The Tatler

Edited with Introduction & Notes by George A. Aitken Author of "The Life of Richard Steele," &c.

Vol. II

New York Hadley & Mathews 156 Fifth Avenue London: Duckworth & Co. 1899

Printed by Ballantyne, Hanson & Co. At the Ballantyne Press

List of Contents (created by transcriber)

To Edward Wortley Montagu, The Tatler No. 50. [Steele. No. 51. [Steele. No. 52. [Steele. No. 53. [Steele. No. 54. [Steele. No. 55. [Steele. No. 56. [Steele. No. 57. [Steele. No. 58. [Steele. No. 59. [Steele. No. 60. [Steele. No. 61. [Steele. No. 62. [Steele. No. 63. [Steele, etc. No. 64. [Steele. No. 65. [Steele. No. 66. [Steele. No. 67. [Steele. No. 68. [Steele. No. 69. [Steele. No. 70. [Steele. No. 71. Steele. No. 72. [Steele. No. 73. [Steele. No. 74. [Steele. No. 75. [Steele and Addison. No. 76. [Steele. No. 77. [Steele. No. 78. [Steele. No. 79. [Steele. No. 80. [Steele. No. 81. [Steele and Addison. No. 82. [Steele. No. 83. [Steele. No. 84. [Steele. No. 85. [Steele. No. 86. [Addison and Steele. No. 87. [Steele. No. 88. [Steele. No. 89. [Steele. No. 90. [Steele. No. 91. [Steele. No. 92. [Steele. No. 93. [Steele and Addison. No. 94. [Steele. No. 95. No. 96. [Addison. No. 97. [Addison. No. 98. [Steele. No. 99. [Steele. No. 100. [Addison. No. 101. [Steele and Addison. No. 102. [Addison. No. 103. [Addison and Steele. No. 104. [Steele. No. 105. [Steele. No. 106. [Steele.

No. 107. [Steele. No. 108. [Addison. No. 109. [Steele. No. 110. [Addison and Steele. No. 111. [Addison and Steele. No. 112. [Steele. No. 113. [Hughes. No. 114. [Addison and Steele

[Pg 1]

To Edward Wortley Montagu, Esq.[1]

Sir,

When I send you this volume, I am rather to make you a request than a Dedication. I must desire, that if you think fit to throw away any moments on it, you would not do it after reading those excellent pieces with which you are usually conversant. The images which you will meet with here, will be very faint, after the perusal of the Greeks and Romans, who are your ordinary companions. I must confess I am obliged to you for the taste of many of their excellences, which I had no[Pg 2]t observed until you pointed them to me. I am very proud that there are some things in these papers which I know you pardon;[2] and it is no small pleasure to have one's labours suffered by the judgment of a man, who so well understands the true charms of eloquence and poesy. But I direct this address to you, not that I think I can entertain you with my writings, but to thank you for the new delight I have, from your conversation, in those of other men.

May you enjoy a long continuance of the true relish of the happiness Heaven has bestowed upon you. I know not how to say a more affectionate thing to you, than to wish that you may be always what you are; and that you may ever think, as I know you now do, that you have a much larger fortune than you want.

I am, Sir,

Your most obedient, and most humble Servant,

Isaac Bickerstaff.

FOOTNOTES:

[1] Edward Wortley Montagu, an intimate friend of Addison and Steele, was the second son of Lady Mary Wortley Montagu, and grandson of Edward Montagu, the first Earl of Sandwich. He was chosen a Member of Parliament for Huntingdon in 1705, and in all other parliaments but two to the end of her reign. On the accession of George I. he became one of the Lords Commissioners of the Treasury, and was afterwards Ambassador-Extraordinary to the Porte. He set out, January 27, 1716, and having finished his negotiations returned in 1718. In the first parliament called by King George I. he was chosen for the city of Westminster, and afterwards served for Huntingdon. He was a member for the city of Peterborough when he died, January 22, 1761, aged 80 years, before he was able to alter his will, as he intended, in favour of his son. He married the famous Lady Mary Pierrepont, eldest daughter of the Duke of Kingston, in 1712, and by her he had issue an only son, Edward Wortley Montagu, who was M.P. in three parliaments for Bossiney, in Cornwall; and a

daughter Mary, married to John Stuart, Earl of Bute, August 24, 1736.

[2] There is no doubt that Wortley Montagu contributed papers and hints for the Tatler ("Letters of Lady M. W. Montagu," ed. Moy Thomas, i. 5, 10, 62). See specially No. 223.

