CHAPTER I THE IVORY GATE

Dark and stern, in their weird beauty, lower the sad brows of the Queen of Hell. Dear to her are the pomp and power, the shadowy vastness, and the terrible splendour of the nether world. Dear to her the pride of her unbending consort; and doubly dear the wide imperial sway, that rules the immortal destinies of souls. But dearer far than these—dearer than flashing crown and fiery sceptre, and throne of blazing gold—are the memories that glimmer bright as sunbeams athwart those vistas of gloomy grandeur, and seem to fan her weary spirit like a fresh breeze from the realms of upper earth. She has not forgotten, she never can forget, the dewy flowers, the blooming fragrance of lavish Sicily, nor the sparkling sea, and the summer haze, and the golden harvests that wave and whisper in the garden and granary of the world. Then a sad smile steals over the haughty face; the stern beauty softens in the gleam, and, for a while, the daughter of Ceres is a laughing girl once more.

So the Ivory Gate swings back, and gentle doves come forth on snowy wings, flying upwards through the gloom, to bear balm and consolation to the weary and the wounded and the lost. Now this was the dream the birds of Peace brought with them, to soothe the broken spirit of a sleeping slave.

The old boar has turned to bay at last. Long and severe has been the chase; through many an echoing woodland, down many a sunny glade, by copse and dingle, rock and cave, through splashing stream, and deep, dank, quivering morass, the large rough hounds have tracked him, unerring and pitiless, till they have set him up here, against the trunk of the old oak-tree, and he has turned—a true British denizen of the waste—to sell his life dearly, and fight unconquered to the last. His small eye glows like a burning coal; the stiff bristles are up along his huge black body, flecked with white froth that he churns and throws about him, as he offers those curved and ripping tusks, now to one, now to another of his crowding, baying, leaping foes.

“Have at him! Good dogs!” shouts the hunter, running in with a short, broad-bladed boar-spear in his hand. Breathless is he, and wearied with the long miles of tangled forests he has traversed; but his heart is glad within him, and his blood tingles with a strange wild thrill of triumph known only to the votaries of the chase.

Gelert is down, torn and mangled from flank to dewlap; Luath has the wild swine by the throat; and a foot of gleaming steel, driven home by a young, powerful arm, has entered behind the neck and pierces downwards to the very brisket. The shaft of the spear snaps short across, as the thick unwieldy body turns slowly over, and the boar shivers out his life on the smooth sward, soft and green as velvet, that exists nowhere but in Britain.

The dream changes. The boar has disappeared, and the woodland gives place to a fair and smiling plain. Vast herds of shaggy red cattle are browsing contentedly, with their wide-horned heads to the breeze; flocks of sheep dot the green undulating pastures, that stretch away towards the sea. A gull turns its white wing against the clear blue sky; there is a hum of insects in the air, mingled with the barking of dogs, the lowing of kine, the laughter of women, and other sounds of peace, abundance, and content. A child is playing round its mother’s knee—a child with frank bold brow and golden curls, and large blue fearless eyes, sturdy of limb, quick of gesture, fond, imperious, and wilful. The mother, a tall woman, with a beautiful but mournful face, is gazing steadfastly at the sea, and seems unconscious of her boy’s caresses, who is fondling and kissing the white hand he holds in both his own. Her large shapely figure is draped in snowy robes that trail upon the ground, and massive ornaments of gold encircle arms and ankles. At

intervals she looks fondly down [pg 3]upon the child; but ever her face resumes its wistful expression, as she fixes her eyes again upon the sea. There is nothing of actual sorrow in that steadfast gaze—still less of impatience, or anger, or discontent. Memory is the prevailing sentiment portrayed—memory, tender, absorbing, irresistible, without a ray of hope, but without a shadow of self-reproach. There is a statue of Mnemosyne at one of the entrances to the Forum that carries on its marble brow the same crushing weight of thought; that wears on its delicate features, graven into the saddest of beauty by the Athenian’s chisel, just such a weary and despondent look. Where can the British child have seen those tasteful spoils of Greece that deck her imperial mistress? And yet he thinks of that statue as he looks up in his mother’s face. But the fair tall woman shivers and draws her robe closer about her, and taking the child in her arms, nestles his head against her bosom and covers him over with her draperies, for the wind blows moist and chill,

the summer air is white with driving mist, huge shapeless forms loom through the haze, and the busy sounds of life and laughter have subsided into the stillness of a vast and dreary plain.

