Back to bookThe Wit and Humor of America, Volume X (of X)
Free sample
Free sample
Chapter I

THE WIT AND HUMOR OF AMERICA

In Ten Volumes

VOL. X

Volume X

Funk & Wagnalls Company New York and London Copyright MDCCCCVII, BOBBS-MERRILL COMPANY Copyright MDCCCCXI, THE THWING COMPANY

TROUBLE-PROOF[1]

BY EDWIN L. SABIN

Never rains where Jim is— People kickin', whinin'; He goes round insistin',— "Sun is almost shinin'!" Never's hot where Jim is— When the town is sweatin'; He jes' sets and answers,— "Well, I ain't a-frettin'!" Never's cold where Jim is— None of us misdoubt it, Seein' we're nigh frozen! He "ain't thought about it"! Things that rile up others Never seem to strike him! "Trouble-proof," I call it,— Wisht that I was like him! [Pg 1802]

JOHNNY'S PA

BY WILBUR D. NESBIT

My pa—he always went to school, He says, an' studied hard. W'y, when he's just as big as me He knew things by the yard! Arithmetic? He knew it all From dividend to sum; But when he tells me how it was, My grandma, she says "Hum!" My pa—he always got the prize For never bein' late; An' when they studied joggerfy He knew 'bout every state. He says he knew the rivers, an' Knew all their outs an' ins; But when he tells me all o' that, My grandma, she just grins. My pa, he never missed a day A-goin' to the school, An' never played no hookey, nor Forgot the teacher's rule; An' every class he's ever in, The rest he always led. My grandma, when pa talks that way, [Pg 1803]Just laughs an' shakes her head. My grandma says 'at boys is boys, The same as pas is pas, An' when I ast her what she means She says it is "because." She says 'at little boys is best When they grows up to men, Because they know how good they was, An' tell their children, then! [Pg 1804]

MAXIMS

BY BENJAMIN FRANKLIN

Never spare the parson's wine, nor the baker's pudding.

A house without woman or firelight is like a body without soul or spirit.

Kings and bears often worry their keepers.

Light purse, heavy heart.

He's a fool that makes his doctor his heir.

Ne'er take a wife till thou hast a house (and a fire) to put her in.

To lengthen thy life, lessen thy meals.

He that drinks fast pays slow.

He is ill-clothed who is bare of virtue.

Beware of meat twice boil'd, and an old foe reconcil'd.

The heart of a fool is in his mouth, but the mouth of a wise man is in his heart.

He that is rich need not live sparingly, and he that can live sparingly need not be rich.

He that waits upon fortune is never sure of a dinner.[Pg 1805]

NEVADA SKETCHES

BY SAMUEL L. CLEMENS

In Carson City

I feel very much as if I had just awakened out of a long sleep. I attribute it to the fact that I have slept the greater part of the time for the last two days and nights. On Wednesday, I sat up all night, in Virginia, in order to be up early enough to take the five o'clock stage on Thursday morning. I was on time. It was a great success. I had a cheerful trip down to Carson, in company with that incessant talker, Joseph T. Goodman. I never saw him flooded with such a flow of spirits before. He restrained his conversation, though, until we had traveled three or four miles, and were just crossing the divide between Silver City and Spring Valley, when he thrust his head out of the dark stage, and allowed a pallid light from the coach lamps to illuminate his features for a moment, after which he returned to darkness again, and sighed and said, "Damn it!" with some asperity. I asked him who he meant it for, and he said, "The weather out there." As we approached Carson, at about half past seven o'clock, he thrust his head out again, and

gazed earnestly in the direction of that city—after which he took it in again, with his nose very much frosted. He propped the end of that organ upon the end of his finger, and looked pensively upon it—which had the effect of[Pg 1806] making him cross-eyed—and remarked, "O, damn it!" with great bitterness. I asked him what was up this time, and he said, "The cold, damp fog—it is worse than the weather." This was his last. He never spoke again in my hearing. He went on over the mountains with a lady fellow passenger from here. That will stop his chatter, you know, for he seldom speaks in the presence of ladies.