[Pg 3]

The Tatler

By ISAAC BICKERSTAFF, Esq.

No. 50. [Steele.[3]

From Tuesday, August 2, to Thursday, August 4, 1709.

Juv., Sat. I. 85, 86.

White's Chocolate-house, August 2.

The History of Orlando the Fair. Chap. I.

Whatever malicious men may say of our lucubrations, we have no design but to produce unknown merit, or place in a proper light the actions of our contemporaries who labour to distinguish themselves, whether it be by vice or virtue. For we shall never give accounts to the world of anything, but what the lives and endeavours of the persons (of whom we treat) make the basis of their fame and reputation. For this reason it is to be hoped, that our appearance is reputed a publi[Pg 4]c benefit; and though certain persons may turn what we mean for panegyric into scandal, let it be answered once for all, that if our praises are really designed as raillery, such malevolent persons owe their safety from it only to their being too inconsiderable for history. It is not every man who deals in ratsbane, or is unseasonably amorous, that can adorn story like Æsculapius;[4] nor every stockjobber of the India Company can assume the port, and personate the figure of Aurengezebe.[5] My noble ancestor, Mr. Shakespeare, who was of the race of the Staffs, was not

more fond of the memorable Sir John Falstaff, than I am of those worthies; but the Latins have an admirable admonition expressed in two words, to wit, nequid nimis, which forbids my indulging myself on those delightful subjects, and calls me to do justice to others, who make no less figures in our generation: of such, the first and most renowned is, that eminent hero and lover, Orlando[6] the handsome[Pg 5], whose disappointments in love, in gallantry, and in war, have banished him from public view, and made him voluntarily enter into a confinement, to which the ungrateful age would otherwise have forced him. Ten lustra and more are wholly passed since Orlando first appeared in the metropolis of this island: his descent noble, his wit humorous, his person charming. But to none of these recommendatory advantages was his title so undoubted as that of his beauty. His complexion was fair, but his countenance manly; his stature of the tallest, his shape the most exact; and though in all his limbs he had a proportion as delicate as we see in the works of the most

skilful statuaries, his body had a strength and firmness little inferior to the marble of which such images are formed. This made Orlando the universal flame of all the fair sex: innocent virgins sighed for him, as Adonis; experienced widows, as Hercules. Thus did this figure walk alone the pattern and ornament of our species, but of course the envy of all who had the same passions, without his superior [Pg 6]merit and pretences to the favour of that enchanting creature, woman. However, the generous Orlando believed himself formed for the world, and not to be engrossed by any particular affection. He sighed not for Delia, for Chloris, for Chloe, for Betty, nor my lady, nor for the ready chambermaid, nor distant baroness: woman was his mistress, and the whole sex his seraglio. His form was always irresistible: and if we consider, that not one of five hundred can bear the least favour from a lady without being exalted above himself; if also we must allow, that a smile from a side-box[7] has made Jack Spruce half mad, we can't think it wonderful that Orlando's repeated

conquests touched his brain: so it certainly did, and Orlando became an enthusiast in love; and in all his address, contracted something out of the ordinary course of breeding and civility. However (powerful as he was), he would still add to the advantages of his person that of a profession which the ladies favour, and immediately commenced soldier. Thus equipped for love and honour, our hero seeks distant climes and adventures, and leaves the despairing nymphs of Great Britain to the courtship of beau and witlings till his return. His exploits in foreign nations and courts have not been regularly enough communicated unto us, to report them with that veracity which we profess in our narrations: but after many feats of arms (which those who were witnesses to them hav[Pg 7]e suppressed out of envy, but which we have had faithfully related from his own mouth in our public streets) Orlando, returns home full, but not loaded with years. Beau born in his absence made it their business to decry his furniture, his dress, his manner; but all such rivalry he suppressed

(as the philosopher did the sceptic, who argued there was no such thing as motion) by only moving. The beauteous Villaria,[8] who only was formed for his paramour, became the object of his affection. His first speech to her was as follows:

"Madam,—It is not only that nature has made us two the most accomplished of each sex, and pointed to us to obey her dictates in becoming one; but that there is also an ambition in following the mighty persons you have favoured. Where kings and heroes, as great as Alexander, or such as could personate Alexander,[9] have bowed, permit your general to lay his laurels."

