THE MASTER CRAFTSMAN

OPINIONS OF THE PRESS ON THE MASTER CRAFTSMAN

‘There is always a touch of the fairy-tale in Sir Walter Besant’s romances.... He steeps the workaday world in a transfigurating medium, and eerie incidents, impossible coincidences, fine and subtle sentiments, beautiful love stories of pure passion, all appear in keeping.... In “The Master Craftsman” Sir Walter Besant’s admirers will find no cause for disappointment.... It is charming, it is informed with the healthiest spirit, and it is optimistic, chivalrous, picturesque.’—Daily News.

‘“The Master Craftsman” opens with a brilliant prologue, not the less enjoyable because it recalls the opening chapter of “Treasure Island.”... The story contains romance, a sort of ethical adaptability to the social conditions of the present time, a ripe humour in the delineation of character, and a pervading poetry or eloquence that makes the prose of the book seem modulated by the inflections of a living voice. The book reveals no new development of its author’s powers, but shows them undiminished and fresh; and it will be read with enjoyment and admiration by everyone who takes it up.’—Scotsman.

‘What we ask of Sir Walter Besant are pleasant and inspiriting hours of wholesome entertainment. These he never fails to provide. He has provided them once again in “The Master Craftsman,” and we are grateful accordingly, and know that his book will have all the success of its predecessors.’—Daily Chronicle.

‘In “The Master Craftsman” Sir Walter Besant has a subject to his heart’s desire.... He has a bit of old London to describe, and he does it in a very lifelike and workmanlike fashion. Here the permanent value of the book comes in.... To write a novel like “The Master Craftsman” must be to enjoy oneself. It fairly beams on its readers.’—Sketch.

‘Sir Walter Besant is, in one respect at least, a worthy successor to Charles Dickens, for he knows London in all its picturesque nooks and corners, and how to invest tales of mean streets with romantic interest. He knows human nature also—the wholesome, sweet, sturdy human nature which is not troubled with neurotic moods, or intent on the solution of doubtful problems in morals.... This well-written, quite improbable, but not on that account less fascinating, romance.’—Leeds Mercury.

‘... This sense of a living and kindly voice addressing you doubles the charm of the story. This charm you feel particularly in Sir Walter Besant’s last delightful romance, where only the living voice could hold you hypnotically spell-bound till you accept unquestioningly the wonderful Wapping idyll.’—Illustrated London News.

‘Life in the East End among the working bees and life in the West among the drones and butterflies of Society are pictured with equal skill, the characters are vigorously drawn, the incidents are always interesting and occasionally exciting. In a word, “The Master Craftsman” is a fresh, picturesque, wholesome bit of fiction, full of interest.’—Court Journal.

‘In “The Master Craftsman” Sir Walter Besant is revealed in his very sunniest mood.... The story is throughout a delightful one, rich in character-drawing.’—Lady.

‘In Sir Walter Besant’s pleasant romance of Wapping-on-the-Wall, the hundred-year old mystery of the bag of jewels makes a delightful background of fairy-tale to a plot and motive thoroughly modern and realistic.’—Spectator.

‘Sir Walter Besant has not been able to resist the attraction of the jewel-treasure story, and we are glad he has succumbed to it, for he has written one of the very best of the many romances whose hearts are the sparkling futile things.’—World.

‘There is about the story a touch of quixotism and romance which gives it a charm of its own, and in the hands of an experienced writer the tale is plausibly and agreeably told.’—Westminster Gazette.

‘“The Master Craftsman” is certainly as pleasant a story as any Sir Walter Besant has yet given to the world, and pleasantness is a quality none too common in the fiction of the day.... Sir Walter Besant’s optimism is always enjoyable, and often, as we know, truly beneficent to a world over-given to pessimism.’—Queen.

‘With a great deal of skill in the telling, and with much delightful description of London as it now is and as it was last century, Sir Walter Besant records ... the triumph of will and nothing over incapacity and everything.... The story is charmingly told, with a kind of artless optimism that is well-nigh captivating.’—Academy.

