VOLUME THE THIRD

Pindar, Olymp. vii.

CHRISTOPHER MARLOWE

EDITED BY A. H. BULLEN, B.A.

IN THREE VOLUMES VOLUME THE THIRD

LONDON JOHN C. NIMMO 14. KING WILLIAM STREET, STRAND, W.C. MDCCCLXXXV

One hundred and twenty copies of this Edition on Laid paper, medium 8vo, have been printed, and are numbered consecutively as issued.

No. ___

CONTENTS OF VOL. III.

[Pg 1]

HERO AND LEANDER.

[Pg 2]

Two editions of Hero and Leander appeared in 1598. The first edition, containing only Marlowe's portion of the poem, is entitled Hero and Leander. By Christopher Marloe. London, Printed by Adam Islip, for Edward Blunt. 1598. 4to. The title-page of the second edition, which contains the complete poem, is Hero and Leander: Begun by Christopher Marloe; and finished by George Chapman. Ut Nectar, Ingenium. At London, Printed by Felix Kingston, for Paule Linley, and are to be solde in Paules Churche-yard, at the signe of the Blacke-beare. 1598. 4to.

Two copies of the second edition were discovered a few years ago at Lamport Hall (the seat of Sir Charles Isham, Bart.) by Mr. Charles Edmonds. The existence of this edition was previously unknown. Later editions are:—

Hero and Leander: Begunne by Christopher Marloe: Whereunto is added the first booke of Lucan translated line for line by the same Author. Ut Nectar, Ingenium. At London Printed for John Flasket, and are to be solde in Paules Church-yard, at the signe of the Blacke-beare. 1600. 4to.

Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. At London. Imprinted for John Flasket, and are to be sold in Paules Church-yard, at the signe of the blacke Beare. 1606. 4to.

Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. At London. Imprinted for Ed. Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the signe of the blacke Beare. 1609. 4to.

Hero and Leander: Begunne by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London. Printed by W. Stansby for Ed. Blunt and W. Barret, and are to be sold in Pauls Church-yard, at the signe of the Blacke Beare. 1613. 4to.

Hero and Leander: Begun by Christoper Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London, Printed by A. M. for Richard Hawkins: and are to bee sold at his Shop in Chancerie-Lane, neere Serieants Inne. 1629. 4to.[Pg 3]

Hero and Leander: Begun by Christopher Marloe, and finished by George Chapman. Ut Nectar, Ingenium. London: Printed by N. Okes for William Leake, and are to be sold at his shop in Chancery-lane neere the Roules. 1637. 4to.

I have not had an opportunity of seeing the 4tos. of 1598 or the 4to. of 1600. For the text of the Isham copy, I am indebted to the Works of George Chapman: Poems and Minor Translations, 1875. I have examined the texts of eds. 1606, 1613, 1629, 1637; and my friend Mr. C. H. Firth has examined for me the Bodleian copy of ed. 1600, in the margin of which Malone has noted the readings of the first edition.[Pg 4]

TO THE RIGHT-WORSHIPFUL SIR THOMAS WALSINGHAM, KNIGHT.

Sir, we think not ourselves discharged of the duty we owe to our friend when we have brought the breathless body to the earth; for albeit the eye there taketh his ever-farewell of that beloved object, yet the impression of the man that hath been dear unto us, living an after-life in our memory, there putteth us in mind of farther obsequies due unto the deceased; and namely of the performance of whatsoever we may judge shall make to his living credit and to the effecting of his determinations prevented by the stroke of death. By these meditations (as by an intellectual will) I suppose myself executor to the unhappily deceased author of this poem; upon whom knowing that in his lifetime you bestowed many kind favours, entertaining parts of reckoning and worth which you found in him with good countenance and liberal affection, I cannot but see so far into the will of him dead, that whatsoever issue of his brain should chance to come abroad, that the first breath it should take might be the gentle air of your liking; for, since his self

had been accustomed thereunto, it would prove more agreeable and thriving to his right children than any other foster countenance whatsoever. At this time seeing that this unfinished tragedy happens under my hands to be imprinted; of a double duty, the one to yourself, the other to the deceased, I present the same to your most favourable allowance, offering my utmost self now and ever to be ready at your worship's disposing:

EDWARD BLUNT.[Pg 5]

HERO AND LEANDER.