According to Milton:

and fortune had now supplied Orlando with necessarie[Pg 8]s for his high taste of gallantry and pleasure: his equipage and economy had something in them more sumptuous and gallant than could be received in our degenerate age; therefore his figure (though highly graceful) appeared so exotic, that it assembled all the Britons under the age of sixteen, who saw his grandeur, to follow his chariot with shouts and acclamations, which he regarded with the contempt which great minds affect in the midst of applauses. I remember I had the honour to see him one day stop, and call the youths about him, to whom he spake as follows:

"Good bastard,—Go to school, and don't lose your time in following my wheels: I am loth to hurt you, because I know not but you are all my own offspring: hark'ee, you sirrah with the white hair, I am sure you are mine: there is half-a-crown. Tell your mother, this, with the half-crown I gave her when I got you, comes to five shillings. Thou hast cost me all that, and yet thou art good for nothing. Why, you young dogs, did you never see a man before?" "Never such a one as you, noble general," replied a truant from Westminster. "Sirrah, I believe thee: there is a crown for thee. Drive on, coachman."

This vehicle, though sacred to love, was not adorned with doves: such an hieroglyphic denoted too languishing a passion. Orlando therefore gave the eagle,[11] as being of a constitution which inclined him rather to seize his prey with talons, than pine for it with murmurs.

From my own Apartment, August 2.

I have received the following letter from Mr. Powell of the Bath,[12] who, I think, runs from the point between us, which I leave the whole world to judge.

[Pg 9]

To Isaac Bickerstaff, Esq.

"Sir,

"Having a great deal of more advantageous business at present on my hands, I thought to have deferred answering your Tatler of the 21st instant, till the company was gone, and season over; but having resolved not to regard any impertinences of your paper, except what relate particularly to me, I am the more easily induced to answer you (as I shall find time to do it): First, partly lest you should think yourself neglected, which I have reason to believe you would take heinously ill. Secondly, partly because it will increase my fame, and consequently my audience, when all the quality shall see with how much wit and raillery I show you—I don't care a farthing for you. Thirdly, partly because, being without books,[13] if I don't show much learning, it will not be imputed to my having none.

"I have travelled Italy, France, and Spain, and fully comprehend what any German artist in the world can do; yet cannot I imagine, why you should endeavour to disturb the repose and plenty which (though unworthy) I enjoy [Pg 10]at this place. It cannot be, that you take offence at my prologues and epilogues, which you are pleased to miscall foolish and abusive. No, no, until you give a better,[14] I shall not forbear thinking, that the true reason of your picking a quarrel with me was, because it is more agreeable to your principles, as well as more to the honour of your assured victory, to attack a governor. Mr. Isaac, Mr. Isaac, I can see into a millstone as far as another (as the saying is). You are for sowing the seeds of sedition and disobedience among my puppets, and your zeal for the (good old) cause would make you persuade Punch to pull the string from his chops, and not move his jaw when I have a mind he should harangue. Now I appeal to all men, if this is not contrary to that uncontrollable, unaccountable dominion, which by the laws of nature I exercise

over them; for all sorts of wood and wire were made for the use and benefit of man: I have therefore an unquestionable right to frame, fashion, and put them together, as I please; and, having made them what they are, my puppets are my property, and therefore my slaves: nor is there in nature anything more just, than the homage which is paid by a less to a more excellent being: so that, by the right therefore of a superior genius, I am their supreme moderator, although you would insinuate (agreeably to your levelling principles) that I am myself but a great puppet, and can therefore have but a co-ordinate jurisdiction with them. I suppose I have now sufficiently made it appear, that I have a paternal right[15] to keep [Pg 11]a puppet-show, and this right I will maintain in my prologues on all occasions.

"And therefore, if you write a defence of yourself against this my self-defence, I admonish you to keep within bounds; for every day will not be so propitious to you as the 29th of April; and perhaps my resentment may get the better of my generosity, and I may no longer scorn to fight one who is not my equal with unequal weapons: there are such things as scandalums magnatums;[16] therefore take heed hereafter how you write such things as I cannot easily answer, for that will put me in a passion.

"I order you to handle only these two propositions, to which our dispute may be reduced: the first, whether I have not an absolute power, whenever I please, to light a pipe with one of Punch's legs, or warm my fingers with his whole carcass? The second, whether the devil would not be in Punch, should he by word or deed oppose my sovereign will and pleasure? And then, perhaps, I may (if I can find leisure for it) give you the trouble of a second letter.

