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Chapter I

THE LAST TOURNAMENT

BY

ALFRED TENNYSON, D.C.L.,

POET-LAUREATE

AUTHOR'S EDITION

FROM ADVANCE SHEETS

This poem forms one of the "Idyls of the King." Its place is between "Pelleas" and "Guinevere."

BY ALFRED TENNYSON,

POET LAUREATE

Dagonet, the fool, whom Gawain in his moods Had made mock-knight of Arthur's Table Round, At Camelot, high above the yellowing woods, Danced like a wither'd leaf before the Hall. And toward him from the Hall, with harp in hand, And from the crown thereof a carcanet Of ruby swaying to and fro, the prize Of Tristram in the jousts of yesterday, Came Tristram, saying, "Why skip ye so, Sir Fool?"

For Arthur and Sir Lancelot riding once Far down beneath a winding wall of rock Heard a child wail. A stump of oak half-dead, From roots like some black coil of carven snakes Clutch'd at the crag, and started thro' mid-air Bearing an eagle's nest: and thro' the tree Rush'd ever a rainy wind, and thro' the wind Pierced ever a child's cry: and crag and tree Scaling, Sir Lancelot from the perilous nest, This ruby necklace thrice around her neck, And all unscarr'd from beak or talon, brought A maiden babe; which Arthur pitying took, Then gave it to his Queen to rear: the Queen But coldly acquiescing, in her white arms Received, and after loved it tenderly, And named it Nestling; so forgot herself A moment, and her cares; till that young life Being smitten in mid-heaven with mortal cold Past from her; and in time the carcanet Vext her with plaintive memories of the child: So she, delivering it to Arthur, said, "Take thou the jewels of this dead innocence, And make them, an thou wilt, a tourney-prize."

To whom the King, "Peace to thine eagle-borne Dead nestling, and this honor after death, Following thy will! but, O my Queen, I muse Why ye not wear on arm, or neck, or zone, Those diamonds that I rescued from the tarn, And Lancelot won, methought, for thee to wear."

"Would rather ye had let them fall," she cried, "Plunge and be lost—ill-fated as they were, A bitterness to me!—ye look amazed, Not knowing they were lost as soon as given— Slid from my hands, when I was leaning out Above the river—that unhappy child Past in her barge: but rosier luck will go With these rich jewels, seeing that they came Not from the skeleton of a brother-slayer, But the sweet body of a maiden babe. Perchance—who knows?—the purest of thy knights May win them for the purest of my maids."

She ended, and the cry of a great jousts With trumpet-blowings ran on all the ways From Camelot in among the faded fields To furthest towers; and everywhere the knights Arm'd for a day of glory before the King.

But on the hither side of that loud morn Into the hall stagger'd, his visage ribb'd From ear to ear with dogwhip-weals, his nose Bridge-broken, one eye out, and one hand off, And one with shatter'd fingers dangling lame, A churl, to whom indignantly the King, "My churl, for whom Christ died, what evil beast Hath drawn his claws athwart thy face? or fiend? Man was it who marr'd Heaven's image in thee thus?"

Then, sputtering thro' the hedge of splinter'd teeth, Yet strangers to the tongue, and with blunt stump Pitch-blacken'd sawing the air, said the maim'd churl, "He took them and he drave them to his tower— Some hold he was a table-knight of thine— A hundred goodly ones—the Red Knight, he—

"Lord, I was tending swine, and the Red Knight Brake in upon me and drave them to his tower; And when I call'd upon thy name as one That doest right by gentle and by churl, Maim'd me and maul'd, and would outright have slain, Save that he sware me to a message, saying— 'Tell thou the King and all his liars, that I Have founded my Round Table in the North, And whatsoever his own knights have sworn My knights have sworn the counter to it—and say My tower is full of harlots, like his court, But mine are worthier, seeing they profess To be none other than themselves—and say My knights are all adulterers like his own, But mine are truer, seeing they profess To be none other; and say his hour is come, The heathen are upon him, his long lance Broken, and his Excalibur a straw.'"

Then Arthur turn'd to Kay the seneschal, "Take thou my churl, and tend him curiously Like a king's heir, till all his hurts be whole. The heathen—but that ever-climbing wave, Hurl'd back again so often in empty foam, Hath lain for years at rest—and renegades, Thieves, bandits, leavings of confusion, whom The wholesome realm is purged of otherwhere,— Friends, thro' your manhood and your fealty,—now Make their last head like Satan in the North. My younger knights, new-made, in whom your flower Waits to be solid fruit of golden deeds, Move with me toward their quelling, which achieved, The loneliest ways are safe from shore to shore. But thou, Sir Lancelot, sitting in my place Enchair'd to-morrow, arbitrate the field; For wherefore shouldst thou care to mingle with it, Only to yield my Queen her own again? Speak, Lancelot, thou art silent: is it well?"