THE FIRST SESTIAD.

The Argument[1] of the First Sestiad.

FOOTNOTES:

[1] The Arguments are by Chapman, who also divided Marlowe's portion of the form into the First and Second Sestiad.

[2] Eds. 1600, 1606, 1613, "Sea-borders."—Ed. 1598, according to Malone, has "sea-borderers;" and so eds. 1629, 1637.

[3] Some editions give "wore."

[4] Some eds. have "rockt," which may be the right reading.

[5] So ed. 1637.—The earlier editions that I have seen read "may."

[6] Cf. Venus and Adonis (l. 3)—

[7] So Hamlet i. 1—

[8] "Thrilling—tremulously moving."—Dyce. Perhaps the meaning rather is penetrating—drilling its way through—"the gloomy sky."

[9] Variegated (Lat. discolor).

[10] Dyce quotes a passage of Harington's Orlando Furioso where "flowre" (floor) rhymes with "towre."

[11] Ed. 1600 and later 4tos. "Tail'd." For the coupling of "Vailed" with "veiling," cf. 2. Tamb. v. iii. 6. "pitch their pitchy tents."

[12] This line is quoted in As you like it, iii. 5:—

[13] "A periphrasis of Night." Marginal note in ed. 1598.

[14] Lines 199-204, 221-222, are quoted, not quite accurately, by Matthew in Every Man in his Humour, iv. 1.

[15] Some eds. give "between."

[16] Cf. Shakespeare, Sonnet cxxxvi.—

[17] Some eds. read "sweet."

[18] Cf. Second Sestiad, l. 73—

[19] This line is quoted in England's Parnassus with the reading "ripest."

[20] Hushed.

[21] "To the 'beldam nurse' there occurs the following allusion in Drayton's Heroical Epistle from Queen Mary to Charles Brandon:—

[22] So the old eds.—Dyce reads "about."

[23] We are reminded of Lycidas:—

[24] Omitted in ed. 1600 and later 4tos.

[25] This word cannot be right. Query, "high-aspiring?"

[Pg 24]

THE SECOND SESTIAD.

The Argument of the Second Sestiad.

FOOTNOTES:

[26] Cf. Rom. and Jul. v. 1—

[27] Omitted in eds. 1600, 1606, 1613, and 1637.

[28] Peised, weighed.

[29] Rooms were strewed with rushes before the introduction of carpets. Shakespeare, like Marlowe, attributed the customs of his own day to ancient times. Cf. Cymb. ii. 2—

[30] Old eds. "crau'd."

[31] Some eds. give "O, none have power but gods."

[32] "In ages and countries where mechanical ingenuity has but few outlets it exhausts itself in the constructions of bits, each more peculiar in form or more torturing in effect than that which has preceded it. I have seen collections of these instruments of torments, and among them some of which Marlowe's curious adjective would have been highly descriptive. It may be, however, that the word is 'ring-led,' in which shape it would mean guided by the ring on each side like a snaffle."—Cunningham.

[33] Some eds. give "so faire and kind." Cf. Othello, iv. 2—

[34] Ed. 1613 and later eds. "upstarting."

[35] Fetched

[36] Some eds. give "shallow."

[37] In the old eds. this line and the next stood after l. 300. The transposition was made by Singer in the edition of 1821.

[38] Old eds.—"then ... displaid," and in the next line "laid."

[39] Old eds. "heare" and "haire."

[40] Old eds. "glympse."

[41] Pluto was frequently identified by the Greeks with Plutus.

[42] Old eds. "day bright-bearing car."

[43] Dinged, dashed. Some eds. give "hurled."—Here Marlowe's share ends.

[Pg 38]

THE EPISTLE[44] DEDICATORY

TO MY

BEST ESTEEMED AND WORTHILY HONOURED LADY THE

LADY WALSINGHAM,

ONE OF THE LADIES OF HER MAJESTY'S BED-CHAMBER.