"But if you intend to tell me of the original of puppet-shows, and the several changes, and revolutions that have happened in them, since Thespis, and I don't care who, that's noli me tangere; I have solemnly engaged to say nothing of what I can't approve. Or, if you talk of certain contracts with the mayor and burgesses, or fees to the constables, for the privilege of acting, I will not write one single word about any such matters;[17] but shall leav[Pg 12]e you to be mumbled by the learned and very ingenious author of a late book, who knows very well what is to be said and done in such cases.[18] He is now shuffling the cards, and dealing to Timothy; but if he wins the game, I will send him to play at backgammon with you; and then he will satisfy you, that deuce-ace makes five.

"And so, submitting myself to be tried by my country, and allowing any jury of twelve good men, and true, to be that country; not excepting any (unless Mr. Isaac Bickerstaff) to be of the panel,[19] for you are neither good nor true; I bid you heartily farewell; and am,

"Sir,

Your loving Friend,

Powell.[20]

"Bath, July 28."

[Pg 13]

FOOTNOTES:

[3] Nichols suggests that this and the following number were by Addison, who had sent Steele another packet or two from Ireland since the appearance of No. 32. Perhaps Steele made one paper, headed "The History of Orlando the Fair," serve for two numbers (50, 51). The personal character of these papers may have caused Steele to omit them in the list of Addison's papers which he gave to Tickell. See Tatler, No. 32.

[4] Dr. Radcliffe; see Nos. 44, 46, 47.

[5] See No. 46.

[6] Robert Feilding, commonly known by the name of Beau Feilding, a handsome and very comely gentleman, was tried for felony at the Old Bailey, December 4, 1706. He had married, as the indictment sets forth, on November 25, 1705, Barbara, Duchess of Cleveland, having a former wife then living. In the course of the evidence at this trial, it appears, that sixteen days before, viz. November 9, 1705, Mrs. Villars, a very bad woman, had artfully drawn him into a marriage with one Mary Wadsworth, spinster, in the mistaken belief of her being Mrs. Deleau, a widow, with a fortune of £60,000. His marriage with the duchess was therefore set aside, and her Grace was allowed the liberty of marrying again. He craved the benefit of his clergy, and when sentence was given, that he should be burnt in his hand, produced the Queen's warrant to suspend execution, and was admitted to bail. In his will, dated April 9, 1712, and proved on May 12 following, he is styled "Robert Feilding, of Feilding Hall, in the county of Warwick, Esq.," and appears to have had some estates at

Lutterworth. He is mentioned by Swift among those who have made "mean figures" on some remarkable occasions. Feilding, having injured his fortune by his gallantry and extravagance in early life, repaired the breaches he had made in it, by his first marriage with the Countess of Purbeck, a widow lady of an ancient and noble family in Ireland, who had a large fortune of her own, to which she had added considerably by a former marriage; she was the only daughter and heiress of Barnham Swift, Lord Carlingford, who was of the same family with the Dean of St. Patrick's. Feilding is said to have lived happily for some years with this lady, who was a zealous Roman Catholic, and could have no great difficulty in inducing a man who had no religion to profess himself a proselyte to her religious persuasion. See No. 51 (Nichols).—On July 29, 1706, Lady Wentworth wrote to Lord Raby that the Duchess of Cleveland had got Feilding sent to Newgate "for threatning to kill her two sons for taking her part, when he beet her and broke open her closet door and took four hundred

pd. out.... He beat her sadly and she cried out murder in the street out of the window, and he shot a blunderbuss at the people" ("Wentworth Papers," pp. 58-9). See, too, Luttrell's "Diary," June, July, and October, 1706, passim.

[7] The side-boxes were usually reserved for men, ladies sitting in the front boxes, and Pope describes men ogling and bowing from the side boxes. See, too, the Spectator, Nos. 311, 377. But Swift ("Polite Conversation," 1738) writes: "Pray, Mr. Neverout, what lady was that you were talking with in the side box?" A wench in a side-box was looked upon with suspicion. See Nos. 145, 217. In the Theatre (No. 3) Steele says: "Three of the fair sex for the front boxes, two gentlemen of wit and pleasure for the side boxes, and three substantial citizens for the pit!"

[8] Barbara, daughter and heiress to William Villiers, Viscount Grandison. She became the mistress of Charles II., who made her husband—Roger Palmer—Earl of Castlemain, and afterwards made her Duchess of Cleveland. On Lord Castlemain's death in 1705 she married Beau Feilding, from whom she was subsequently divorced. She died of dropsy on October 9, 1709.

[9] An allusion to Cardell Goodman, the actor (died 1699), one of the "mighty persons" favoured by the duchess, whose paramour he became. His chief parts were Julius Cæsar and Alexander the Great.

[10]

"Paradise Lost," viii. 507-9.

[11] The Feildings were Counts of the German Empire.