THE STORY OF BLUE BEARD

[Pg 5]

[Pg 6]

[Pg 7]

[Pg 8]

[Pg 9]

[Pg 10]

[Pg 11]

[Pg 12]

[Pg 13]

[Pg 14]

[Pg 15]

[Pg 16]

[Pg 17]

[Pg 18]

[Pg 19]

[Pg 20]

[Pg 21]

[Pg 22]

[Pg 23]

[Pg 24]

[Pg 25]

[Pg 26]

[Pg 27]

[Pg 28]

[Pg 29]

[Pg 30]

[Pg 31]

[Pg 32]

[Pg 33]

[Pg 34]

[Pg 35]

[Pg 36]

[Pg 37]

[Pg 38]

[Pg 39]

[Pg 40]

[Pg 41]

[Pg 42]

[Pg 43]

[Pg 44]

[Pg 45]

[Pg 46]

[Pg 47]

[Pg 48]

[Pg 49]

[Pg 50]

[Pg 51]

[Pg 52]

[Pg 53]

[Pg 54]

[Pg 55]

[Pg 56]

[Pg 57]

[Pg 58]

[Pg 59]

[Pg 60]

[Pg 61]

[Pg 62]

[Pg 63]

Richard Clay & Sons, Limited, London & Bungay.

FOOTNOTES:

[1] Gueridons, i. e. stands to place lights or china upon. The word is now used to signify any small round table with one foot; but the old-fashioned stand, which was higher than a table, and its top not bigger than a dessert-plate, is occasionally to be met with.

[2] Looking-glasses with frames of the same material were much in vogue at that period. Of silver-framed mirrors some magnificent specimens remain to us at Knowle Park, Kent.