A. H. BULLEN, B.A.
IN THREE VOLUMES
VOLUME THE THIRD
LONDON JOHN C. NIMMO 14, KING WILLIAM STREET, STRAND, W.C. MDCCCLXXXVII
Two hundred copies of this Edition on Laid paper, medium 8vo, have been printed, viz., 120 for the English Market, and 80 for America. Each copy numbered as issued.
No. 30
CONTENTS OF VOL. III.
EASTWARD HO.
Eastward Hoe. As It was playd in the Black-friers. By The Children of her Maiesties Reuels. Made by Geo: Chapman. Ben: Jonson. Ioh: Marston. At London Printed for William Aspley. 1605. 4to.
STORY OF THE PLAY.
Master Touchstone, an honest goldsmith, has two daughters and two apprentices. The elder daughter, Gertrude, is proud, extravagant, and wanton; the younger, Mildred, is simple, thrifty, and modest. So with the apprentices: Quicksilver is a graceless unthrift, but Golding is a model of industry and sobriety. A needy knight, Sir Petronel Flash, who represents himself to be the owner of a castle, marries Gertrude; and Golding, released from his apprenticeship, marries Mildred. Sir Petronel’s aim is to acquire some land of which Gertrude is possessed, turn it into ready money, and take ship with some adventurous spirits for Virginia, leaving his wife to find her way to the imaginary castle. Quicksilver, who has been dismissed from Touchstone’s service for riotous living, introduces Sir Petronel to an old usurer, Security; and Gertrude signs a deed, by which her estate is conveyed into Security’s hands. The knight is in love with Security’s wife, Winifred, and is anxious to have her society on the voyage. He tells
Security that he intends to run away with the wife of one Bramble, a lawyer, and Security enters heartily into the scheme. It is contrived by Sir Petronel and Quicksilver that on the eve of the voyage Security brings Winifred in disguise (imagining her to be Bramble’s wife) to a river-side tavern, where are gathered Sir Petronel, Quicksilver, Seagull (the captain of the ship which is to sail for Virginia), Bramble, and the knight’s fellow-passengers, Scapethrift and Spendall. After drinking heavily at the tavern, the company rises to take boat for Blackwall, where Sir Petronel’s ship lies. As there is a stormy wind blowing and the tide is against them, the watermen urge that it would be unsafe to venture; but the company insists in starting, and the result is that the boats—one driven one way, another another—are capsized, and the drunken occupants are soused in the Thames. Security swims ashore at Cuckold’s Haven; Winifred is rescued at St. Katherine’s; Quicksilver finds himself by the gallows at Wapping; Sir
Petronel and Seagull are cast-up on the Isle of Dogs, which the cupshot knight takes to be a spot on the French coast. Quicksilver falls in with Sir Petronel and the two repair to London, where they are arrested at the suit of Touchstone and, after being examined before Golding (who has been appointed deputy to the alderman of his ward), are committed to the Counter. Here, having leisure to review their conduct, they become deeply penitent, and set a wholesome example to the rest of the prisoners. By Golding’s kind offices they are released from the Counter and are taken into the good graces of Touchstone, who has had convincing proof of their reformation. Gertrude, though she has been slower to express contrition, finally humbles her pride and is received back into favour. Quicksilver marries his cast mistress, Sindefy, and lives cleanly; Security takes back Winifred.
PROLOGUS.
Not out of envy, for there’s no effect Where there’s no cause; nor out of imitation, For we have evermore been imitated;[1] Nor out of our contention to do better Than that[2] which is opposed to ours in title, For that was good; and better cannot be: And for the title, if it seem affected, We might as well have call’d it, “God[3] you good even:” Only that eastward westwards still exceeds, Honour the sun’s fair rising, not his setting. 10 Nor is our title utterly enforced, As by the points we touch at you shall see. Bear with our willing pains, if dull or witty, We only dedicate it to the City.