The child and its mother have disappeared, but a tall, strong youth, just entering upon manhood, with the same blue eyes and fearless brow, is present in their stead. He is armed for the first time with the weapons of a warrior. He has seen blows struck in anger now, and fronted the legions as they advanced, and waged his fearless unskilful valour against the courage, and the tactics, and the discipline of Rome. So he is invested with sword, and helm, and target, and takes his place, not without boyish pride, amongst the young warriors who encircle the hallowed spot where the Druids celebrate their solemn and mysterious rites.

The mist comes thicker still, driving over the plain in waves of vapour, that impart a ghostly air of motion to the stones that tower erect around the mystic circle. Grey, moss-grown, and unhewn, hand of man seems never to have desecrated those mighty blocks of granite, standing there, changeless and awful, like types of eternity. Dim and indistinct are they as the worship they guard. Hard and stern as the pitiless faith of sacrifice, vengeance, and oblation, inculcated at their base. A wild low chant comes wailing on the breeze, and through the gathering mist a long line of white-robed priests winds slowly into the circle. Stern and gloomy are they of aspect, lofty of stature, and large of limb, with long grey beards and tresses waving in the wind. [pg 4]Each wears a crown of oak-leaves round his head; each grasps a wand covered with ivy in his hand. The youth cannot resist an exclamation of surprise. There is desecration in his thought, there is profanity in his words. Louder and louder swells the chant. Closer and closer still contracts the circle. The

white-robed priests are hemming him in to the very centre of the mystic ring, and see! the sacrificial knife is already bared and whetted, and flourished in the air by a long brawny arm. The young warrior strives to fly. Horror! his feet refuse to stir, his hands cleave powerless to his sides. He seems turning to stone. A vague fear paralyses him that he too will become one of those granite masses to stand there motionless during eternity. His heart stops beating within him, and the transformation seems about to be completed, when lo! a warlike peal of trumpets breaks the spell, and he shakes his spear aloft and leaps gladly from the earth, exulting in the sense of life and motion once more.

Again the dream changes. Frenzied priest and Druidical stone have vanished like the mist that encircled them. It is a beautiful balmy night in June. The woods are black and silver in the moonlight. Not a breath of air stirs the topmost twigs of the lofty elm cut clear and distinct against the sky. Not a ripple blurs the surface of the lake, spread out and gleaming like a sheet of polished steel. The bittern calls at intervals from the adjacent marsh, and the nightingale carols in the copse. All is peaceful and beautiful, and suggestive of enjoyment or repose. Yet here, lying close amongst the foxglove and the fern, long lines of white-robed warriors are waiting but the signal for assault. And yonder, where the earthwork rises dark and level against the sky, paces to and fro a high-crested sentinel, watching over the safety of the eagles, with the calm and ceaseless vigilance of that discipline which has made the legionaries masters of the world.

Once more the trumpets peal; the only sound to be heard in that array of tents, drawn up with such order and precision, behind the works, except the footfall of the Roman guard, firm and regular, as it relieves the previous watch. In a short space that duty will be performed; and then, if ever, must the attack be made with any probability of success. Youth is impatient of delay—the young warrior’s pulse beats audibly, and he feels the edge of his blade and the point of his short-handled javelin, with an intensity of longing that is absolutely painful. At length the word is passed from rank to rank. Like the crest of a sea-wave breaking into foam, rises that wavering line of white, rolling its length out in the moonlight, [pg 5]as man after man springs erect at the touch of his comrade; and then a roar of voices, a rush of feet, and the wave dashes up and breaks against the steady solid resistance of the embankment. But discipline is not to be caught thus napping. Ere the echo of their trumpets has died out among the distant hills, the legionaries stand to their arms

throughout the camp. Already the rampart gleams and bristles with shield and helmet, javelin, sword, and spear. Already the eagle is awake and defiant; unruffled, indeed, in plumage, but with beak and talons bare and whetted for defence. The tall centurions marshal their men in line even and regular, as though about to defile by the throne of Cæsar, rather than to repel the attack of a wild barbarian foe. The tribunes, with their golden crests, take up their appointed posts in the four corners of the camp; while the prætor himself gives his orders calm and unmoved from the centre.