In the evening I felt a mighty inclination to go to a party somewhere. There was to be one at Governor J. Neely Johnson's, and I went there and asked permission to stand around a while. This was granted in the most hospitable manner, and the vision of plain quadrilles soothed my weary soul. I felt particularly comfortable, for if there is one thing more grateful to my feelings than another, it is a new house—a large house, with its ceilings embellished with snowy mouldings; its floors glowing with warm-tinted carpets, with cushioned chairs and sofas to sit on, and a piano to listen to; with fires so arranged you can see them, and know there is no humbug about it; with walls garnished with pictures, and above all mirrors, wherein you may gaze and always find something to admire, you know. I have a great regard for a good house, and a girlish passion for mirrors. Horace Smith, Esq., is also very fond of mirrors. He came and looked in the glass for an hour with me. Finally it cracked—the night was pretty cold—and Horace Smith's reflection was

split right down the centre. But where his face had been the damage was greatest—a hundred cracks converged to his reflected nose, like spokes from the hub of a wagon wheel. It was the strangest freak the weather has done this winter. And yet the parlor seemed warm and comfortable, too.

About nine o'clock the Unreliable came and asked Gov. Johnson to let him stand on the porch. The crea[Pg 1807]ture has got more impudence than any person I ever saw in my life. Well, he stood and flattened his nose against the parlor window, and looked hungry and vicious—he always looks that way—until Colonel Musser arrived with some ladies, when he actually fell in their wake and came swaggering in looking as if he thought he had been anxiously expected. He had on my fine kid boots, my plug hat, my white kid gloves (with slices of his prodigious hands grinning through the bursted seams), and my heavy gold repeater, which I had been offered thousands and thousands of dollars for many and many a time. He took those articles out of my trunk, at Washoe City, about a month ago, when we went there to report the proceedings of the convention. The Unreliable intruded himself upon me in his cordial way, and said, "How are you, Mark, old boy? When d'you come down? It's brilliant, ain't it? Appear to enjoy themselves, don't they? Lend a fellow two bits, can't

you?" He always winds up his remarks that way. He appears to have an insatiable craving for two bits.

The music struck up just then and saved me. The next moment I was far, far at sea in the plain quadrille. We carried it through with distinguished success; that is, we got as far as "balance around" and "half-a-man-left," when I smelled hot whisky punch, or something of that nature. I tracked the scent through several rooms, and finally discovered a large bowl from which it emanated. I found the omnipresent Unreliable there, also. He set down an empty goblet and remarked that he was diligently seeking the gentlemen's dressing room. I would have shown him where it was, but it occurred to him that the supper table and the punch bowl ought not to be left unprotected; wherefore we stayed there and watched them until the punch entirely evaporated. A servant came in[Pg 1808] then, to replenish the bowl, and we left the refreshments in his charge. We probably did wrong, but we were anxious to join the hazy dance. The dance was hazier than usual, after that. Sixteen couples on the floor at once, with a few dozen spectators scattered around, is calculated to

have its effect in a brilliantly lighted parlor, I believe. Everything seemed to buzz, at any rate. After all the modern dances had been danced several times, the people adjourned to the supper-room. I found my wardrobe out there, as usual, with the Unreliable in it. His old distemper was upon him: he was desperately hungry. I never saw a man eat as much as he did in my life. I have various items of his supper here in my note-book. First, he ate a plate of sandwiches; then he ate a handsomely iced poundcake; then he gobbled a dish of chicken salad; after which he ate a roast pig; after that, a quantity of blanc-mange; then he threw in several dozen glasses of punch to fortify his appetite, and finished his monstrous repast with a roast turkey. Dishes of brandy-grapes, and jellies, and such things, and pyramids of fruits melted away before him as shadows fly at the sun's approach. I am of the opinion that none of his ancestors were present when the five thousand were miraculously fed in the old Scriptural times. I base my opinion on

the twelve bushels of scraps and the little fishes that remained over after that feast. If the Unreliable himself had been there, the provisions would just about have held out, I think.

... At about two o'clock in the morning the pleasant party broke up and the crowd of guests distributed themselves around town to their respective homes; and after thinking the fun all over again, I went to bed at four o'clock. So having been awake forty-eight hours, I slept forty-eight, in order to get even again.[Pg 1809]

City Marshal Perry

John Van Buren Perry, recently re-elected City Marshal of Virginia City, was born a long time ago, in County Kerry, Ireland, of poor but honest parents, who were descendants, beyond question, of a house of high antiquity. The founder of it was distinguished for his eloquence; he was the property of one Baalam, and received honorable mention in the Bible.

