CHAPTER I

'Tis only the potter's thumb, Huzoor.'

As she raised the parti-coloured rag covering the child's body, the noonday sun streamed down upon a pitiful sight. Yet her eyes, despite the motherhood which lay in them, accepted it, as the sun did, calmly. Emotion, such as it was, being reserved for the couple of Englishmen who stood by: and even there curiosity and repulsion froze the surface of pity, especially in the younger of the two faces.

In good sooth, not a pleasant sight for mankind, to whom sickness does not as a rule bring that quick interest born of a desire to aid which it does to most women. The brown skin was fair with the pallor of disease, and the fine, sparse, black hair showed the contour of the skull. The unnatural hollows of the temples emphasised the unnatural prominence of the closed eyelids, round whose ragged margin of clogged lashes the flies settled in clusters. Below this death's-head was an over-large body, where, despite its full curves, each rib stood sharply defined, and whence the thin limbs angled themselves in spidery fashion.

'The potter's thumb?' echoed Dan Fitzgerald interrogatively. He was a tall man, broad in the shoulders, lean in the flank, and extraordinarily handsome; yet the most noticeable quality in the face looking down at the very ordinary woman squatting upon a very ordinary dust-heap, was not its beauty, but its vitality. 'Is that a disease?' he added, almost sharply.

She gave the native cluck of emphatic denial. 'No! Huzoor. The child dies because it does not drink milk properly; yet is it the potter's thumb in the beginning. Lo! many are born so in this place. The doctor-sahib who put the tikka on the arms for smallpox said Hodinuggur was too old for birth—that it was a graveyard. I know not. Only this is true; many are born with this; many die of it.'

'Die of the potter's thumb—what potter?'

Her broad face broadened still more into a smile. 'The Huzoor doth not understand! Lo! when the potter works on the clay, his hand slips sometimes in the moulding. It leaves a furrow, so,'—her brown finger, set with tarnished silver rings, traced a girdle round the baby's naked breast—'then in the firing the pot cracks. Cracks like these,'—here the finger pointed to the sherds among which she sate,—'so when children are born as this one, we say 'tis the potter's thumb. Sometimes there is a mark,'—again the finger softly followed the line it had traced before—'this one had it clear when he came; sometimes none can see it, but 'tis there all the same, all the same. The potter's thumb has slipped; the pot will crack in the firing.'

Her voice took a cadence as if accustomed to the words.

'What is she saying?' interrupted George Keene impatiently. He was a middle-sized lad of twenty or thereabouts, powerfully made, with grey eyes and white teeth gleaming in an aquiline, sunburnt face.

'Something ghastly,' replied Dan. 'It always is so, you'll find, my dear boy, when you dip below the indifferent calm of these people. It's like deciphering a tombstone. But come on. We are due already at the World, the Flesh, and the Devil's.' Then he paused, gave a short laugh, and flung out his hands in an impulsive gesture. 'By the Powers!' he went on, his face seeming to kindle with the fuel of his own fancy, 'it's gruesome entirely. This heap of dust they call Hodinuggur, as they call thousands of such human ant-hills all over India; for wherever when you dig, the bricks grow bigger and bigger till, hocus pocus! they vanish in the dust from which God made man—that is Hodinuggur; the old city, it means. What city? who knows! Then in the corner of this particular one a survival'—his eager hand pointed to the pile of buildings before them—'not of those old days, for no Moghul in India dates beyond Timoor, and these people are Moghuls; but of that Mohammedan civilisation which overwhelmed the older one, just as we in our turn are overwhelming the Moghul—who in the meantime

bullies the people by virtue of an Englishman's signature on a piece of parchment—'

'But I suppose we found the Diwân in possession when we annexed—' began George stolidly.

Dan scorned the interruption and the common-sense. 'Oh, 'tis queer, looked at any way. A mound of sherds and dust higher than the gateway of the palace. I'll go bail that reed hut yonder on the top is higher than old Zubr-ul-Zamân's tower. He lives up there winter and summer, does the old Diwân, looking out over his world and the strength of it—that's what his name means, you know. His son, Khush-hâl Beg, lives in the next storey. A Jack Falstaff of a man—that's why I call him the Flesh. Then Dalel, the Devil, roams about seeking whom he may devour.'

'A charming trio; and what part have I to play in the drama?' asked George with a laugh.

'St. George, of course.'

The lad laughed louder. 'So I am in baptism. George for short. Born on the saint's day—father a parson—fire away, old chap—don't let me pull Pegasus.'