[1] This tone of arrogant assumption is very characteristic of Ben Jonson, who probably contributed the prologue. Cf. Prologue to Cynthia’s Revels:—
“In this alone his Muse her sweetness hath; She shuns the print of any beaten path, And proves new ways to come to learned ears,” &c.
[2] The comedy of Westward Ho, by Webster and Dekker; it was not published until 1607.—Eastward Ho and Westward Ho were the cries of the watermen who plied on the Thames.
[3] A shortened form of “God give you good even.”
DRAMATIS PERSONÆ.[4]
Touchstone, a goldsmith. Quicksilver, and Golding, apprentices to Touchstone. Sir Petronel Flash, a shifty knight. Security, an old usurer. Bramble, a lawyer. Seagull, a sea-captain. Scapethrift, and Spendall, adventurers bound for Virginia. Slitgut, a butcher’s apprentice. Poldavy, a tailor. Holdfast, and Wolf, officers of the Counter. Hamlet, a footman. Potkin, a tankard-bearer. Drawer.
Mistress Touchstone. Gertrude, and Mildred, her daughters. Winifred, wife to Security. Sindefy, mistress to Quicksilver. Bettrice, a waiting-woman. Mrs. Ford, Mrs. Gazer, Coachman, Page, Constables, Prisoners, &c.
Scene—London and Thames-side.
[4] Not marked in old ed.
EASTWARD HO.
ACT I.
SCENE I.
Goldsmiths’ Row.
Enter Master Touchstone and Quicksilver at several doors; Quicksilver with his hat, pumps, short sword and dagger, and a racket trussed up under his cloak. At the middle door, enter Golding, discovering a goldsmith’s shop, and walking short turns before it.
To. And whither with you now? what loose action are you bound for? Come, what comrades are you to meet withal? where’s the supper? where’s the rendezvous?
Qu. Indeed, and in very good sober truth, sir——
To. Indeed, and in very good sober truth, sir! Behind my back thou wilt swear faster than a French foot-boy, and talk more bawdily than a common midwife; and now “indeed and in very good sober truth, sir!” but if a privy search should be made, with what furniture are you rigged now? Sirrah, I tell thee, I am thy master, William Touchstone, goldsmith; and thou my prentice, Francis Quicksilver, and I will see whither you are running. Work upon that now. 14
Qu. Why, sir, I hope a man may use his recreation with his master’s profit.
To. Prentices’ recreations are seldom with their master’s profit. Work upon that now. You shall give up your cloak, though you be no alderman. Heyday! ruffians’-hall sword, pumps, here’s a racket indeed!
[Touchstone uncloaks Quicksilver.
Qu. Work upon that now.
To. Thou shameless varlet! dost thou jest at thy lawful master, contrary to thy indentures? 23
Qu. Why ’sblood, sir, my mother’s a gentlewoman, and my father a justice of peace and of Quorum; and though I am a younger brother and a prentice, yet I hope I am my father’s son; and by God’s lid, ’tis for your worship and for your commodity that I keep company. I am entertained among gallants, true;[5] they call me cousin Frank, right; I lend them moneys, good; they spend it, well. But when they are spent, must not they strive to get more, must not their land fly? and to whom? Shall not your worship ha’ the refusal? Well, I am a good member of the city, if I were well considered. How would merchants thrive, if gentlemen would not be unthrifts? How could gentlemen be unthrifts if their humours were not fed? How should their humours be fed but by white meat, and cunning secondings? Well, the city might consider us. I am going to an ordinary now: the gallants fall to play; I carry light gold with me; the gallants call, “Cousin Frank, some gold for silver;” I change, gain by it; the gallants lose the gold, and then
call, “Cousin Frank, lend me some silver.” Why—— 43
To. Why? I cannot tell. Seven-score pound art thou out in the cash; but look to it, I will not be gallanted out of my moneys. And as for my rising by other men’s fall, God shield me! did I gain my wealth by ordinaries? no: by exchanging of gold? no: by keeping of gallants’ company? no. I hired me a little shop, fought low, took small gain, kept no debt-book, garnished my shop, for want of plate, with good wholesome thrifty sentences; as, “Touchstone, keep thy shop, and thy shop will keep thee;” “Light gains makes heavy purses;” “’Tis good to be merry and wise.” And when I was wived, having something to stick to, I had the horn of suretyship ever before my eyes. You all know the device of the horn, where the young fellow slips in at the butt-end, and comes squeezed out at the buckall: and I grew up, and I praise providence, I bear my brows now as high as the best of my neighbours: but thou——well, look to the accounts; your father’s bond lies for you: seven-score pound is yet in the rear. 62
Qu. Why ’slid, sir, I have as good, as proper gallants’ words for it as any are in London—gentlemen of good phrase, perfect language, passingly behaved; gallants that wear socks and clean linen, and call me “kind cousin Frank,” “good cousin Frank,” for they know my father: and by God’s lid shall I not trust ’hem?—not trust?