Over the roar of the swarming Britons sounds the clear trumpet-note pealing out its directions, concise and intelligible as a living voice, and heard by the combatants far and wide, inspiring courage and confidence, and order in the confusion. Brandishing their long swords, the white-clad warriors of Britain rush tumultuously to the attack. Already, they have filled the ditch and scaled the earthwork; but once and again they recoil from the steady front and rigid discipline of the invader, while the short stabbing sword of the Roman soldier, covered as he is by his ample shield, does fearful execution at close quarters. But still fresh assailants pour in, and the camp is carried and overrun. The young warrior rushes exulting to and fro, and the enemy falls in heaps before him. Such moments are worth whole years of peaceful life. He has reached the prætorium. He is close beneath the eagles, and he leaps wildly at them to bring them off in triumph as trophies of his victory. But a grim centurion strikes him to the earth. Wounded, faint, and

bleeding, he is carried away by his comrades, the shaft of the Roman standard in his hand. They bear him to a war-chariot, they lash the wild galloping steeds, the roll of the wheels thunders in his ears as they dash tumultuously across the plain, and then ... the gentle mission is fulfilled, the doves fly down again to Proserpine, and the young, joyous, triumphant warrior of Britain wakes up a Roman slave.

CHAPTER II THE MARBLE PORCH

It was the sound of a chariot, truly enough, that roused the dreamer from his slumbers; but how different the scene on which his drowsy eyes unclosed, from that which fancy had conjured up in the shadowy realms of sleep!

A beautiful portico, supported on slender columns of smooth white marble, protected him from the rays of the morning sun, already pouring down with the intensity of Italian heat. Garlands of leaves and flowers, cool and fresh in their contrast with the snowy surface of these dainty pillars, were wreathed around their stems, and twined amongst the delicate carving of their Corinthian capitals. Large stone vases, urn-shaped and massive, stood in long array at stated intervals, bearing the orange-tree, the myrtle, and other dark-green flowering shrubs, which formed a fair perspective of retirement and repose. Shapely statues filled the niches in the wall, or stood out more prominently in the vacant spaces of the colonnade. Here cowered a marble Venus, in the shamefaced consciousness of unequalled beauty; there stood forth a bright Apollo, exulting in the perfection of godlike symmetry and grace. Rome could not finger the chisel like her instructress Greece, the mother of the Arts, but the hand that firmly grasps the sword need

never want for anything skill produces, or genius creates, or gold can buy; so it is no marvel that the masterpieces and treasures of the nations she subdued found their way to the Imperial City, mistress of the world. Even where the sleeper lay reclined upon a couch of curiously-carved wood from the forests that clothe Mount Hymettus, an owl so beautifully chiseled that its very breast-plumage seemed to ruffle in the breeze, looked down upon him from a niche where it had been placed at a cost that might have bought a dozen such human chattels as himself; for it had been brought from Athens as the most successful effort of a sculptor, who had devoted it to the honour of Minerva in his zeal. Refinement, luxury, nay, profusion, [pg 7]reigned paramount even here outside the sumptuous dwelling of a Roman lady: and the very ground in her porch over which she was borne, for she seldom touched it with her feet, was fresh swept and sanded as often as it had been disturbed by the tread of her litter-bearers, or the wheels of her chariot.

Many a time was this ceremony performed in the twenty-four hours; for Valeria was a woman of noble rank, great possessions, and the highest fashion. Not a vanity of her sex, not a folly was there of her class, in which she scrupled to indulge; and then, as now, ladies were prone to rush into extremes, and frivolity, when it took the garb of a female, assumed preposterous dimensions, and a thirst for amusement, incompatible with reason or self-control.

There is always a certain hush, and, as it were, a pompous stillness, about the houses of the great, even long after inferior mortals are astir in pursuit of their pleasure or their business. To-day was Valeria’s birthday, and as such was duly observed by the hanging of garlands on the pillars of her porch; but after the completion of this graceful ceremony, silence seemed to have sunk once more upon the household, and the slave whose dream we have recorded, coming into her gates with an offering from his lord, and finding no domestics in the way, had sat him down to wait in the grateful shade, and, overcome with heat, might have slept on till noon had he not been roused by the grinding chariot-wheels, which mingled so confusedly with his dream.