THE MASTER CRAFTSMAN

BY WALTER BESANT AUTHOR OF ‘BEYOND THE DREAMS OF AVARICE,’ ‘ARMOREL OF LYONESSE,’ ‘ALL SORTS AND CONDITIONS OF MEN,’ ETC.

A NEW EDITION

LONDON CHATTO & WINDUS 1897

PROLOGUE.

On a certain evening of July, in the year of grace 1804, old John Burnikel sat in his own chair—that with arms and a high back—his own chair in his own place during the summer—not his winter place—on the terrace outside the Long Room of the Red Lion Tavern. This old tavern, which, they say, was once visited by King Charles the First, when he hunted a deer across the Whitechapel meadows, and afterwards took a drink on the steps of this hostelry, was built of wood, like most of the houses on the River Wall. It had a tumble-down and rickety appearance; the upper windows projected, and were either aslant or askew; the gables stood out high above the red-tiled roof, which had sunk down in the middle, and for a hundred years had threatened to fall down; there were odds and ends of buildings projecting over the river, which also had looked for a hundred years as if they were falling into it; the place had never got as much painting as it should have; the half-obliterated sign hung creaking on rusty iron hinges. As it was in 1704, so it was in 1804, tottering, but[2]

never falling; ready to drop to pieces, but never actually dropping to pieces.

The red blinds in the window looked warm and comforting on a cold winter’s night; and from many a ship homeward bound making its slow way up the river there were wafted signs of satisfaction that Wapping and the Red Lion Tavern and old John Burnikel could be seen once more.

The Long Room was on the first-floor, a room running right through the whole depth of the house, with one great window on the north, and another opening from floor to ceiling on the south. From the window on the north side could be seen in spring a lovely view of the trees and hedges of Love Lane and the broad orchards, all white and pink with blossoms of apple, pear and plum, which stretched away to the ponds and fields of Whitechapel, and to the tall buildings of the London Hospital.

The tavern, from that window, seemed to be some rural retreat far from the noisy town. In the winter, when the company was gathered round the roaring fire, with shutters close, drawn blinds, and candles lit, there was no pleasanter place for the relaxation of the better sort, nor any place where one could look for older rum or neater brandy, not to speak of choice Hollands, which some prefer to rum. For summer enjoyment there was a broad balcony or terrace overhanging the river where the company might sit and enjoy the spectacle of the homeward-bound ships sailing up, and the outward-bound sailing down, and the loading and unloading, with lighters and barges innumerable, in midstream.

The tavern stood beside Execution Dock, and the company of drinkers might sometimes, if they pleased, witness a moving spectacle of justice done on the body[3] of some poor sailor wretch—murderer, mutineer, or pirate—who was tied to a stake at low tide and was then left to expect slow Death; for the grim Finisher dragged cruel feet and lingered, while the tide slowly rose, and little by little washed over the chin of the patient and gently lapped over his lips, and so crept higher and higher till, with relentless advance, it flowed over his nostrils, and then, with starting eyes of agony and horror, the dying man was dead. Then the tide rose higher still, and presently flowed quite over his head, and left no sign of the dreadful Thing below.

There had been, however, no execution on this day. John Burnikel sat on the terrace, the time being eight in the evening, before a table on which was a bowl of punch, his nightly drink. With him, one on each side, sat his two grand-nephews, first cousins, partners in the firm of Burnikel and Burnikel, boat-builders, of Wapping High Street—Robert and George Burnikel. The rest of the company consisted of certain reputable tradesmen of Wapping, and one or two sea-captains.

At this time John Burnikel was an extremely ancient person. His birth, in fact, as recorded in the register of St. John’s Church, Wapping, took place in the year 1710. It was not everybody who knew that date, but everybody knew that he had far surpassed the limits accorded to man. Nobody in the parish, for instance, could remember any time when John Burnikel was not visible, and walking about, an old man as it seemed, in a time when, to this riverside people, greatly addicted as they were to rum, a man of fifty was accounted old. Nor could anybody remember the time when John Burnikel was not to be found every evening in the Long Room of the Red Lion, or on the terrace overlooking the river.