'Sure! my dear boy, and aren't you sent to fight them all? Sent into this wilderness of a place to be tempted—'

'Oh, don't talk rot, Fitzgerald! I suppose you mean about the sluice-gate; but it's sheer folly.'

'Is it? My two last subordinates didn't find it so. Perhaps the potter's thumb had slipped over their honesty. So the authorities gave me you—a real white man—and said it was my last chance. Think of that now, my boy, and be careful.'

George Keene frowned perceptibly.

'That's a fine old gateway,' he said, to change the subject. As they approached it a flock of iridescent pigeons rocketed from the dark niches to circle and flash against the sky. It was a great square block of a building cut through by one high arch of shadow, and showing the length of the tunnel in the smallness of the sunlit arch beyond. On the worn brick causeway, as they entered, half in the sunshine, half in shade, lay the scattered petals of a pomegranate blossom which some passer-by had flung aside.

'By Jove, what a colour!' said Fitzgerald: 'like drops of blood.'

George Keene frowned again. 'If I had your diseased imagination I'd engage lodgings in Bedlam. Seriously, I mean it. Fellows like you are get rid of it in words—all froth and fuss; but if that sort of thing ever got a real grip on me—Hullo! what's that?' He flushed through his tan in sheer vexation at his own start. From the deep recesses, which on either side of the causeway lost themselves in shadow, came a clash as of silver bells, and something through the arches showed white yet shadowy; something of exceeding grace, salaaming to the sahib-logue; something sending the scent of jasmine flowers into the hot air.

'That is Chândni,' said Dan, passing on regardless of the salutation, 'she generally sits here.'

George, imitating his companion, felt the thrill still in his veins. 'Chândni!' he echoed, 'that means silvery, doesn't it?'

'Moonshine also. They call her Chândni-rât or Moonlit-night as a rule. If tales be true, there is a good deal of the night about her. She and Dalel—but here he comes, innocently, from a side door. The Devil loves moonshiny nights.'

The figure approaching them was not outwardly of diabolic mould, being altogether too insignificant. The oval face was barely shadowed by a thin beard curling in an oiled tuft on either side of the retreating chin, and the only Mephistophelian feature was the narrow line of moustache waxed upwards towards the eyes. The dress was nondescript to absurdity. A biretta-shaped Moghul cap, heavy with church embroidery, sate jauntily on the long greasy hair; a blue velvet shooting-coat, cut in Western fashion, was worn over baggy, white cotton drawers, and these again were tucked away into sportsmanlike leather gaiters, ending in striped socks and patent leather highlows. Such was Mirza Dalel Beg, the Diwân's grandson. Behind him came lesser bloods of the same type: one with a falcon on his wrist; all with curious eyes for George Keene, the new-comer.

'Hullo, Dalel sahib!' cried Dan in English. 'Keene, let me introduce you in form to his Highness.'

The Mirza thrust out a small, cold, clammy hand; but thereinafter relapsed into such absolute inaction, that George found no little difficulty in finishing the ceremony.

'Ana, I see!' said his Highness jerkily, in a voice many tones too low for his chest measurement. 'Glad to see you, Keene. You shoot, I lend you gun or rifle. You hawk, we go hawk together. You hunt, you use my crocks. Come, see my stable.'

Dan's eyebrows went up expressively. 'Don't tempt him to-day, Mirza sahib,' he interrupted gravely. 'We are already due at the State audience with your grandfather. Aren't you to be there as heir-presumptive?'

Dalel crackled with a high-toned laugh which did not match his voice. 'Bosh! My gov'nor is there in swagger dress. He likes. I am different. Good-bye, Keene. You must come often, and we will go shoot, hunt, polo, billiard, and be jolly. Ta, ta! I go to stables.'

The two Englishmen walked on in silence for a while. Then George Keene looked at his companion with a queer smile.

'So, that's the Devil?—that—that heterogeneous bounder—'

'Heterogeneous bounder is good—parlous good,' replied Dan, still gravely; 'but here is our reception party, so, for heaven's sake, look dignified, and don't shake hands, mind, unless they offer to do so. They know their own rank, you see; you don't know yours—as yet.'

The lad, as he obeyed orders, felt that he knew very little of anything in India; the fact being evident in the surprise with which he noted the squalid appearance of all things, save the ruinous masonry; even of the state-room where, on a cane-bottomed chair, set on a filthy striped carpet, a mountain of flesh awaited them. It did not need his companion's whisper to make him understand that this must be the heir-apparent Khush-hâl Beg, for the fat man, coming forward to the appointed stripe—thus far and no further—held out his hand.