Enter a Page as inquiring for Touchstone’s shop.
Go. What do ye lack, sir? What is’t you’ll buy, sir?
To. Ay, marry sir; there’s a youth of another piece. There’s thy fellow-prentice, as good a gentleman born as thou art: nay, and better meaned. But does he pump it, or racket it? Well, if he thrive not, if he outlast not a hundred such crackling bavins as thou art, God and men neglect industry. 75
Go. It is his shop, and here my master walks.
[To the Page.
To. With me, boy?
Pa. My master, Sir Petronel Flash, recommends his love to you, and will instantly visit you.
To. To make up the match with my eldest daughter, my wife’s dilling,[6] whom she longs to call madam. He shall find me unwillingly ready, boy. [Exit Page.] There’s another affliction too. As I have two prentices, the one of a boundless prodigality, the other of a most hopeful industry—so have I only two daughters: the eldest, of a proud ambition and nice wantonness; the other of a modest humility and comely soberness. The one must be ladified, forsooth, and be attired just to the court-cut and long tail.[7] So far is she ill-natured to the place and means of my preferment and fortune, that she throws all the contempt and despite hatred itself can cast upon it. Well, a piece of land she has; ’twas her grandmother’s gift; let her, and her Sir Petronel, flash out that; but as for my substance, she that scorns me, as I am a citizen and tradesman, shall never pamper her pride with my industry; shall never use me as men do foxes, keep themselves warm in the skin, and throw the body that bare it to the dunghill. I must go entertain
this Sir Petronel. Golding, my utmost care’s for thee, and only trust in thee; look to the shop. As for you, Master Quicksilver, think of husks, for thy course is running directly to the prodigal’s hog’s-trough; husks, sirrah! Work upon that now.
[Exit Touchstone.
Qu. Marry faugh,[8] goodman flat-cap![9] ’sfoot! though I am a prentice I can give arms;[10] and my father’s a justice-a-peace by descent, and ’sblood—— 106
Go. Fie, how you swear!
Qu. ’Sfoot, man, I am a gentleman, and may swear by my pedigree. God’s my life! Sirrah Golding, wilt be ruled by a fool? Turn good fellow, turn swaggering gallant, and let the welkin roar, and Erebus also.[11] Look not westward to the fall of Dan Phœbus, but to the east—Eastward-ho!
Where radiant beams of lusty Sol appear, And bright Eous makes the welkin clear.
We are both gentlemen, and therefore should be no coxcombs: let’s be no longer fools to this flat-cap, Touchstone. Eastward, bully, this satin belly, and canvas-backed Touchstone: ’slife! man, his father was a maltman, and his mother sold gingerbread in Christchurch.[12] 121
Go. What would you ha’ me to do?