John Van Buren Perry removed to the United States in 1792—after having achieved a high gastronomical reputation by creating the first famine in his native land—and established himself at Kinderhook, New Jersey, as a teacher of vocal and instrumental music. His eldest son, Martin Van Buren, was educated there, and was afterwards elected President of the United States; his grandson, of the same name, is now a prominent New York politician, and is known in the East as "Prince John;" he keeps up a constant and affectionate correspondence with his worthy grandfather, who sells him feet in some of his richest wildcat claims from time to time.

While residing at Kinderhook, Jack Perry was appointed Commodore of the United States Navy, and he forthwith proceeded to Lake Erie and fought the mighty marine conflict, which blazes upon the pages of history as "Perry's Victory." In consequence of this exploit, he narrowly escaped the Presidency.

Several years ago Commodore Perry was appointed Commissioner Extraordinary to the Imperial Court of Japan, with unlimited power to treat. It is hardly worth while to mention that he never exercised that power; he never treated anybody in that country, although he patiently submitted to a vast amount of that sort of thing[Pg 1810] when the opportunity was afforded him at the expense of the Japanese officials. He returned from his mission full of honors and foreign whisky, and was welcomed home again by the plaudits of a grateful nation.

After the war was ended, Mr. Perry removed to Providence, Rhode Island, where he produced a complete revolution in medical science by inventing the celebrated "Pain Killer" which bears his name. He manufactured this liniment by the ship-load, and spread it far and wide over the suffering world; not a bottle left his establishment without his beneficent portrait upon the label, whereby, in time, his features became as well known unto burned and mutilated children as Jack the Giant Killer's.

When pain had ceased throughout the universe Mr. Perry fell to writing for a livelihood, and for years and years he poured out his soul in pleasing and effeminate poetry.... His very first effort, commencing:

"How doth the little busy bee Improve each shining hour," etc.—

gained him a splendid literary reputation, and from that time forward no Sunday-school library was complete without a full edition of his plaintive and sentimental "Perry-Gorics." After great research and profound study of his subject, he produced that wonderful gem which is known in every land as "The Young Mother's Apostrophe to Her Infant," beginning:

"Fie! fie! oo itty bitty pooty sing! To poke oo footsy-tootsys into momma's eye!"

This inspired poem had a tremendous run, and carried Perry's fame into every nursery in the civilized world. But he was not destined to wear his laurels undisturbed: England, with monstrous perfidy, at once claimed the[Pg 1811] "Apostrophe" for her favorite son, Martin Farquhar Tupper, and sent up a howl of vindictive abuse from her polluted press against our beloved Perry. With one accord, the American people rose up in his defense, and a devastating war was only averted by a public denial of the paternity of the poem by the great Proverbial over his own signature. This noble act of Mr. Tupper gained him a high place in the affection of this people, and his sweet platitudes have been read here with an ever augmented spirit of tolerance since that day.

The conduct of England toward Mr. Perry told upon his constitution to such an extent that at one time it was feared the gentle bard would fade and flicker out altogether; wherefore, the solicitude of influential officials was aroused in his behalf, and through their generosity he was provided with an asylum in Sing Sing prison, a quiet retreat in the state of New York. Here he wrote his last great poem, beginning:

"Let dogs delight to bark and bite, For God hath made them so— Your little hands were never made To tear out each other's eyes with—"

and then proceeded to learn the shoemaker's trade in his new home, under the distinguished masters employed by the commonwealth.

Ever since Mr. Perry arrived at man's estate his prodigious feet have been a subject of complaint and annoyance to those communities which have known the honor of his presence. In 1835, during a great leather famine, many people were obliged to wear wooden shoes, and Mr. Perry, for the sake of economy, transferred his bootmaking patronage from the tan-yard which had before enjoyed his custom, to an undertaker's establishment—that is to say, he wore coffins. At that time he was a[Pg 1812] member of Congress from New Jersey, and occupied a seat in front of the Speaker's throne. He had the uncouth habit of propping his feet upon his desk during prayer by the chaplain, and thus completely hiding that officer from every eye save that of Omnipotence alone. So long as the Hon. Mr. Perry wore orthodox leather boots the clergyman submitted to this infliction and prayed behind them in singular solitude, under mild protest; but when he arose one morning to offer up his regular petition, and beheld the cheerful apparition of Jack Perry's coffins confronting

him, "The jolly old bum went under the table like a sick porpus" (as Mr. P. feelingly remarks), "and never shot off his mouth in that shanty again."