'The Huzoor is young,' he wheezed in a stately dignified voice. 'But youth is a great gift. With it even the desert need not be dull. 'Tis only as we grow older—' He paused and crossed his hands over his fat stomach with a sigh, as if to him the only consolation for age lay there. Dan shot one of his almost articulate looks at his companion as they passed on to a narrow stone stair where there was barely room for single-file order up the steep steps. Up and up it went seemingly in the thickness of the wall, with little loopholes sending a faint light at the turns; up and up, breathlessly, till the party emerged on the roof of the Diwân's tower, where, in a pavilion set round with arched arcades, they found the old man himself, backed by a semi-circle of shabby retainers, whose gay clothes showed tawdry in the pitiless sunlight.

Yet Dan's whisper of 'the World' provoked no smile in his companion, for there was nothing to smile at in Zubr-ul-Zamân, old and shrunken as he was. So old that those steep stairs cut him off from his kind; so old that his chin lay upon his breast, his palms upon his knees, as though both head and hands were weary of the world. What his heart thought of his ninety and odd years of life none knew. None could even guess, for the simple reason that Zubr-ul-Zamân had never showed that he possessed a heart. Of brains and skill he had no lack even now; but of pity, love, tenderness, only this was certain, that he had never sought them even in others. Yet the English boy had eyes only for that wrinkled, indifferent face, while Dan Fitzgerald, seated on one of the two cane-bottomed chairs set opposite the Diwân's red velvet one, explained in set terms why George came to be seated in the other. Not a pleasant tale altogether, told as it was with official boldness of expression. Briefly, the sluice-gate of the canal had been opened too often, and Government did not intend it to occur again.

When he ceased, the Diwân raised his head slowly, and George felt an odd thrill at his first sight at those luminous dark eyes; a thrill which continued as, at a sign from the old man, the court rhetorician standing surcharged with eloquence at the Diwân's right hand, burst into a stream of polished Persian periods which, hitting the keynote of the empty pavilion, roused a murmurous echo in its arcades. It reminded George of the general confession in his father's church on a week-day when the choir was absent; one certain note followed by faint efforts after repentance. The fancy, indeed, clung closer to facts than his ignorance of the language allowed him to perceive, as the speech dealt chiefly in regrets for the untoward events in the past which had made it incumbent on 'Gee Uff Keene sahib bahâdur' to languish in the wilderness of Hodinuggur, though doubtless the presence of the said 'Gee Uff Keene sahib bahâdur' would cause that desert to blossom like a rose, despite the want of water. These reiterations of his own name

made George feel a sense of unknown responsibility, as of a baby at its own christening. He looked anxiously at Dan, his sponsor, but the latter was now conversing with the Diwân in the usual explosive sentences followed by the decorous silences due to dignity, while the attendants brought forward divers round brass trays covered with Manchester pocket-handkerchiefs and laid them at the visitors' feet. George's share consisted of three, one containing dried fruits and sugar, one of various rich cloths topped by a coarse white muslin pugree, the third conglomerate. A French clock, with Venus Anadyomene in alabaster, some pantomime jewelry, a green glass tumbler, a tin of preserved beetroot, a lacquered tray with the motto 'for a good boy,' and various other odds and ends. Among them a small blue earthenware pot. Was it blue after all, or did a gold shimmer suggest a pattern beneath the glaze? A queer, quaint shape, dumpy, yet graceful. That broad, straight ring around it should have marred its curves but failed to do so; strange! how these people had the knack of running counter to

recognised rules, and yet— Here George was recalled to the present by Dan whispering—

'Take it, man! Take it!'

Looking round he saw the latter removing something from a tray, and his own head being full of the blue pot, his hand naturally went out towards it.

'No! no!' continued Dan, in the same voice, 'the pugree.'

'But I've got one already!'

The instinctive greed of the reply made his companion smile as he explained that the pugree was put there on purpose. But, as he spoke, the Diwân signed to an attendant who stepping forward, transferred the blue pot to the tray of dried fruits.

'It is nothing,' came the courteous voice, setting aside all disclaimers; 'our potter makes them.'

'I did not know they could put such a good glaze on nowadays,' remarked Fitzgerald, yielding the point. 'A first-rate piece of work indeed; does the man live here?'

Khush-hâl Beg turned to the speaker breathlessly. 'He is crazy, Huzoor. The Lord destroyed his reason by an accident. The old wall fell on his house one night and killed his daughter. Since then he lives away, where naught can fall, like the crazy one he is.'

