THE REVENGE.

ACT THE FIRST.

SCENE I.BATTLEMENTS, WITH A SEA PROSPECT.

Enter Zanga.

SCENE II. THE PALACE.

Enter Don Manuel and Don Carlos.

ACT THE SECOND.

SCENE I.THE SAME.

Enter Don Manuel and Zanga.

ACT THE THIRD.

SCENE I.

Enter Zanga.

ACT THE FOURTH.

SCENE I.

Enter Don Alonzo and Zanga.

ACT THE FIFTH.

SCENE I.

Enter Alonzo, meeting Zanga.

SCENE II. THE BOWER.

Enter Alonzo.—Leonora sleeping.

THE END.

Mr. Hughes, in his criticism on Othello, introduces the following narrative, to which allusion is made in our remarks.—"The short story I am going to tell is a just warning to those of jealous honour to look about them, and begin to possess their souls as they ought; for no man of spirit knows how terrible a creature he is, till he comes to be provoked.

"Don Alonzo, a Spanish nobleman, had a beautiful and virtuous wife, with whom he had lived some years in great tranquillity. The gentleman, however, was not free from the faults usually imputed to his nation; he was proud, suspicious, and impetuous. He kept a Moor in his house, whom, on a complaint from his lady, he had punished for a small offence with the utmost severity. The slave vowed revenge, and communicated his resolution to one of the lady's women, with whom he had lived in a criminal way. This creature also hated her mistress, for she feared she was observed by her; she therefore undertook to make Don Alonzo jealous, by insinuating that the gardner was often admitted to his lady in private, and promising to make him an eye witness of it. At a proper time, agreed on between her and the Morisco, she sent a message to the gardner, that his lady, having some hasty orders to give him, would have him come that moment to her in her chamber. In the mean time she had placed Alonzo privately in an outer room, that he might observe who passed that way. It

was not long before he saw the gardner appear. Alonzo had not patience, but following him into the apartment, struck him at one blow with a dagger to the heart; then dragging his lady by the hair, without inquiring farther, he instantly killed her.

"Here he paused, looking on the dead bodies with all the agitations of a demon of revenge; when the wench who had occasioned these terrors, distracted with remorse, threw herself at his feet, and in a voice of lamentation, without sense of the consequence, repeated all her guilt. Alonzo was overwhelmed with the violent passions at one instant, and uttered the broken voices and motions of each of them for a moment; till at last he recollected himself enough to end his agony of love, anger, disdain, revenge, and remorse, by murdering the maid, the Moor, and himself."

Maurice, Fenchurch Street.

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JUST PUBLISHED, The School for Scandal, a Comedy by Sheridan.

Contemporary spellings have been retained throughout, including three instances of "it's" in place of "its" in the introductory "Remarks".