It was no plebeian vehicle that now rolled into the colonnade, driven at a furious pace, and stopping so abruptly as to create considerable confusion and insubordination amongst the noble animals that drew it. The car, mounted on two wheels, was constructed of a highly-polished wood, cut from the wild fig-tree, elaborately inlaid with ivory and gold; the very spokes and felloes of the wheels were carved in patterns of vine-leaves and flowers, whilst the extremities of the pole, the axle, and the yoke, were wrought into exquisite representations of the wolf’s head, an animal, from historical reasons, ever dear to the fancy of the Roman. There was but one person besides the driver in the carriage, and so light a draught might indeed command any rate of speed, when whirled along by four such horses as now plunged and reared and bit each other’s crests in the portico of Valeria’s mansion. These were of a milky white, with dark muzzles, and a bluish tinge under the coat, denoting its soft texture, and the Eastern origin of the animals. Some[pg 8]what thick of neck

and shoulders, with semicircular jowl, it was the broad and tapering head, the small quivering ear, the wide red nostril, that demonstrated the purity of their blood, and argued extraordinary powers of speed and endurance; while their short, round backs, prominent muscles, flat legs, and dainty feet, promised an amount of strength and activity only to be attained by the production of perfect symmetry. These beautiful animals were harnessed four abreast—the inner pair, somewhat in the fashion of our modern curricle, being yoked to the pole, of which the very fastening-pins were steel overlaid with gold, whilst the outer horses, drawing only from a trace attached respectively on the inner side of each to the axle of the chariot, were free to wheel their quarters outwards in every direction, and kick to their heart’s content—a liberty of which, in the present instance, they seemed well disposed to avail themselves.

The slave started to his feet as the nearest horse winced and swerved aside from his unexpected figure, snorting the while in mingled wantonness and fear. The axle grazed his tunic while it passed, and the driver, irritated at his horses’ unsteadiness, or perhaps in the mere insolence of a great man’s favourite, struck at him heavily with his whip as he went by. The Briton’s blood boiled at the indignity; but his sinewy arm was up like lightning to parry the blow, and as the lash curled round his wrist he drew the weapon quickly from the driver’s hand, and would have returned the insult with interest, had he not been deterred from his purpose by the youthful, effeminate appearance of the aggressor.

“I cannot strike a girl!” exclaimed the slave contemptuously, throwing the whip at the same time into the floor of the chariot, where it lit at the feet of the other occupant, a sumptuously-dressed nobleman, who enjoyed the discomfiture of his charioteer, with the loud frank glee of a master jeering a dependant.

“Well said, my hero!” laughed the patrician, adding in good-humoured, though haughty tones, “Not that I would give much for the chance of man or woman in a grasp like yours. By Jupiter! you’ve got the arms and shoulders of Antæus! Who owns you, my good fellow? and what do you here?”

“Nay, I would strike him again to some purpose if I were on the ground with him,” interrupted the charioteer, a handsome, petulant youth of some sixteen summers, whose long flowing curls and rich scarlet mantle denoted a pampered [pg 9]and favourite slave. “Gently, Scipio! So-ho, Jugurtha! The horses will fret for an hour now they have been scared by his ugly face.”

“Better let him alone, Automedon!” observed his master, again shaking his sides at the obvious discomfiture portrayed on the flushed face of his favourite. “Through your life keep clear of a man when he shuts his mouth like that, as you would of an ox with a wisp of hay on his horn. You silly boy! why he would swallow such a slender frame as yours at a gulp: and nobody but a fool ever strikes at a man unless he knows he can reach him, ay, and punish him too, without hurting his own knuckles in return! But what do you here, good fellow?” he repeated, addressing himself once more to the slave, who stood erect, scanning his questioner with a fearless, though respectful eye.

“My master is your friend,” was the outspoken answer. “You supped with him only the night before last. But a man need not be in the household of Licinius, not have spent his best years at Rome, to know the face of Julius Placidus, the tribune.”