The stress and hurry of the speech were evident, even though the fat man was still suffering from the stairs.

'Thank the Lord! that's over,' said Dan piously, when the last diminishing tail of escort left them with but one orderly to carry the spoil. 'I ought to have warned you about the pugree—but there! you might have done worse—the French clock, for instance. Come! let's strike home across the mound. I want to show you a dodge of mine on the canal cut.'

He plunged headlong, after his wont, into professional matters till even George, fresh from college technicalities, could scarcely follow him, and found himself wondering why a man of such vast capacity should have succeeded so indifferently; for Dan Fitzgerald was not a persona grâta at headquarters. To be that, a subordinate often has to conceal his own talents, and this man could not even conceal his faults. Some folk are so self-contained that a burden of blame finds no balance on their shoulders; others are so hospitable that they serve as hold-alls both for friends and foes; and there was plenty of room both for praise and blame in Dan Fitzgerald's excitable Celtic nature.

'What's that?' cried George suddenly. With the best intentions his attention had wandered, for everything in that circle of dun-coloured horizon domed with blue was new to him. Dan paused, listening. An odd rhythmic hum came from the highest hut, which was separated from the others by palisades of plaited tiger-grass shining in the afternoon light like a diaper of gold.

'The potter's wheel!' he cried, his face changing indescribably in an instant. 'Come on, Keene, and let us see the man who made your first bribe!'

He gave no time for reply, but turning at right angles through a gap threaded his way past piles of pots and sherds until he ran the sound to earth. Literally to earth—a circle of the solid earth spinning dizzily in front of a man buried to his waist. At least so it seemed at first to George Keene's ignorance of potters and their wheels. A circle, dazzling at its outer edge, clearer at the centre where something beneath a steady curved hand shot up, and bulged; then, as the whirr slackened, sank into a bomb of clay.

'Salaam alaikoom!' came a pleasant voice as the worker sat back in his seat-hole so as to ease his feet. He was a mild-faced old gentleman with nothing remarkable about him save a pair of shifty eyes—the light hazel eyes seen so rarely in a native's face.

'Salaam alaikoom,' returned Dan. 'The little sahib has never seen a wheel worked. Will you show him?'

'Wherefore not, Huzoor? The sahib could come to none better, seeing we of Hodinuggur have spun the wheel of life for years—for ages and ages and ages.'

The words blent with the rising cadence of the wheel as he leant forward to the task again. Faster and faster upon the wheel with a swaying motion. Only the potter's hand poised motionless above the whirring clay which showed—as children say—like a top asleep. Then suddenly came the turn of the potter's thumb, bringing a strange weird life with it. One protean curve after another swelling, sinking, shifting, falling. The eye could scarcely follow their swift birth and death, until the potter, sitting back once more, the slackening wheel disclosed the hollows and bosses.

'The clay is good,' he said, as if deprecating his own skill, 'and it fires well.'

'When the thumb does not slip,' put in Dan quietly. The potter turned to him in sudden interest.

'The Huzoor knows the sayings of the people, that is well; it is not often so. Yea! it slips—thus.' The wheel still span slowly, he shifted his hand almost imperceptibly and a deep furrow scored itself upon the biggest boss. 'So little does it,' he went on, 'a grit clinging to the skin—a wandering thought. It is Fate. Fuzl Elâhi, the potter, cannot help it.'

'Fuzl Elâhi? Then you are a Mohammedan?'

He shook his head. 'I am as my fathers were. The Moghuls call me so, the Hindus otherwise; but it means the same. By the grace of God, potter of Hodinuggur since time began. Lo! my fathers and my children are in the clay. I dug a grave in the dust for the boy; the girl dug hers for herself. It was deep, Huzoor. I search for it always; in vain, in vain.' The wheel set up its rhythmic hum once more, but the hands lay idle.

'Poor old chap,' said Dan aside, 'I suppose he is thinking of the accident; but by the powers, Keene, it is a situation. Seated here on a pinnacle—a crazy irresponsible creator—'

'Ask him if he made the pot, please,' interrupted George brutally. 'If I could get a pair, I'd send them to the mater. Those things are always in pairs, you know.'

'Pairs! you intolerable Philistine! A potter's vessel trying to be matched before it's broken in pieces. Think of the tragedy—the humour of it.'

'Will you ask, or shall I?'

Fitzgerald grinned maliciously. 'You. I like to hear you stuttering.'