[4]Old or not, he walked erect and briskly; he looked no more than sixty; his features were not withered or shrunken or sharpened; he had no look of decrepitude; he had preserved his teeth and his hair; the only sign of age was the network of wrinkles which time had thrown over his face. And when he walked home at night he brandished his trusty club with so much resolution, and in his old arm there was still so much strength, that although the place was lawless, and robberies and assaults were common, and although he walked through the street every night alone, at ten o’clock, nobody ever molested him. Such is the virtue of a thick stick, which is far better than sword or pistol, if a man hath a reputation for readiness in its handling.

The old man lived in one of the small houses of Broad Street, in an old cottage with four rooms, with diamond panes in the window, and a descent of a foot or so from the street into the front-room. The house at the back looked out upon the open expanse of orchards and market-gardens, with a distant prospect of Whitechapel Mount. He lived quite alone, and he ‘did’ for himself, scrubbing his floors, personally conducting the weekly wash, and cooking his own food. This was simple, consisting almost entirely of beefsteaks, onions, and bread, with beer by the gallon. When he had cooked and served and eaten his breakfast or dinner, and when he had cleaned up his frying-pan and his plates, the old man would sit down in his armchair and go to sleep, in winter by the fire, in summer outside, in his back-yard. He had no books, and he wanted none; he had no friends except at the tavern, and was cheerful without them. At the tavern, however, whither John Burnikel repaired at nightfall, or about[5] six o’clock, every evening, he was friendly, hospitable,

and full of talk, drinking, taking his tobacco, and conversing with the other frequenters of the house; and since he was generous, and often called for bowls of punch, grog around, and drams, so that many an honest fellow was enabled to go home drunk who would otherwise have gone home sober, he was allowed, and even encouraged, to talk and to tell his adventures over and over again as much as he pleased. To do him justice, he was always ready to take advantage of this license, and never tired of relating the perils he had encountered, the heroism he had displayed, and the romantic manner in which he had acquired his riches.

For the old man boasted continually of his great riches, and in moments of alcoholic uplifting he would declare that he could buy up the whole of the company present, and all Wapping to boot, if he chose, and be none the worse for it. These were vapourings; but a man who could afford to spend every day from five to ten shillings at the tavern, drinking the best and as much as he could hold of it, treating his friends, freely ordering bowls of punch, must needs possess means far beyond those of his companions. For the village of Wapping, though there were in it many substantial boat-builders, rope-makers, block-makers, sail-makers, instrument-makers, and others connected with the trade and shipping of the Port of London, was not in those days a rich quarter.

The wealthy London merchants, who had houses at Mile End, Hoxton, Bow, Ham, and even Ratcliffe, never chose Wapping for a country residence; and, indeed, the riverside folk from St. Katherine’s by the Tower as far as Shadwell were, as a whole, a rough, rude, and dishonest people, without knowledge, without[6] morals, without principle, without religion. The mob, however, found not their way to the Long Room of the Red Lion Tavern.

The old man was always called John Burnikel; not Captain Burnikel, as was the common style and title of ancient mariners, nor Mr. Burnikel, as belonged to business men, but plain John Burnikel without any title at all. And so he had been called, I say, during the whole length of time remembered by the oldest inhabitants, except himself, of Wapping, and this was nearly seventy years.

It was a romantic history that the old man had to tell. He was the son of a boat-builder—a Wappineer—that was well known and certain; the business was still conducted by those two grand-nephews. At an early age he had run away to sea; this was also perfectly credible, because all the lads of Wapping who possessed any generous instincts always did run away to sea, or became apprentices on board ship. No one doubted that John Burnikel was an old sailor. He said that he had risen to command an East Indiaman; this may have been true, but the statement wanted confirmation. His manner and habits spoke perhaps of the f’o’ksle rather than the quarter-deck, but, then, there are quarter-decks where the manners are those of the f’o’ksle. However, in the year 1804 nobody cared whether this part of his history was true or not, and at the present moment, ninety years after, it is of still less importance.