* * * * *

Thereto Sir Lancelot answer'd, "It is well: Yet better if the King abide, and leave The leading of his younger knights to me. Else, for the King has will'd it, it is well."

* * * * *

Then Arthur rose and Lancelot follow'd him, And while they stood without the doors, the King Turn'd to him saying, "Is it then so well? Or mine the blame that oft I seem as he Of whom was written, 'a sound is in his ears'— The foot that loiters, bidden go,—the glance That only seems half-loyal to command,— A manner somewhat fall'n from reverence— Or have I dream'd the bearing of our knights Tells of a manhood ever less and lower? Or whence the fear lest this my realm, uprear'd, By noble deeds at one with noble vows, From flat confusion and brute violences, Reel back into the beast, and be no more?"

* * * * *

He spoke, and taking all his younger knights, Down the slope city rode, and sharply turn'd North by the gate. In her high bower the Queen, Working a tapestry, lifted up her head, Watch'd her lord pass, and knew not that she sigh'd. Then ran across her memory the strange rhyme Of bygone Merlin, "Where is he who knows? From the great deep to the great deep he goes."

* * * * *

But when the morning of a tournament, By these in earnest those in mockery call'd The Tournament of the Dead Innocence, Brake with a wet wind blowing, Lancelot, Round whose sick head all night, like birds of prey, The words of Arthur flying shriek'd, arose, And down a streetway hung with folds of pure White samite, and by fountains running wine, Where children sat in white with cups of gold, Moved to the lists, and there, with slow sad steps Ascending, fill'd his double-dragon'd chair.

* * * * *

He glanced and saw the stately galleries, Dame, damsel, each thro' worship of their Queen White-robed in honor of the stainless child, And some with scatter'd jewels, like a bank Of maiden snow mingled with sparks of fire. He lookt but once, and veil'd his eyes again.

* * * * *

The sudden trumpet sounded as in a dream To ears but half-awaked, then one low roll Of Autumn thunder, and the jousts began: And ever the wind blew, and yellowing leaf And gloom and gleam, and shower and shorn plume Went down it. Sighing weariedly, as one Who sits and gazes on a faded fire, When all the goodlier guests are past away, Sat their great umpire, looking o'er the lists. He saw the laws that ruled the tournament Broken, but spake not; once, a knight cast down Before his throne of arbitration cursed The dead babe and the follies of the King; And once the laces of a helmet crack'd, And show'd him, like a vermin in its hole, Modred, a narrow face: anon he heard The voice that billow'd round the barriers roar An ocean-sounding welcome to one knight, But newly-enter'd, taller than the rest, And armor'd all in forest green, whereon There tript a hundred tiny silver deer, And wearing but a holly-spray for crest, With ever-scattering berries, and on shield A spear, a harp, a bugle—Tristram—late From overseas in Brittany return'd, And marriage with a princess of that realm,

Isolt the White—Sir Tristram of the Woods— Whom Lancelot knew, had held sometime with pain His own against him, and now yearn'd to shake The burthen off his heart in one full shock With Tristram ev'n to death: his strong hands gript And dinted the gilt dragons right and left, Until he groan'd for wrath—so many of those, That ware their ladies' colors on the casque, Drew from before Sir Tristram to the bounds, And there with gibes and nickering mockeries Stood, while he mutter'd, "Craven chests! O shame! What faith have these in whom they sware to love? The glory of our Round Table is no more."

* * * * *

So Tristram won, and Lancelot gave, the gems, Not speaking other word than "Hast thou won? Art thou the purest, brother? See, the hand Wherewith thou takest this is red!" to whom Tristram, half plagued by Lancelot's languorous mood, Made answer, "Ay, but wherefore toss me this Like a dry bone cast to some hungry hound? Let be thy fair Queen's fantasy. Strength of heart And might of limb, but mainly use and skill, Are winners in this pastime of our King. My hand—belike the lance hath dript upon it— No blood of mine, I trow; but O chief knight, Right arm of Arthur in the battlefield, Great brother, thou nor I have made the world; Be happy in thy fair Queen as I in mine." And Tristram round the gallery made his horse Caracole; then bow'd his homage, bluntly saying, "Fair damsels, each to him who worships each Sole Queen of Beauty and of love, behold This day my Queen of Beauty is not here." Then most of these were mute, some anger'd, one Murmuring "All courtesy is dead," and one, "The glory of our Round Table is no more."