Qu. Why, do nothing, be like a gentleman, be idle; the curse of man is labour. Wipe thy bum with testones, and make ducks and drakes with shillings. What, Eastward-ho! Wilt thou cry, “what is’t ye lack?” stand with a bare pate, and a dropping nose, under a wooden pent-house, and art a gentleman? Wilt thou bear tankards, and mayst bear arms? Be ruled; turn gallant; Eastward-ho! ta, lirra, lirra, ro! “Who[13] calls Jeronimo? Speak, here I am.” God’s so! how like a sheep thou look’st: o’ my conscience, some cowherd begot thee, thou Golding of Golding-hall! Ha, boy? 133
Go. Go, ye are a prodigal coxcomb! I a cowherd’s son, because I turn not a drunken whore-hunting rake-hell like thyself!
Qu. Rake-hell! rake-hell!
[Offers to draw, and Golding trips up his heels and holds him.
Go. Pish, in soft terms, ye are a cowardly bragging boy. I’ll ha’ you whipt.
Qu. Whipt?—that’s good, i’faith! untruss me? 140
Go. No, thou wilt undo thyself. Alas! I behold thee with pity, not with anger: thou common shot-clog,[14] gull of all companies; methinks I see thee already walk-in Moorfields[15] without a cloak, with half a hat, without a band, a doublet with three buttons, without a girdle, a hose with one point, and no garter, with a cudgel under thine arm, borrowing and begging threepence.
Qu. Nay, ’slife! take this and take all; as I am a gentleman born, I’ll be drunk, grow valiant, and beat thee.
[Exit.
Go. Go, thou most madly vain, whom nothing can recover but that which reclaims atheists, and makes great persons sometimes religious—calamity. As for my place and life, thus I have read:— 154
Whate’er some vainer youth may term disgrace, The gain of honest pains is never base; From trades, from arts, from valour, honour springs, These three are founts of gentry, yea, of kings.
Enter Gertrude, Mildred, Bettrice, and Poldavy, a tailor; Poldavy with a fair gown, Scotch farthingale and French-fall in his arms; Gertrude in a French head-attire, and citizen’s gown; Mildred sewing and Bettrice leading a monkey after her.[16]
Ge. For the passion of patience, look if Sir Petronel approach—that sweet, that fine, that delicate, that—for love’s sake tell me if he come. O sister Mill, though my father be a low-capped tradesman, yet I must be a lady; and I praise God my mother must call me madam. Does he come? Off with this gown, for shame’s sake, off with this gown: let not my knight take me in the city-cut in any hand: tear’t, pax on’t (does he come?) tear’t off. “Thus whilst she sleeps, I sorrow for her sake,” &c.[17] 167
Mi. Lord, sister, with what an immodest impatiency and disgraceful scorn do you put off your city ’tire; I am sorry to think you imagine to right yourself in wronging that which hath made both you and us.
Ge. I tell you I cannot endure it, I must be a lady: do you wear your coif with a London licket,[18] your stammel[19] petticoat with two guards,[20] the buffin[21] gown with the tuff-taffety cape, and the velvet lace. I must be a lady, and I will be a lady. I like some humours of the city-dames well: to eat cherries[22] only at an angel a pound, good; to dye rich scarlet, black, pretty; to line a grogram gown clean thorough with velvet, tolerable; their pure linen, their smocks of three pounds a smock, are to be borne withal. But your mincing niceries, taffeta pipkins, durance[23] petticoats, and silver bodkins—God’s my life, as I shall be a lady, I cannot endure it! Is he come yet? Lord, what a long knight ’tis! “And ever she cried, Shoot[24] home!” and yet I knew one longer; “And ever she cried, Shoot[24] home,” fa, la, ly, re, lo, la!
Mi. Well, sister, those that scorn their nest, oft fly with a sick wing. 188
Ge. Bow-bell!