Mr. Perry's first appearance on the Pacific Coast was upon the boards of the San Francisco theaters in the character of "Old Pete" in Dion Boucicault's "Octoroon." So excellent was his delineation of that celebrated character that "Perry's Pete" was for a long time regarded as the climax of histrionic perfection.

Since John Van Buren Perry has resided in Nevada Territory, he has employed his talents in acting as City Marshal of Virginia, and in abusing me because I am an orphan and a long way from home, and can therefore be persecuted with impunity. He was re-elected day before yesterday, and his first official act was an attempt to get me drunk on champagne furnished to the Board of Aldermen by other successful candidates, so that he might achieve the honor and glory of getting me in the station-house for once in his life. Although he failed in his object, he followed me down C street and handcuffed me in front of Tom Peasley's, but officers Birdsall and Larkin and Brokaw rebelled against this unwarranted assumption of authority, and released me—whereupon I[Pg 1813] was about to punish Jack Perry severely, when he offered me six bits to hand him down to posterity through the medium of this Biography, and I closed the contract. But after all, I never expect to get the money.

A Sunday in Carson

I arrived in this noisy and bustling town of Carson at noon to-day, per Layton's express. We made pretty good time from Virginia, and might have made much better, but for Horace Smith, Esq., who rode on the box seat and kept the stage so much by the head she wouldn't steer. I went to church, of course,—I always go to church when I—when I go to church—as it were. I got there just in time to hear the closing hymn, and also to hear the Rev. Mr. White give out a long-metre doxology, which the choir tried to sing to a short-metre tune. But there wasn't music enough to go around: consequently, the effect was rather singular, than otherwise. They sang the most interesting parts of each line, though, and charged the balance to "profit and loss;" this rendered the general intent and meaning of the doxology considerably mixed, as far as the congregation were concerned, but inasmuch as it was not addressed to them, anyhow, I thought it made no particular difference.

By an easy and pleasant transition, I went from church to jail. It was only just down stairs—for they save men eternally in the second story of the new court house, and damn them for life in the first. Sheriff Gasheric has a handsome double office fronting on the street, and its walls are gorgeously decorated with iron convict-jewelry. In the rear are two rows of cells, built of bomb-proof masonry and furnished with strong iron doors and resistless locks and bolts. There was but one prisoner—Swazey,[Pg 1814] the murderer of Derrickson—and he was writing; I do not know what his subject was, but he appeared to be handling it in a way which gave him great satisfaction....

Advice to the Unreliable on Church-Going

In the first place, I must impress upon you that when you are dressing for church, as a general thing, you mix your perfumes too much; your fragrance is sometimes oppressive; you saturate yourself with cologne and bergamot, until you make a sort of Hamlet's Ghost of yourself, and no man can decide, with the first whiff, whether you bring with you air from Heaven or from hell. Now, rectify this matter as soon as possible; last Sunday you smelled like a secretary to a consolidated drug store and barber shop. And you came and sat in the same pew with me; now don't do that again.

In the next place when you design coming to church, don't lie in bed until half past ten o'clock and then come in looking all swelled and torpid, like a doughnut. Do reflect upon it, and show some respect for your personal appearance hereafter.

There is another matter, also, which I wish to remonstrate with you about. Generally, when the contribution box of the missionary department is passing around, you begin to look anxious, and fumble in your vest pockets, as if you felt a mighty desire to put all your worldly wealth into it—yet when it reaches your pew, you are sure to be absorbed in your prayer-book, or gazing pensively out of the window at far-off mountains, or buried in meditation, with your sinful head supported by the back of the pew before you. And after the box is gone again, you usually start suddenly and gaze after it with a[Pg 1815] yearning look, mingled with an expression of bitter disappointment (fumbling your cash again meantime), as if you felt you had missed the one grand opportunity for which you had been longing all your life. Now, to do this when you have money in your pockets is mean. But I have seen you do a meaner thing. I refer to your conduct last Sunday, when the contribution box arrived at our pew—and the angry blood rises to my cheek when I remember with what

gravity and sweet serenity of countenance you put in fifty cents and took out two dollars and a half....

The Unreliable

The sample stops here

This is as far as the free sample of The Wit and Humor of America, Volume X (of X) goes

You have read 6 of 71 chapters. Start your trial to keep reading all 71 chapters, tap any word for an instant translation, hear the audio narration, and save your progress across devices.

Free sampleTap to translateAudio narration