I present your ladyship with the last affections of the first two Lovers that ever Muse shrined in the Temple of Memory; being drawn by strange instigation to employ some of my serious time in so trifling a subject, which yet made the first Author, divine Musaeus, eternal. And were it not that we must subject our accounts of these common received conceits to servile custom, it goes much against my hand to sign that for a trifling subject on which more worthiness of soul hath been shewed, and weight of divine wit, than can vouchsafe residence in the leaden gravity of any money-monger; in whose profession all serious subjects are concluded. But he that shuns trifles must shun the world; out of whose reverend heaps of substance and austerity I can and will ere long single or tumble out as brainless and passionate fooleries as ever panted in the bosom of the most ridiculous lover. Accept it, therefore, good Madam, though as a trifle, yet as a serious argument of my affection; for to be thought thankful for all free and honourable favours is a

great sum of that riches my whole thrift intendeth.[Pg 39]

Such uncourtly and silly dispositions as mine, whose contentment hath other objects than profit or glory, are as glad, simply for the naked merit of virtue, to honour such as advance her, as others that are hard to commend with deepliest politique bounty.

It hath therefore adjoined much contentment to my desire of your true honour to hear men of desert in court add to mine own knowledge of your noble disposition how gladly you do your best to prefer their desires, and have as absolute respect to their mere good parts as if they came perfumed and charmed with golden incitements. And this most sweet inclination, that flows from the truth and eternity of Nobles[se], assure your Ladyship doth more suit your other ornaments, and makes more to the advancement of your name and happiness of your proceedings, than if like others you displayed ensigns of state and sourness in your forehead, made smooth with nothing but sensuality and presents.

This poor Dedication (in figure of the other unity betwixt Sir Thomas and yourself) hath rejoined you with him, my honoured best friend; whose continuance of ancient kindness to my still-obscured estate, though it cannot increase my love to him which hath been entirely circular; yet shall it encourage my deserts to their utmost requital, and make my hearty gratitude speak; to which the unhappiness of my life hath hitherto been uncomfortable and painful dumbness.

FOOTNOTES:

[44] This Epistle is only found in the Isham copy, 1598.

[Pg 40]

THE THIRD SESTIAD.

The Argument of the Third Sestiad.

FOOTNOTES:

[45] Old eds. "improving."

[46] "He calls Phœbus the god of gold, since the virtue of his beams creates it."—Marginal note in the Isham copy.

[47] The reader will remember how grimly Lady Macbeth plays upon this word:—

[48] "It is not likely that Burns had ever read Hero and Leander, but compare Tam o' Shanter—

[49] In England's Parnassus the reading is "of men audacious."

[50] Wholly.

[51] Some eds. give "For as she was."

[52] A magical figure formed of intersected triangles. It was supposed to preserve the wearer from the assaults of demons. "Disparent would seem to mean that the five points of the ornaments radiated distinctly one from the other."—Cunningham.

[53] Old eds. "her."

[54] Heated.

[55] Old eds. "how."

[56] Substance, as opposed to spirit. Cf. note. Vol. i., 203.

[57] Cadiz, which was taken in June 21, 1596, by the force under the joint command of Essex and Howard of Effingham.

[58] So the Isham copy.—The other old eds. read "townes," for which Dyce gives "town."

[59] Within.

[60] Vent forth.

[61] "Fowl" and "fool" had the same pronunciation. Cf. 3 Henry VI. v. 6:—

The "moorish fool" is explained by the allusion to the lapwing, two lines above. (The lapwing was supposed to draw the searcher from her nest by crying in other places. "The lapwing cries most furthest from her nest."—Ray's Proverbs.)

[62] A kind of crape.

[63] So the modern editors for an "imitating."

[64] Ingenious. Chapman has the form "enginous" in his translation of the Odyssey, i. 452,

[65] Some modern editors unnecessarily give "With crowd of sail."

[66] Old eds. "joys."

[67] Old eds. "he."

[68] Some eds. give "For such a Hero."

[69] Command.

[Pg 57]

THE FOURTH SESTIAD.

The Argument of the Fourth Sestiad.

FOOTNOTES:

[70] Picture.

[71] "This conceit was suggested to Chapman by a passage in Skelton's Phyllyp Sparowe:

[72] Affections.

[73] "This description of the fisherman, as well as the picture which follows it, are borrowed (with alterations) from the first Idyl of Theocritus."—Dyce.

[74] "Eyas" is the name for an unfledged hawk. "Eyas thoughts" would mean "thoughts not yet full-grown,—immature." Dyce thinks the meaning of "eyas" here may be "restless." (Old eds. "yas.")