Then fell thick rain, plume droopt and mantle clung, And pettish cries awoke, and the wan day Went glooming down in wet and weariness: But under her black brows a swarthy dame Laught shrilly, crying "Praise the patient saints, Our one white day of Innocence hath past, Tho' somewhat draggled at the skirt. So be it. The snowdrop only, flow'ring thro' the year, Would make the world as blank as wintertide. Come—let us comfort their sad eyes, our Queen's And Lancelot's, at this night's solemnity With all the kindlier colors of the field."

* * * * *

So dame and damsel glitter'd at the feast Variously gay: for he that tells the tale Liken'd them, saying "as when an hour of cold Falls on the mountain in midsummer snows, And all the purple slopes of mountain flowers Pass under white, till the warm hour returns With veer of wind, and all are flowers again;" So dame and damsel cast the simple white, And glowing in all colors, the live grass, Rose-campion, bluebell, kingcup, poppy, glanced About the revels, and with mirth so loud Beyond all use, that, half-amazed, the Queen, And wroth at Tristram and the lawless jousts, Brake up their sports, then slowly to her bower Parted, and in her bosom pain was lord.

* * * * *

And little Dagonet on the morrow morn, High over all the yellowing Autumn-tide, Danced like a wither'd leaf before the hall. Then Tristram saying, "Why skip ye so, Sir Fool?" Wheel'd round on either heel, Dagonet replied, "Belike for lack of wiser company; Or being fool, and seeing too much wit Makes the world rotten, why, belike I skip To know myself the wisest knight of all." "Ay, fool," said Tristram, "but 'tis eating dry To dance without a catch, a roundelay To dance to." Then he twangled on his harp, And while he twangled little Dagonet stood, Quiet as any water-sodden log Stay'd in the wandering warble of a brook; But when the twangling ended, skipt again; Then being ask'd, "Why skipt ye not, Sir Fool?" Made answer, "I had liefer twenty years Skip to the broken music of my brains Than any broken music ye can make." Then Tristram, waiting for the quip to come, "Good now, what music have I broken, fool?" And little Dagonet, skipping, "Arthur, the king's; For when thou playest that air with Queen Isolt, Thou makest broken music with thy bride,

Her daintier namesake down in Brittany— And so thou breakest Arthur's music too." "Save for that broken music in thy brains, Sir Fool," said Tristram, "I would break thy head. Fool, I came late, the heathen wars were o'er, The life had flown, we sware but by the shell— I am but a fool to reason with a fool Come, thou art crabb'd and sour: but lean me down, Sir Dagonet, one of thy long asses' ears, And hearken if my music be not true.

"'Free love—free field—we love but while we may: The woods are hush'd, their music is no more: The leaf is dead, the yearning past away: New leaf, new life—the days of frost are o'er: New life, new love to suit the newer day: New loves are sweet as those that went before: Free love,—free field—we love but while we may.'

"Ye might have moved slow-measure to my tune, Not stood stockstill. I made it in the woods, And found it ring as true as tested gold."

But Dagonet with one foot poised in his hand, "Friend, did ye mark that fountain yesterday Made to run wine?—but this had run itself All out like a long life to a sour end— And them that round it sat with golden cups To hand the wine to whomsoever came— The twelve small damosels white as Innocence,

"In honor of poor Innocence the babe, Who left the gems which Innocence the Queen Lent to the King, and Innocence the King Gave for a prize—and one of those white slips Handed her cup and piped, the pretty one, 'Drink, drink, Sir Fool,' and thereupon I drank, Spat—pish—the cup was gold, the draught was mud." And Tristram, "Was it muddier than thy gibes? Is all the laughter gone dead out of thee?— Not marking how the knighthood mock thee, fool— 'Fear God: honor the king—his one true knight— Sole follower of the vows'—for here be they Who knew thee swine enow before I came, Smuttier than blasted grain: but when the King Had made thee fool, thy vanity so shot up It frighted all free fool from out thy heart; Which left thee less than fool, and less than swine, A naked aught—yet swine I hold thee still, For I have flung thee pearls, and find thee swine."

And little Dagonet mincing with his feet, "Knight, an ye fling those rubies round my neck In lieu of hers, I'll hold thou hast some touch Of music, since I care not for thy pearls. Swine? I have wallow'd, I have wash'd—the world Is flesh and shadow—I have had my day. The dirty nurse, Experience, in her kind Hath foul'd me—an I wallow'd, then I wash'd— I have had my day and my philosophies— And thank the Lord I am King Arthur's fool. Swine, say ye? swine, goats, asses, rams and geese Troop'd round a Paynim harper once, who thrumm'd On such a wire as musically as thou Some such fine song—but never a king's fool."

