THE GARDEN OF MEMORIES

BY

HENRY ST. JOHN COOPER

AUTHOR OF "SUNNY DUCROW," "JAMES BEVANWOOD, BARONET," ETC.

TORONTO THE MUSSON BOOK COMPANY LIMITED

COPYRIGHT, CANADA, 1921.

MUSSON ALL CANADIAN PRODUCTION

CONTENTS

PROLOGUE

CHAPTER

I In the Garden of Dreams II A Marriage Has Been Arranged III A Desirable Family Mansion IV How Allan Came to the Garden V In Which Allan Buys the Manor House VI "I Hate Him—Hate Him I Du!" VII "How Wonderful—the Way of Things" VIII "Kathleen—Do You Remember?" IX How Sir Josiah Opened His Purse X Confidences XI In Which Sir Josiah Proves Himself a Gentleman XII The Hands of Abram Lestwick XIII The Homecoming XIV "His Son's Wife" XV "Will You Take This Man?" XVI "My Lady Merciful" XVII Harold Scarsdale Returns XVIII In the Dawn XIX The Dream Maiden XX The Road to Homewood XXI After Ten Years XXII Mr. Coombe Wears a White Tie XXIII "I Belong to Thee" XXIV In Which Lord Gowerhurst Rises Early XXV Beside the Lake XXVI On Other Shoulders XXVII The Conqueror XXVIII The Watcher XXIX Why Abram Lestwick Stayed from Church XXX The Religion of Sir Josiah XXXI "A Very Worthy Man" XXXII The Awakening XXXIII By the Lake XXXIV The Going of Betty XXXV "I Shall Return"

THE GARDEN OF MEMORIES

PROLOGUE

From the house a broad white stone path runs to the very heart of the garden and there opens out into a wide circle in the middle of which is set a sundial, and here too are placed some great benches of the same white stone; where, when the heat of the sun is not too great, it is pleasant enough to sit and watch the glory of the flowers.

They are wealthy folk, the Elmacotts, and they love their garden and pride themselves on it and hold that in all Sussex no soil can produce finer flowers and sweeter fruit, and though in this year of grace seventeen hundred and three the house, which is the Manor House of the Parish of Homewood, has no great antiquity, being scarce more than sixty years old, it has about it that completeness, those niceties of detail, the neatness and the order and the well being that are found only in the home which is ruled by a house-proud mistress.

And Madame Elmacott is proud of her house, proud of her garden, proud of the flowers that grow in it and above all proud of her stalwart sons, Master Nat and Master Dick, who are at this time with his Grace of Marlborough in Flanders, fighting their country's battles.

To-day the sun shines on the garden and the flowers stir gently, swaying in the light breeze that also lifts the white dimity at the open windows of the house, whence comes the sweet tinkling of a spinet, the keys of which are touched by the skilled white fingers of Mistress Phyllis Elmacott.

The tall hollyhocks that cast wavering blue shadows on the white stone pathway nod to one another in the breeze, nod, it seems, knowingly, for from the pathway one may see into the pleasant room where the spinet and its fair player are and seeing these may also see the handsome figure of the Captain, who leans upon the spinet, the better to see into those bright eyes that have brought him home to England and Sussex from across the seas, though at this time in the service of his Grace the Captain General there is much to be done and much to be won.

He has but waited to see and share in the victory of Donauwort and then has come hastening home on the wings of love and with the merry peal of marriage bells a-ringing in his ears.

But it is not of these, not of the dashing Captain in his red coat and fair-haired Mistress Elmacott, who thinks him the most perfect and wonderful, as well as the bravest and handsomest of all created beings. It is of the garden and of a lad who sits on the grassy bank at the edge of the lake and watches with eyes, that yet seem scarcely to see, the slim white figure of a maiden wrought of stone. She stands up from the green waters, in the center of the lake and on her sun-kissed shoulder she holds a pitcher, from which the glittering water is flung aloft into, the air to fall with a pleasant tinkling, back into the green pool beneath.

And so silent, so motionless does he sit here, that the swallows that now and again skim the water, the dragon flies in all the glory of their green and crimson, and blue sheen that dart hither and thither take no heed of him, no more heed than if he too were of senseless stone.