[75] A monosyllable.

[76] Some eds. give "them, then they burned as blood."

[77] Approaching catastrophe.

[78] Some eds. "and."

[79] Used transitively.

[80] Some eds. "Leanders."

[81] Shakespeare uses the verb "slubber" in the sense of "perform in a slovenly manner" (Merchant of Venice, ii. 8, "Slubber not business for my sake").

[82] Companions, yoke-mates.

[83] Gr. ἡδονη.

[84] From Lat. crista?

[85] Prune.

[86] Gr. λευκοτης.

[87] Gr. δαψιλης.

[88] Some eds. read "Coyne and impure."

[89] From Gr. οικτος?

[90] Some eds. "in."

[91] "A compound, probably, from ερως and νοσος or νουσος Ionice." Ed. 1821.

[Pg 71]

THE FIFTH SESTIAD.

The Argument of the Fifth Sestiad.

The Tale of Teras.

Epithalamion Teratos.

FOOTNOTES:

[92] Some modern editors read "sat."

[93] Singer suggested "Alcmaeon."

[94] "Chapman has a passage very similar to this in his Widow's Tears, Act iv.:—

[95] "Old eds. 'prayes,' 'praies,' 'preies,' and 'pryes.'"—Dyce.

[96] Dyce reads "enthrill'd" (a word that I do not remember to have seen).

[97] Did make to spring. Cf. Fourth Sestiad, l. 169.

[98] So the Isham copy. All other editions omit the words "the blood."

[99] "Valure" is frequently found as a form of "value;" but I suspect, with Dyce, that it is here put (metri causa) for "valour."

[100] Plot.

[101] Gr. αδολεσχης.

[102] Some eds. "price."

[103] Gr. ἁγνεια

[104] Singer gives a reference to Pausan, x. 5.—Old eds. "Phemonor" and "Phemoner."

[105] Comfits.

[106] "Other some" is a not uncommon form of expression. See Halliwell's Dict. of Archaic and Provincial Words.

[107] Old eds. "their."

[108] Old eds. "his."

[109] A sudden pettishness or freak of fancy. Cf. Two Noble Kinsmen:—

[110] Former editors have not noticed that Chapman is here closely imitating Catullus' Carmen Nuptiale—

[111] Some eds. "starting." Cf. Julius Cæsar, iv. 3, ll. 278-9—

[112] "Old eds. 'much-rong,' 'much rongd,' and 'much-wrong'd.'"—Dyce (who reads "much-wrung").

[Pg 91]

THE SIXTH SESTIAD.

The Argument of the Sixth Sestiad.

FOOTNOTES:

[113] It should be binds: i.e., "Leucote flies to the several winds, and, commissioned by the Fates, commands them to restrain their violence." Broughton.

[114] The next few lines are in Chapman's obscurest manner. "Devotes," in l. 21, means, I suppose, "tokens of devotion to his patron."

[115] Cunningham says, "I cannot perceive the meaning of 'doth repair more tender fawns.'" "Fawns" is equivalent to "fawnings;" and the meaning seems to be, "applies himself to softer blandishments."

[116] Orithyia.—The story of the rape of Orithyia is told in a magnificent passage of Mr. Swinburne's Erectheus.

[117] So the Isham copy. Later eds. "true."

[118] So the Isham copy. Later eds. "torrent."

[119] Some eds. "himselfe surpris'd." Dyce gives "himself so priz'd."

[120] A short arrow blunted at the end; it killed birds without piercing them.

[121] Countenance.

[122] Clipt, embraced.

[123] From Gr. Ατθις (a woman of Attica, i.e., Orithyia).

[124] "The flame taking bait (refreshment), feeding." Dyce. (Old eds. "bating.")

[125] Old eds. "vsde."

[126] Isham copy "deuil."

[127] In Chapman's day the work of the grammarian Musaeus was supposed to be the genuine production of the fabulous son of Eumolpus.

[Pg 103]

[Pg 104]

OVID'S ELEGIES.

