, where he saw an enormous provision of game, two sheep, three kids, hares and rabbits in abundance, and a fine wild boar, all covered with the branches of trees to keep them fresh. It was the lion who had hunted for his benefactor. Massaccio patted kindly his mane. “And you, then,” said he to the serpent, “have you brought me nothing? Art thou a Vitalis, or a good and honest animal like the monkey and the lion?” The serpent glided rapidly
11under a heap of dried leaves, and reappeared immediately, rearing itself superbly on its tail, when Massaccio saw with surprise a beautiful diamond in its mouth. “A diamond!” cried Massaccio, and stretched forth his hand to stroke caressingly the serpent and take its offering.
Massaccio then set out immediately for Venice to turn his diamond into money. He addressed himself to a jeweller. The jeweller examined the diamond; it was of the finest water.
“How much do you ask for it?” said he.
“Two hundred crowns,” said Massaccio, thinking his demand to be great; it was hardly the tenth part of the value of the stone. The jeweller looked at Massaccio, and said: “To sell it at that price you must be a robber, and I arrest you!”
“If it is not worth so much, give me less,” said Massaccio; “I am not a robber, I am an honest man; it was the serpent who gave me the diamond.”
But the police now arrived and conducted him before the magistrate. There he recounted his adventure, which appeared to be a mere fairy vision. Yet as the Signor Vitalis was implicated in the story, the magistrate referred the affair to the state inquisition, and Massaccio appeared before it.
12“Relate to us your history,” said one of the inquisitors, “and lie not, or we will have you thrown into the canal.”
Massaccio related his adventure.
“So,” said the inquisitor, “you saved the Signor Vitalis?”
“Yes, noble signors.”
“And he promised you a marriage portion for your bride, and his palace at Venice for yourself?”
“Yes, noble signors.”
“And he drove you like a beggar from his door?”
“Yes, noble signors.”
“Let the Signor Vitalis appear,” said the same inquisitor.
Vitalis appeared.
“Do you know this man, Signor Vitalis?” said the inquisitor.
“No, I know him not,” replied Vitalis.
The inquisitors consulted together. “This man,” said they, speaking of Massaccio, “is evidently a knave and a cheat; he must be thrown into prison. Signor Vitalis, you are acquitted.” Then, making a sign to an officer of police, “Take that man,” said he, “to prison.”
Massaccio fell on his knees in the middle of the hall. “Noble signors, noble signors,” said he, “it is possible that the diamond may have 13been stolen; the serpent who gave it me may have wished to deceive me. It is possible that the ape, the lion, and the serpent may all be an illusion of the demon, but it is true that I saved the Signor Vitalis. Signor Vitalis” (turning to him), “I ask you not for the marriage portion for my bride, nor for your palace of marble, but say a word for me; suffer me not to be thrown into prison; do not abandon me; I did not abandon you when you were in the pit.”
“Noble signors,” said Vitalis, bowing to the tribunal, “I can only repeat what I have already said: I know not this man. Has he a single witness to produce?”
At this moment the whole court was thrown into fear and astonishment, for the lion, the monkey, and the serpent, entered the hall together. The monkey was mounted on the back of the lion, and the serpent was twined round the arm of the monkey. On entering, the lion roared, the monkey spluttered, and the serpent hissed.
“Ah! these are the animals of the pit,” cried Vitalis, in alarm.
“Signor Vitalis,” resumed the chief of the inquisitors, when the dismay which this apparition had caused had somewhat diminished, “you have asked where were the witnesses of Massaccio. You see that God has sent them at 14the right time before the bar of our tribunal. Since, then, God has testified against you, we should be culpable before Him if we did not punish your ingratitude. Your palace and your possessions are confiscated, and you shall pass the rest of your life in a narrow prison. And you,” continued he, addressing himself to Massaccio, who was all this time caressing the lion, the monkey, and the serpent, “since a Venetian has promised you a palace of marble, and a portion for your bride, the republic of Venice will accomplish the promise; the palace and possessions of Vitalis are thine. You,” said he to the secretary of the tribunal, “draw up an account of all this history, that the people of Venice may know, through all generations, that the justice of the tribunal of the state inquisition is not less equitable than it is rigorous.”
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