In all the colour, in all the glory of the garden, he is the sombre, the one sombre note. His clothes are drab, his shoes are stout and thick and ungainly and clasped with great brass buckles. His hands are the hands of a man who toils for his living, rough and hardened by spade and hoe and rake and scythe, and stained by the good earth of the garden. His eyes that stare so unceasingly on that white stone figure are blue, his face is lean and tanned, his neck too is tanned deeply to the very shoulders where the coarse shirt falls open.

Straight and strong and courageous he is. Has he not listened with bated breath and with quick beating heart to the brave stories told in the bar parlour of the "Fighting Cocks" in Stretton. Cross? Has he not watched the Serjeant who has told these thrilling tales, of every one of which, who should be the hero but the Serjeant himself, in his fine red coat and his crossed belts and his tall hat, that makes him, fine man that he is, seem almost a giant?

He has done well here in Stretton and Homewood and at Bush Corner and in all those other quiet places, has the Serjeant. There are at least a score of fine young Sussex lads, even at this very moment on their way to Harwich, en route for Flanders and glory, who have been wheedled from field and wood and garden and alehouse and stable by the Serjeant's persuasive tongue, his jolly laugh and his generous hand.

And Allan Pringle, sitting here by the green pool, clasping his strong brown chin with his hands, knows that he too would have been of that score, but for one reason—one reason that now, alas, is no more!

It is the first grief he has ever known and it is a bitter one, for what more bitter sorrow can youth feel than for wasted hopes, for broken faith, for misplaced love?

Only Betty and his love for her, only the happiness that she had promised should one day be his, had deafened him to the persuasive eloquence of the Serjeant.

But it is not too late now, others will hearken to the Serjeant and set off for Harwich and he will be among the next. Yes, he will be among the next to go, and pray God that he may never return!

He does not hear a light step on the long stone pathway, for it is scarce heavier than a bird might make. From the house a little maid comes hurrying. Now she stands hesitatingly and looks about her, her finger on her lips, as one a little fearful, a little anxious. Again and yet again, she pauses, as she looks about her, then comes to where beyond the great hedge of clipped yew trees the green waters of the pool reflect the golden, sunshine.

And now she sees him and stands watching, a tender smile on her lips. A dainty slip of a maiden is she, with hair that gleams gold under her cap, the soft rounded arms are bare to the dimpled elbows, save for the thin black lace mittens, through which her white skin shines.

Though he, the silent, solitary figure sitting beside the pool is but ten paces from her, yet she hesitates, half a score of times, making a timorous step and then pausing before the next, her blue eyes filled, now with mischief and love and now clouded by some fear. And then suddenly she makes a brave little run to him and drops lightly on her knees behind him and lifts her hands and clasps them over his eyes.

"And you—you would leave your Betty? Oh, Allan, you would leave your Betty who loves you and go away to the cruel wars?" she sobs.

He has taken her hands, has taken them strongly in his hold and holding them yet, he turns to her. "Why did you come, why did you come to me, Betty?"

"Because," and the blue eyes are lifted to his filled with an innocence and candour that even he, jealous and despairing though he is, cannot but recognise, "because I do love thee so and cannot let thee go!"

"And why, loving me, Betty, do you suffer the kisses of such a man as Timothy Burnand, a rascally tinker and a thieving poacher, a man whose hand I would not have touch thee, Betty?"

Into her face there flames a great flush, a look of anger, then it dies out and the laughter comes rippling to her lips and into her eyes come back the mischief and the love and a little pride too, for she realises that he is jealous of her, this man she loves and though jealousy be a sin, yet it is not without its sweetness, too, for say what the wiseacres may, jealously is oftentimes a proof of love.

"And you saw—" she cries, "Allan, you—saw—ugh!" She makes a little gesture, a little grimace. "Did you think that I invited, that I welcomed him? Did you think that I bore his kiss with patience? Go and seek him now and look for the red mark upon his face! He came on me unawares and then all suddenly—" she pauses. "Allan," she says pleadingly, "Allan, you will not go, you will not go, my dear, you will not go and leave me?" And sobbing she is in his arms. And so for Allan Pringle the sun shines out again and the flowers are blooming brightly and the little slim maiden of stone from the centre of the pool seems to throw the glittering water higher and yet higher into the air as though in joy that all is well between these two, who hold one another so tightly, who are mingling their tears and their laughter and their kisses, now that the cloud has passed.