All the old editions of Marlowe's translation of the Amores are undated, and bear the imprint Middleburgh (in various spellings). It is probable that the copy which Mr. Charles Edmonds discovered at Lamport Hall, Northamptonshire (the seat of Sir Charles Isham, Bart.), is the earliest of extant editions. The title-page of this edition is—Epigrammes and Elegies By I. D. and C. M. At Middleborugh 12mo. After the title-page come the Epigrammata, which are signed at the end "I. D." (the initials of Sir John Davies). Following the Epigrammata is a copy of verses headed Ignoto, and then comes a second title-page—Certaine of Ovid's Elegies. By C. Marlowe. At Middleborough. In his preface to a facsimile reprint of the little volume, Mr. Edmonds states his conviction that this edition, notwithstanding the imprint Middleborough, was issued at London from the press of W. Jaggard, who in 1599 printed the Passionate Pilgrime. He grounds his opinion not only on the character of the type and of the misprints, but on the fact that there would be no need for the book to

be printed abroad in the first instance. It was not (he thinks) until after June 1599—when (with other books) it was condemned by Archbishop Whitgift to be burnt—that recourse was had to the expedient of reprinting it at Middleburgh. In the notes I refer to this edition as Isham copy.

The next edition, which has the same title-pages as the Isham copy—Epigrammes and Elegies by I. D. and C. M. at Middleborugh, 12mo—was certainly, to judge from its general appearance, printed abroad, and by foreigners. The text agrees in the main with that of the Isham copy, but the corruptions are more numerous. I have followed Dyce in referring to this edition as Ed. A.

The Isham copy and Ed. A contain only a portion of the Elegies. The complete translation appeared in All Ovid's Elegies: 3 Bookes. By C. M. Epigrams by I. D. At Middleborugh, 12mo. (Ed. B); and in another edition with the same title-page (Ed. C). The readings of Ed. C. I have occasionally borrowed from Dyce. It is supposed that the book "continued to be printed with Middleburgh on the title, and without date, as late as 1640" (Hazlitt).[Pg 105]

OVID'S ELEGIES.

P. OVIDII NASONIS AMORUM.

LIBER PRIMUS.

Elegia I.

Quemadmodum a Cupidine, pro bellis amoris scribere coactus sit.

FOOTNOTES:

[128] So the Isham copy. Ed. A. "the."

[129] Isham copy and ed. A. "vpreard, I meane."

[130] The original has—

[131]

[132] Sheen.

[133] Dyce's correction for "praise" of the old eds.

[Pg 107]

Elegia II.

Quod primo amore correptus, in triumphum duci se a Cupidine patiatur.

FOOTNOTES:

[134] Then.

[135] So the Isham copy and ed. A. Other eds. "struggling."

[136] "Frena minus sentit quisquis ad arma facit."—Marlowe's line strongly supports the view that "bear hard" in Julius Cæsar means "curb, keep a tight rein over" (hence "eye with suspicion"). Cf. Christopher Clifford's School of Horsemanship (1585):—"But the most part of horses takes it [a 'wil of his owne'] through the unskilfulnesse of the rider by bearing too hard a hand upon them," p. 35.

[137] "Our poet's copy of Ovid had 'Tu penna pulchros gemina variante capillos.'"—Dyce. (The true reading "Tu pennas gemma, gemma, variante capillos.")

[138] Old eds. "kinsmans."

[139] Old eds. "thee."

Elegia III.

Ad amicam.

FOOTNOTES:

[140] Isham copy "aske."

[141] Ed. A. "cause me to be thine."

[142] "Temperat et sumptus parcus uterque parens."

[143] Isham copy and ed. A. "Bull."

Elegia IV.[144]

Amicam, qua arte quibusque nutibus in cæna, presente viro, uti debeat, admonet.

FOOTNOTES:

[144] Not in Isham copy or ed. A.

[145] So Dyce; old eds. "receive."

[146] "Optabis merito cum mala multa viro."

[147] "Bibat ipse jubeto."

[148] So Dyce for "goblets" of the old eds. ("Rejice libatos illius ore cibos.")

[149] "Fiam manifestus adulter."

[150] The original has "Nocte vir includet."

[151] "Dedisse nega."

Elegia V.

Corinnæ concubitus.

FOOTNOTES:

[152] Isham copy and ed. A. "spread."

[153] Ed. A. "her faire white body." ("Et nudam pressi corpus ad usque meum.")

Elegia VI.[154]