On the visit of a stranger, or on any holiday or on any festive occasion, John Burnikel was wont to relate at great length, and with many flourishes and with continually new embroideries, the series of adventures which enabled him to return to England at an early age—not more than five-and-twenty—the possessor of[7] a handsome fortune. It would take too long to relate this history entirely in the old man’s words. Besides, which history—told on which evening—should be selected? Suffice it to say that while it was in progress the company finished one bowl, ordered another, and sometimes finished that while the narrative proceeded. For listening without talking is thirsty work, and a thirsty man must drink or die. And since the punch was paid for by the old man, ’twould be the neglecting of chances and opportunities not to take as much of it as the rest of the company allowed.

The substance of the earlier part of the story was this: John Burnikel was on board the East Indiaman, the Hooghly, bound from the Port of London to Calcutta. She had a goodly company of passengers, and was laden with a miscellaneous cargo. They fell into a hurricane in the Indian Ocean. The ship was dismasted, and lost her rudder and her boats; she drifted helpless for many days, and at last struck on a rock. When, after dangers and difficulties of the most extraordinary kind, John Burnikel found himself on shore at last, he was alone, naked, destitute and helpless on a hostile coast, the people of which he declared were notorious cannibals.

They did not, however, proceed to eat him; on the contrary, they clothed him, fed him, and presently took him up country as a present, presumably, to the kitchen of their King, ‘or, as in their jargon they call him, gentlemen, their Rajah.’

Here he would break off to reflect upon the situation. Every storyteller loves to take advantage of the reflections suggested by a situation. ‘Gentlemen,’ he would say, ‘’tis a melancholy thing to find yourself growing every day fatter and more ready for the spit; even the[8] distinction of being reserved for the private larder of His Majesty could not make me cheerful. What, I ask you, is the idle honour of being served at the table of royalty when one thinks of what you must go through in order to get there? I would compare, gentlemen, in my own mind, that portion of me which might be on the Royal dish—a sirloin or a brisket or saddle—with a leg or a loin of roast pork on our own table; and I would remember that in order for us to get that toothsome loin the animal must first be stuck. ’Twas, I confess, mortifying to reflect that sticking must be undergone.

‘Gentlemen, with the utmost joy I discovered that this Prince was too great and too high-minded to be a cannibal. Children of tender years, indeed, as we take sucking pig, he might welcome at his table, but not a sailor grown up and tough. He received me, on the other hand, with a gracious kindness which I cannot forget; he gave me an important office about his person—that of Hereditary Grand Mixer of the Royal Punch—a most responsible office, with a uniform of red silk, and a turban stuck all over with diamonds. This, gentlemen, is the Court uniform of that country. Here we know not what uniform means for splendour.’

The story at this point varied from day to day. Let us select the version most in use. He rendered some signal service to His Majesty, the nature of which was differently told; in fact, it was impossible to reconcile the various narratives, for he discovered a conspiracy, revealed the conspirators at their work, and saved the King and the Dynasty; or he rescued the King’s daughter from a fierce man-eating tiger; or he captured the kidnappers who were running off with that daughter; or he snatched the whole of the Harem from a consuming fire; or he healed them all of a dangerous sickness by[9] administering tar-water. In fact, John Burnikel had a most lively imagination, and used it freely. Choose, therefore, the kind of service which you think most worthy of a great reward.

‘For this service, Gentlemen, the Great Mogul showed the gratitude of a Christian. He sent for me, and when I fell upon my knees, which is the only way in which His Majesty can be approached, he stepped down from his golden throne and bade me graciously to rise. Then he created me on the spot, a Duke, or a Lord Mayor—I forget which. This done, they gave me a splendid cloak to wear. And then—for the best was yet to come—the Emperor bade me prepare for something unexpected. Ah!’—here he drew a long breath—‘unexpected indeed! With that he led me through the golden halls of his Palace, crowded with dancing girls, till we came to a place where there was a heavy door. “Unlock it,” says the King. So the door was opened, and we went down a few steps till we came to an underground hall. If you’ll believe me, gentlemen, that hall hadn’t need of candles to light it up. It was full of light; it dazzled one’s eyes only to stand there and look around; full of its own light, for it was full of precious stones—heaps of ’em, boxes of ’em, shelves