* * * * *

There are no flowers in the garden now, for the garden of Homewood Manor and all the world beside lies under a pall of white, for the winter is here, the winter of seventeen hundred and five, which is remembered by all men as a winter of bitter cold, of great frosts and heavy snows.

In a tiny cottage that stands a bare quarter of a mile on the Stretton Road from the Homewood gates, a man is on his knees beside a bed.

And that bed holds all his world, all that the world can give him, all that makes life sweet, and his heart is black and bitter with suffering and despair and cries out against God that he, who was rich only in her and in her love, must lose her now, must spend the rest of his days solitary, and heartbroken.

His eyes are on the sweet white face, on those lips once so red and now so pale, but which even yet have a smile for him, a smile of wonderful tenderness and undying love. He takes no heed of the fretful cry that comes from the cradle, for there is no other in all his world now, but her, she who is so soon to leave him.

"Betty, my Betty, I cannot let thee go! Oh, remember, Betty, once when I would have left thee, you called me back and I came. I am calling, calling to you now, my life, my sweet, I cannot let you go! Stay with me, stay with me, for you are all my life and the world is black without you; stay with me!"

She would lift her thin little hand to caress, to touch his face, but the strength is not hers to do it.

"Allan, take me, hold me in your arms, hold me tightly, my dear, hold me tightly," she says.

And he puts his strong arms about her. God pity him, how light she is, how small, how fragile a thing this, that death is taking from him!

His very soul is in rebellion against fate, he is mad with the suffering, mad with his impotence. He can do nothing save watch her die, watch her fade out of his life; and it must be soon "A matter of hours," the doctor from Stretton had said and that was long ago and now, now it is but a matter of minutes.

"Allan, I wanted, always, to die like this, with your arms about me, your dear eyes the last of earth that I shall see—ah! Allan, it is now——"

"Betty, Betty, I am calling, calling to you, come back, beloved, come back!"

And then he knows that it is useless, she is leaving him, slipping away, no matter how tightly he may hold her. It is good-bye, their last good-bye and the sad word comes perhaps unconsciously to his lips.

And then, is it fancy? Is it some trick of his tortured brain? For as he watches, the dear lips move and it seems to him that the message they whisper to him with her dying breath is this: "It is not good-bye!"

He is holding her against his breast, he is kissing those lips that for the first time give not back kiss for kiss. He is calling to her from his aching, breaking heart, but she has passed beyond the sound of his voice, though the smile on her dead lips is still for him.

And those last words, were they real? Did they pass her lips with her dying breath, were they meant for him in pity and compassion and love?

"It is not good-bye!"

CHAPTER I

IN THE GARDEN OF DREAMS

A girl, a slip of a maid with sunny hair and wonderful blue eyes, stood beside a crumbling old rose-red brick wall. She looked up the long country road and she looked down it, there was no one, not a soul in sight. So she thrust the too of one small and broken boot into a crevice of the wall, made a little spring and caught at the top, then dragged herself up till she sat, flushed and triumphant, on the coping.

She was a village girl and her dress was of print, well washed, well mended, skimpy, too, for her slight figure, slender though it was, for it had been hers for three years, and a dress that is originally made for a maiden of fourteen is apt to be small when worn by a maid of seventeen.

It was a demure and a very sweet face, the eyes big and strangely dreamy, the white skin of her face and neck powdered lightly with tiny golden freckles, her hair a deep red gold.

And wonderful hair it was, wonderfully untidy, too, so rebellious that it spurned all hairpins and fretted and struggled agains ribbons and tapes.

So now, she sat on top of the old rose red wall and looked down on the other side and saw a green tangle of brambles and grass and other things that grew rankly and luxuriously in that deserted place.

It was easier to descend the wall than to climb it, for here was a friendly tree that held out an inviting branch. Sho seized it, with small brown hands and lightly swung herself to the ground and then drew a sigh of relief and pleasure.

It was forbidden ground! Were there not many notices that announced the fact that "Trespassers Would Be Prosecuted"? But she cared nothing for these, the notice that she dreaded most of all was "This Desirable Historical Family Mansion, with Seven Hundred and Fifty Acres of Land, to be Sold."

How she dreaded lest one day someone should come and see and covet this place and buy it and so shut her out forever from its delights and its pleasures. But that someone had not come yet.