Mi. Where titles presume to thrust before fit means to second them, wealth and respect often grow sullen, and will not follow. For sure in this, I would for your sake I spake not truth: Where ambition of place goes before fitness of birth, contempt and disgrace follow. I heard a scholar once say, that Ulysses, when he counterfeited himself mad, yoked cats[25] and foxes and dogs together to draw his plough, whiles he followed and sowed salt; but sure I judge them truly mad, that yoke citizens and courtiers, tradesmen and soldiers, a goldsmith’s daughter and a knight. Well, sister, pray God my father sow not salt too. 201
Ge. Alas! poor Mildred, when I am a lady, I’ll pray for thee yet, i’faith: nay, and I’ll vouchsafe to call thee sister Mill still; for though thou art not like to be a lady as I am, yet sure thou art a creature of God’s making; and mayest peradventure to be saved as soon as I (does he come?). “And ever and anon she doubled in her song.” Now, lady’s my comfort, what profane ape’s here? Tailor, Poldavy, prithee, fit it, fit it: is this a right Scot?[26] Does it clip close, and bear up round? 210
Po. Fine and stiffly, i’faith; ’twill keep your thighs so cool, and make your waist so small; here was a fault in your body, but I have supplied the defect, with the effect of my steel instrument, which, though it have but one eye, can see to rectify the imperfection of the proportion.
Ge. Most edifying tailor! I protest you tailors are most sanctified members, and make many crooked things go upright. How must I bear my hands? Light? light? 219
Po. O ay, now you are in the lady-fashion, you must do all things light. Tread light, light. Ay, and fall so: that’s the Court-amble.
[She trips about the stage.
Ge. Has the Court ne’er a trot?
Po. No, but a false gallop, lady.
Ge. And if she will not go to bed—
[Cantat.
Be. The knight’s come, forsooth.
Enter Sir Petronel, Master Touchstone, and Mistress Touchstone.
Ge. Is my knight come? O the Lord, my band! Sister, do my cheeks look well? Give me a little box o’ the ear, that I may seem to blush; now, now! So, there, there, there! here he is: O my dearest delight! Lord, Lord! and how does my knight? 231
To. Fie! with more modesty.
Ge. Modesty! why, I am no citizen now—modesty! Am I not to be married? y’are best to keep me modest, now I am to be a lady.
Sir Pe. Boldness is good fashion and courtlike.
Ge. Ay, in a country lady I hope it is, as I shall be. And how chance ye came no sooner, knight?
Sir Pe. ’Faith, I was so entertained in the progress with one Count Epernoum, a Welsh knight; we had a match at balloon[27] too with my Lord Whachum, for four crowns. 242
Ge. At baboon? Jesu! you and I will play at baboon in the country, knight.
Sir Pe. O, sweet lady! ’tis a strong play with the arm.
Ge. With arm or leg, or any other member, if it be a Court-sport. And when shall’s be married, my knight?
Sir Pe. I come now to consummate it, and your father may call a poor knight son-in-law. 250
M. To. Sir, ye are come; what is not mine to keep I must not be sorry to forego. A 100 li. land her grandmother left her, ’tis yours; herself (as her mother’s gift) is yours. But if you expect aught from me, know, my hand and mine eyes open together; I do not give blindly. Work upon that now.
Sir Pe. Sir, you mistrust not my means? I am a knight.
To. Sir, sir, what I know not, you will give me leave to say I am ignorant of. 260
Mist. To. Yes, that he is a knight; I know where he had money to pay the gentlemen-ushers and heralds their fees. Ay, that he is a knight, and so might you have been too, if you had been aught else than an ass, as well as some of your neighbours. And I thought you would not ha’ been knighted, as I am an honest woman, I would ha’ dubbed you myself. I praise God I have wherewithal. But as for your daughter——
Ge. Ay, mother, I must be a lady to-morrow; and by your leave, mother (I speak it not without my duty, but only in the right of my husband), I must take place of you, mother. 272
Mist. To. That you shall, lady-daughter, and have a coach as well as I too.
Ge. Yes, mother. But by your leave, mother (I speak it not without my duty, but only in my husband’s right), my coach-horses must take the wall of your coach-horses.
The sample stops here
This is as far as the free sample of The Works of John Marston. Volume 3 goes
Start your trial to keep reading all 1 chapters, tap any word for an instant translation, hear the audio narration, and save your progress across devices.