And Tristram, "Then were swine, goats, asses, geese The wiser fools, seeing thy Paynim bard Had such a mastery of his mystery That he could harp his wife up out of Hell."

Then Dagonet, turning on the ball of his foot, "And whither harp'st thou thine? down! and thyself Down! and two more: a helpful harper thou, That harpest downward! Dost thou know the star We call the harp of Arthur up in heaven?"

And Tristram, "Ay, Sir Fool, for when our King Was victor wellnigh day by day, the knights, Glorying in each new glory, set his name High on all hills, and in the signs of heaven."

And Dagonet answer'd, "Ay, and when the land Was freed, and the Queen false, ye set yourself To babble about him, all to show your wit— And whether he were king by courtesy, Or king by right—and so went harping down The black king's highway, got so far, and grew So witty, that ye play'd at ducks and drakes With Arthur's vows on the great lake of fire. Tuwhoo! do ye see it? do ye see the star?" "Nay, fool," said Tristram, "not in open day." And Dagonet, "Nay, nor will: I see it and hear. It makes a silent music up in heaven, And I, and Arthur and the angels hear, And then we skip." "Lo, fool," he said, "ye talk Fool's treason: is the king thy brother fool?" Then little Dagonet clapt his hands and shrill'd, "Ay, ay, my brother fool, the king of fools*! Conceits himself as God that he can make Figs out of thistles, silk from bristles, milk From burning spurge, honey from hornet-combs, And men from beasts.—Long live the king of fools!"

And down the city Dagonet danced away. But thro' the slowly-mellowing avenues And solitary passes of the wood Rode Tristram toward Lyonesse and the west. Before him fled the face of Queen Isolt With ruby-circled neck, but evermore Past, as a rustle or twitter in the wood Made dull his inner, keen his outer eye For all that walk'd, or crept, or perched, or flew. Anon the face, as, when a gust hath blown, Unruffling waters re-collect the shape Of one that in them sees himself, return'd; But at the slot or fewmets of a deer, Or ev'n a fall'n feather, vanish'd again.

So on for all that day from lawn to lawn Thro' many a league-long bower he rode. At length A lodge of intertwisted beechen-boughs Furze-cramm'd, and bracken-rooft, the which himself Built for a summer day with Queen Isolt Against a shower, dark in the golden grove Appearing, sent his fancy back to where She lived a moon in that low lodge with him: Till Mark her lord had past, the Cornish king, With six or seven, when Tristram was away, And snatch'd her thence; yet dreading worse than shame Her warrior Tristram, spake not any word, But bode his hour, devising wretchedness.

And now that desert lodge to Tristram lookt So sweet, that, halting, in he past, and sank Down on a drift of foliage random-blown; But could not rest for musing how to smooth And sleek his marriage over to the Queen. Perchance in lone Tintagil far from all The tonguesters of the court she had not heard. But then what folly had sent him overseas After she left him lonely here? a name? Was it the name of one in Brittany, Isolt, the daughter of the King? "Isolt Of the white hands" they call'd her: the sweet name Allured him first, and then the maid herself, Who served him well with those white hands of hers, And loved him well, until himself had thought He loved her also, wedded easily, But left her all as easily, and return'd. The black-blue Irish hair and Irish eyes Had drawn him home—what marvel? then he laid His brows upon the drifted leaf and dream'd.

He seem'd to pace the strand of Brittany Between Isolt of Britain and his bride, And show'd them both the ruby-chain, and both Began to struggle for it, till his Queen Graspt it so hard, that all her hand was red. Then cried the Breton, "Look, her hand is red! These be no rubies, this is frozen blood, And melts within her hand—her hand is hot With ill desires, but this I gave thee, look, Is all as cool and white as any flower." Follow'd a rush of eagle's wings, and then A whimpering of the spirit of the child, Because the twain had spoil'd her carcanet.

He dream'd; but Arthur with a hundred spears Rode far, till o'er the illimitable reed, And many a glancing plash and sallowy isle, The wide-wing'd sunset of the misty marsh Glared on a huge machicolated tower That stood with open doors, whereout was roll'd A roar of riot, as from men secure Amid their marshes, ruffians at their ease Among their harlot-brides, an evil song. "Lo there," said one of Arthur's youth, for there, High on a grim dead tree before the tower, A goodly brother of The Table Round Swung by the neck: and on the boughs a shield Showing a shower of blood in a field noir, And therebeside a horn, inflamed the knights At that dishonor done the gilded spur, Till each would clash the shield, and blow the horn. But Arthur waved them back: alone he rode. Then at the dry harsh roar of the great horn, That sent the face of all the marsh aloft

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