So she made her way through the tangle of the growth, and came presently to a great garden, a wonderful garden once, but now a weed-grown place of desolation.

Always this garden attracted her; to-day it brought a soft, tender light into her eyes as she stood with clasped hands and looked at it! She could see the old broken stone-paved pathway that led through the heart of the garden. She knew where that stone pathway opened out into a great circle in the midst of which was set a sundial, a sundial of stone chipped and green and the gnomon of the dial rusted away so that never again should its shadow fall upon the dial and mark the passing of the brighter hours. And about this circle, she knew, were old stone seats, green now like the pedestal of the dial and through the crevices of the paving grew and flourished and blossomed foxglove and dandelion, hollyhock and groundsell.

It had been a very, very beautiful garden long years ago, when ladies had tapped up and down the stone pathway in their little red-heeled shoes. Ladies who wore wide flounced skirts and powdered hair and cunning little patches on their fair cheeks. The garden with its roses, with its stately hollyhocks, its cloves and sweet-williams, its rosemary and lavender and all the sweet things that grow in English gardens, must have been a very lovely and perfect place then. But to this little maid with the dreamy eyes, it was a very wonderful place now. There was no other place like it in all the world; she had come here by sunshine and by moonlight, for sometimes in the night the garden had seemed to call to her and she had risen from her bed under the thatched roof of her old grandmother's cottage and had come stealing here to watch it, all bathed in the silver light of the moon. Perhaps she loved it best by moonlight, for then strange dreams seemed to come to her, dreams that never came when the sun was shining.

It seemed as if some kindly gentle hand touched lightly on the chords of memory, and then—the weeds and the tall rank grass, the decay of the present, the rioting growth, all were gone and she saw the old garden as it had once been, and she saw folk, strangely dressed folk, whom never in her life could she have met. These came and went, men with strange affected antics and gestures, gestures she might have smiled at, yet never did, and sweet, gracious ladies who moved with stately dignity through the old garden.

But always there was one, a young man whose clothes were plain and lacking all the finery that made the others seem so grand. She knew him for a servant, for one who worked in the garden, for often she would see him stooping over some trim bed, or with keen scythe sweeping the short grass.

They were dreams, only dreams that the old garden seemed to bring to her, when she came when the world was sleeping. Dreams, and yet she seemed to be so curiously awake.

But she never spoke of the old garden to the others, or told of the things that she saw here. Yet they knew she came, her grandmother rated her, "One day, my maid, caught ee'll be," she said, "and then summoned very likely for trespassing!"

But the Law had no terrors for her, so she came whenever the garden seemed to be calling to her and the high rank grass brushed her thin cotton skirt and wetted the coarse stocking that clad her slim ankle.

For an hour she wandered about the garden, she stood by the sundial and watched the line of the path-way, sadly encroached on now by the weeds and the self-seeded flowers. A tall yew hedge, once clipped into fantastic shapes, but now reclaimed by Nature, shut out what had once been the rose garden, all weed grown now and the roses gone. And beyond the rose garden, the lake in which the great carp swam lazily and over which the birds skimmed! From the lake's centre rose a figure in stone, sadly battered and marred, the figure of a slim girl, a girl that might have been, herself, changed into stone.

She often came to look at this figure rising from the centre of the lake. It held a vase poised on its shoulder, once a fountain had been flung high into the air from this vase, but the fountain had been dead long ago. To-day a rook sat perched on one stone shoulder, but flew away when the living girl came down to the brink.

She had a feeling for this stone maiden, all so lonely in the midst of the desolation. She never came into the garden without coming to the edge of the lake and nodding her little head to the figure who never nodded back.

And so, for an hour she wandered about the garden. She picked none of the flowers that grew so freely here, for she would not dare take them back, mute tale tellers that they would be. So, empty handed as she came, she presently made her way back to the old wall and seeing that no one was in sight, gained the road and went on to the cottage in the village.

Her grandmother was leaning over the gate, an old woman with the face of a russet apple that has been kept till it has wrinkled and mellowed.

"So there you be, Betty Hanson, and seeing the way you hev come it be useless and idle it be, for me to ask you where hev you been tu!"

The girl did not answer.

"You've been in that garden again, spite o' all I du say. Betty Hanson, it hev got to cease, my maid, and cease it will now!"

"Why?" the girl said and there was a frightened look in her eyes.